Английский по методу w_cat - [5]
97 "No," she said. "I'm not Georgina."
98 "Oh!" said Anne, in surprise. "Then who are you?"
99 "I'm George," said the girl. "I shall only answer if you call me George. I hate being a girl. I won't be. I don't like doing the things that girls do. I like doing the things that boys do. I can climb better than any boy, and swim faster too. I can sail a boat as well as any fisher-boy on this coast. You're to call me George. Then I'll speak to you. But I shan't if you don't."
100 "Oh!" said Anne, thinking that her new cousin was most extraordinary. "All right! I don't care what I call you. George is a nice name, I think. I don't much like Georgina. Anyway, you look like a boy."
101 "Do I really?" said George, the frown leaving her face for a moment. "Mother was awfully cross with me when I cut my hair short. I had hair all round my neck; it was awful."
102 The two girls stared at one another for a moment. "Don't you simply hate being a girl?" asked George.
103 "No, of course not," said Anne. "You see- I do like pretty frocks- and I love my dolls- and you can't do that if you're a boy."
104 "Pooh! Fancy bothering about pretty frocks," said George, in a scornful voice. "And dolls! Well, you are a baby, that's all I can say."
105 Anne felt offended. "You're not very polite," she said. "You won't find that my brothers take much notice of you if you act as if you knew everything. They're real boys, not pretend boys, like you."
106 "Well, if they're going to be nasty to me I shan't take any notice of them," said George, jumping out of bed. "I didn't want any of you to come, anyway. Interfering with my life here! I'm quite happy on my own. Now I've got to put up with a silly girl who likes frocks and dolls, and two stupid boy-cousins!"
107 Anne felt that they had made a very bad beginning. She said no more, but got dressed herself too. She put on her grey jeans and a red jersey. George put on jeans too, and a boy's jersey. Just as they were ready the boys hammered on their door.
108 "Aren't you ready? Is Georgina there? Cousin Georgina, come out and see us."
109 George flung open the door and marched out with her head high. She took no notice of the two surprised boys at all. She stalked downstairs. The other three children looked at one another.
110 "She won't answer if you call her Georgina," explained Anne. "She's awfully queer, I think. She says she didn't want us to come because we'll interfere with her. She laughed at me, and was rather rude."
111 Julian put his arm round Anne, who looked a bit doleful. "Cheer up!" he said. "You've got us to stick up for you. Come on down to breakfast."
112 They were all hungry. The smell of bacon and eggs was very good. They ran down the stairs and said good-morning to their aunt. She was just bringing the breakfast to the table. Their uncle was sitting at the head, reading his paper. He nodded at the children. They sat down without a word, wondering if they were allowed to speak at meals. They always were at home, but their Uncle Quentin looked rather fierce.
113 George was there, buttering a piece of toast. She scowled at the three children.
114 "Don't look like that, George," said her mother. "I hope you've made friends already. It will be fun for you to play together. You must take your cousins to see the bay this morning and show them the best places to bathe."
115 "I'm going fishing," said George.
Her father looked up at once.
116 "You are not," he said. "You are going to show a few good manners for a change, and take your cousins to the bay. Do you hear me?"
117 "Yes," said George, with a scowl exactly like her father's.
118 "Oh, we can go to the bay by ourselves all right, if George is going fishing," said Anne, at once, thinking that it would be nice not to have George if she was in a bad temper.
119 "George will do exactly as she's told," said her father. "If she doesn't, I shall deal with her."
120 So, after breakfast, four children got ready to go down to the beach. An easy path led down to the bay, and they ran down happily. Even George lost her frown as she felt the warmth of the sun and saw the dancing sparkles on the blue sea.
121 "You go fishing if you want to," said Anne when they were down on the beach. "We won't tell tales of you. We don't want to interfere with you, you know. We've got ourselves for company, and if you don't want to be with us, you needn't."
122 "But we'd like you, all the same, if you'd like to be with us," said Julian, generously. He thought George was rude and ill-mannered, but he couldn't help rather liking the look of the straight-backed, short-haired little girl, with her brilliant blue eyes and sulky mouth.
123 George stared at him. "I'll see, she said. "I don't make friends with people just because they're my cousins, or something silly like that. I only make friends with people if I like them."
124 "So do we," said Julian. "We may not like you, of course."
125 "Oh!" said George, as if that thought hadn't occurred to her. "Well- you may not, of course. Lots of people don't like me, now I come to think of it."
Книга предназначена студенту, писавшему программы только в качестве курсовых, "сдавшему" Delphi и несмотря на это, желающему стать программистом. Это, не сборник готовых рецептов, автор хочет поставить читателя в условия максимально приближенные к рабочим. Мы вместе напишем программу, пройдя через ошибки, и сомнения к окончательной победе...
Книга предназначена студенту, писавшему программы только в качестве курсовых, "сдавшему" Delphi и несмотря на это, желающему стать программистом. Это, не сборник готовых рецептов, автор хочет поставить читателя в условия максимально приближенные к рабочим. Мы вместе напишем программу, пройдя через ошибки, и сомнения к окончательной победе...
В новой книге известного писателя Елены Первушиной на конкретных примерах показано, как развивался наш язык на протяжении XVIII, XIX и XX веков и какие изменения происходят в нем прямо сейчас. Являются ли эти изменения критическими? Приведут ли они к гибели русского языка? Автор попытается ответить на эти вопросы или по крайней мере дать читателям материал для размышлений, чтобы каждый смог найти собственный ответ.
Как писать письмо на английском языке? Пособие представляет собой собрание образцов писем на английском языке, затрагивающих самые разнообразные стороны повседневной жизни. Это дружеские и деловые письма, письма – приглашения в гости и письма-благодарности, письма-извинения и письма-просьбы. Книга знакомит с этикетом написания письма на английском языке, некоторыми правилами английской пунктуации и орфографии, а также содержит справочные материалы, необходимые при написании писем. Пособие рассчитано на широкий круг лиц, владеющих английским языком в той или иной степени и стремящихся поддерживать письменные контакты с представителями англоязычных стран.
Мир вокруг нас не что иное, как постоянное перетекание и взаимодействие «своего» и «иного», «себя» и «не-себя», «самости» и «чуждости». Эта книга — о познании себя через другого, через опыт и призму инаковости, о поиске Другого: иного во мне самом, в культуре, в тексте. Другой всегда дан, и он же всегда находится в модусе ускользания. Пока мы ищем Другого, мы не перестаем задаваться вопросами и отвечать, мы все еще открыты для других и мира вокруг нас, мы все еще готовы принять ответственность.
В этот сборник вошли статьи по литературному творчеству писателя Волкова Олега, которые были опубликованы им в личном блоге «Творчество как профессия» в популярной социальной сети «Живой журнал». В своих статьях Волков Олег затрагивает вопросы, которые либо плохо освещены в статьях и пособиях признанных писателей, либо не затронуты ими вообще. Например типы писателей, типичные недостатки графоманов, самоорганизация и прочее. Так же даны рекомендации по книгам и пособия по литературному творчеству, которые автор счёл наиболее полезными для начинающих писателей. Первая книга дилогии.
Эта книга – первая часть четырёхтомника, посвящённого русской литературе двадцатого века. Каждая глава – страница истории глазами писателей и поэтов, ставших свидетелями главных событий эпохи, в которой им довелось жить и творить.В первый том вошли лекции о произведениях таких выдающихся личностей, как Чехов, Горький, Маяковский, Есенин, Платонов, Набоков и другие.Дмитрий Быков будто возвращает нас в тот год, в котором была создана та или иная книга.Книга создана по мотивам популярной программы «Сто лекций с Дмитрием Быковым».
Это научное исследование посвящено не только критическому анализу и осмыслению давно ставшей традиционной и широко дискутируемой теории «взаимоотношения языка и мышления», но и всех основных, связанных с нею, теоретических проблем языкознания.