The Doll's House - [60]
She was all fingers and thumbs as she lit the firelighters, stacked underneath the logs in their fireplace. It was an odd time of year for a log fire, but needs must. Eventually the match struck, the paraffin ignited and in minutes the fire was crackling nicely. Charlie didn’t hesitate, feeding the pages of the faked report, then even the file itself, into the flames. She was oddly tense, as she watched the papers catch and curl, as if Anti-Corruption might burst in at any moment. But the house – the street – was quiet and before long the papers were reduced to ash. Charlie wondered if it was enough. They had foiled Harwood’s initial attempt to bring Helen down, but how complex was this scheme? And was there anything they had overlooked? The thought of Southampton Central without Helen was absurd and yet this now seemed to be Harwood’s mission. And Charlie knew from experience that when Harwood wanted something badly enough, she generally got it.
98
It was an ambush. As soon as he opened the door, she was on to him, warrant card shoved roughly in his face.
‘Good morning, Mr Simpson. Not at work today?’
For a moment, Alan Simpson said nothing, too shocked by the sudden appearance of a police officer on his doorstep to respond. He swayed slightly as if unsteady on his feet.
‘I went to your work,’ Sanderson continued, ‘but they said you were running late. I hope I haven’t caught you at a bad time.’
‘Not at all,’ he replied quickly.
‘Good. Because I have a few more questions for you about Ruby Sprackling. May I come in?’
A heavy silence followed Sanderson’s request. Was that fear in Simpson’s eyes? Suspicion? Sanderson gazed over his shoulder to take in the interior. It was a mess. But was it embarrassment or something more sinister that prompted Simpson to pull the door closer behind him, cutting off her view?
‘Do you have a warrant?’
‘No. But it won’t take me long to get one -
‘Then I suggest we do this elsewhere.’
Sanderson stared at him – trying to provoke a reaction with her evident irritation and suspicion, but he didn’t blink, looking straight back at her with hard, unflinching eyes.
‘It’ll create a lot of paperwork if we go to the station,’ Sanderson replied. ‘Which will take up far more of your time. It really would be simpler if I just popped in -’
‘We’ll do it at the station. Do you have a car?’
‘Yes,’ Sanderson said resignedly.
‘Then let’s go,’ said Simpson, slamming the door decisively behind him.
99
Ruby came to with a start – a noise from upstairs startling her. How long had she been out of it? And what did that noise mean?
He had not returned to her since the beating, which surprised her. What was he up to, she wondered. Since she’d first encountered him – that awful day – she’d had the sense that he was holding himself back, keeping something in. She had glimpsed the emotion at times – sparks of desire, flashes of anger – but he had always managed to rein it in. To appear in control and in command. Not now. As he had laid in to her, Ruby had seen real fury, a desire to destroy her – which is why she’d been surprised to find she was still alive when she came to. Now that she had crushed his fantasy, now that she had duped him, what was there to hold him back?
The thought made Ruby shudder. She had no fear of death any more, but she was sickened by the thought of more pain. Most of her bones felt broken already, but who’s to say what further pain he might inflict, if he put his mind to it. She closed her eyes, trying to block out the thought of him falling on her in vengeance. Memories of his desire for her made her whimper. Please, God, not that…
The soft tickle of cool air made Ruby turn. The broken brick stared back at her. Shifting over to the wall, she pulled the loose fragments free. Taking the letters and cards from the hidey-hole, she laid them out on the ground next to her. She was in no doubt that she would die down here now – all that was left for her was to leave some kind of message, some kind of marker that she had lived – and died – in this strange, fabricated world. Locating the felt-tip pen, she removed the lid and shook it violently. Then, finding a spare square of blank paper, she began to write.
Nothing.
She shook the pen again, this time licking the end with her tongue. The bitter taste of ink cheered her and she began to write. But after three letters – ‘My n’ – the ink ran out and no amount of coaxing could yield any more. It had run dry.
Ruby lay amidst the letters, despondent, furious and utterly bereft. She made no attempt to conceal the letters – what was the point? They were all she had now. Her only connection to a world beyond her captor. She would leave them where they were, fanned out around her on the floor. She would spend the rest of her days in the company of three dead girls.
100
The woman entered the dirty bathroom. She locked the door, then began to undress. Soon she was naked. Standing in front of the cracked cabinet mirror, she regarded herself. Leaning in, she turned this way and that as if searching for imperfections. Then tiring of this self-examination, she climbed into the bath. Pulling the clear plastic shower curtain round, she turned on the shower. A begrudgingly small jet of water squeezed out of the showerhead, running over her face, neck and body.
The international bestseller that "grabs the reader by the throat" (Crime Time).First in the new series featuring Detective Inspector Helen Grace.Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.It's a game more twisted than any Detective Inspector Helen Grace has ever seen. If she hadn't spoken with the shattered survivors herself, she almost wouldn't believe them.Helen is familiar with the dark sides of human nature, including her own, but this case-with its seemingly random victims-has her baffled.
Детектив-инспектор Хелен Грейс расследует серию преступлений, в каждом из которых похищены два человека. Похититель ставит свои жертвы перед страшным выбором – убить другого или умереть самому. Как долго продолжится эта смертельная игра, зависит только от Хелен. Ведь этими похищениями маньяк шлет послание лично ей.
Detective Helen Grace faces her own dark compulsions in the new thriller from the international best-selling author of Pop Goes the Weasel and Eeny Meeny.In a world where disguises and discretion are the norm, and where one admission could unravel a life, a killer has struck, and a man is dead. No one wants to come forward to say what they saw or what they know – including the woman heading the investigation: Detective Helen Grace.Helen knew the victim. And the victim knew her – better than anyone else.
THE FOURTH DI HELEN GRACE THRILLER BY BESTSELLING AUTHOR M J ARLIDGE 'Helen Grace is one of the greatest heroes to come along in years' JEFFERY DEAVER In the dead of night, three raging fires light up the city skies. It's more than a tragic coincidence. For DI Helen Grace the flames announce the arrival of an evil she has never encountered before. Because this is no firestarter seeking sick thrills, but something more chilling: a series of careful, calculating acts of murder. But why were the victims chosen? What's driving the killer? And who will be next? A powder keg of fear, suspicion and dread has been laid.
From the international bestselling author of Eeny Meeny comes the second thriller in the truly excellent series * featuring Detective Helen Grace."A man s body is found in an empty house.A gruesome memento of his murder is sent to his wife and children."He is the first victim, and Detective Helen Grace knows he will not be the last. But why would a happily married man be this far from home in the dead of night?The media call it Jack the Ripper in reverse: a serial killer preying on family men who lead hidden double lives.Helen can sense the fury behind the murders.
Книга написана по сценарию известного российского драматурга А.В. Тимма.Шайка Ангелины Виннер продолжает борьбу. Им удается похитить Ольгу Кирсанову, жену убитого хозяина «Империи». Сын Ольги Ваня ради спасения матери отказывается от своих прав на фирму. Враждебный лагерь празднует победу, но… преждевременно! В руках у Лавра козырная карта — завещание, и, обнародовав его, он ломает планы своих врагов. Остановятся ли бандиты, или кто-то снова окажется их следующей жертвой?
Книга написана по сценарию известного российского драматурга А.В. Тимма.Франц Хартман и Ангелина Виннер, подстроившие автокатастрофу, в которой погиб хозяин «Империи» Владимир Кирсанов, намерены идти до конца. Теперь они замышляют убийство его жены Ольги и несовершеннолетнего сына Вани, наследника «трона». Волею случая Лавру суждено сыграть роль доброго ангела в судьбе женщины и ребенка.
Книга написана по сценарию известного российского драматурга А. В. Тимма.Конкуренты хозяина «Империи» Владимира Кирсанова подстроили автокатастрофу. Он гибнет, а его жена Ольга чудом остается жива. Пока она лежит в коме, адвокат Ангелина Виннер и бывший компаньон погибшего Андрей Семирядин пытаются завладеть наследством Кирсанова. Но его сын Ваня прерывает учебу в Лондоне и с помощью «сладкой парочки», музыкального Санчо и неувядающей Клавдии, возвращается на Родину, чтобы продолжить дело отца.
Обстоятельный и дотошный инспектор амстердамской полиции Ван дер Вальк расследует странное убийство домохозяйки («Ать-два!»). Героям известного автора детективов предстоят жестокие испытания, прежде чем справедливость восторжествует.
Книга написана по сценарию известного российского драматурга А.В. Тимма. На страницах романа вы встретитесь со старыми знакомыми, полюбившимися вам по сериалу «NEXT», — благородным и великодушным Лавром, его сыном Федором, добродушным весельчаком Санчо и решительной Клавдией. Увлекательное повествование вводит в мир героев, полный настоящих рыцарских подвигов и романтических приключений.
Предать жену и детей ради любовницы, конечно, несложно. Проблема заключается в том, как жить дальше? Да и можно ли дальнейшее существование назвать полноценной, нормальной жизнью?…