Ruthless - [5]
Next she rang Garvey, the home office pathologist. ‘Got a victim, burned to a crisp but I still need a doctor’s certificate of death.’
‘Be there in five,’ he said.
‘Express service? I’m honoured.’
‘I’m heading into the General, you’re on my way,’ Garvey said.
‘That’s it,’ she joked, ‘destroy the moment.’
It was a matter of minutes for them to complete the documentation Gill required, once Garvey had pronounced the death. She liked working with him, he was meticulous, pleasant company, had a sharp intelligence that she appreciated and was easy on the eye too, more than easy. Sadly for Gill he was also gay and happily ensconced in a civil partnership.
‘Doesn’t seem much point taking body temp,’ he said. The measurement was routinely used to help estimate time of death of the victim, but given he or she had been consumed by fire the body had undergone catastrophic changes. ‘And could be destructive to try.’
Theresa Barton agreed with him. ‘Leave it. Suggest we bag the victim and recover all material beneath and around the body,’ she traced an oval in the air, ‘say two metres either side.’
‘Pray it doesn’t rain.’ Gill nodded to the open roof.
‘We’ll erect shelters in any case,’ said Hyatt. ‘From our end we’ll want to spend several days examining the scene.’ In the same way that the work of the crime scene manager and CSIs was to find the evidence to try to build the narrative as to how someone died, so the fire investigating officer would be doing the same to establish the story of how the fire started and developed.
‘Buzz me,’ Gill said as Garvey peeled off his protective suit outside the building, the all-in-one smudged with soot and ash despite his efforts to disrupt the scene as little as possible.
She watched him leave, taking the chance to lower her mask, breathe some less tainted air and let her face cool a little before returning to the chapel. Most people who died in a fire died of smoke inhalation, not from the ravages of the flames. Losing consciousness and dying before the heat reached them. But if this victim had been doused in accelerant and then set alight it would have been a truly horrific death.
Garvey rang as soon as the post-mortem was ready to start and Gill attended along with Pete Readymough, who would be exhibits officer for the investigation. She had briefed her syndicate to stand by in case they were unable to rule out foul play. And she had met with the press officer to instruct her as to the facts that could be made public at such an early stage: Unidentified body recovered from a fire at Old Chapel in Manorclough. A post-mortem will be carried out later today, after which police hope to release further details. The fire itself would have made the front pages of the local paper. With news now of a body, interest would be even keener.
The smell filled the dissection room, the stink of burned bone and charred meat overpowering the background smells of bleach and disinfectant. Gill listened to Garvey dictating notes as the body lay on the mortuary table, in exactly the same pose as it had been in at the chapel. The effects of the heat had fused the body in position, carbonizing the flesh. Once the external exam was over it would be necessary to break the limbs to gain access to the internal organs, most of which were likely to be cinders, Gill thought.
Garvey measured the body in sections to ascertain the height. Crown of the head to top of the spine, the curved back, the zigzag of the cramped-up legs. Added together it translated as six foot two inches. ‘Victim presents in the foetal position, left side uppermost. Cranial base evaluation and angle of the pelvic bone tells us victim is male.’ Garvey analysed the shape of the skull and concluded that the man was Caucasian. ‘Substantial charring, absence of clothing, body hair. Visible fractures to the lower ribs on the presenting left thorax. Dislocation to the hip.’ From the beam that had fallen, crushing the man where he lay. Fragments of rib poked through the frazzled skin, reminding Gill of the gaping roof at the chapel.
A wedding ring on the victim’s left ring finger, thick with sooty grease, was photographed in situ then Garvey removed it, small crumbs of flesh dropping from the finger as he did so. He peered at the band under one of the powerful lights above the table, took a sample swab from inside and out, then cleaned it up. ‘Inscribed,’ he said, ‘R.K. and J.S. 23.4.72.’ He glanced at Gill and sketched a bow. Gill smiled: this could be a useful lead, to identity if nothing else. Pete got an evidence bag ready and placed the ring inside.
As well as photographs of the victim, a number of X-rays were taken of different sections of the body, Garvey, Pete and Gill withdrawing from the room each time while the scanner did its job. The resultant images came up on the computer screen. Garvey clicked on the first, the skull.
‘Forensic odontology?’ Gill said, suggesting another route to identification. The teeth were uneven, some missing, some broken. ‘Doesn’t look like he had a check-up every six months.’
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
Молодой и дерзкий журналист Виктор Вавилов, главный редактор глянцевого журнала, находится на грани нервного срыва. Кредитор требует срочного возврата долга, угрожая физической расправой; любимая жена, кажется, собирается подать на развод; подчиненные на работе явно не готовы выполнять поставленные задачи. Все меняется, когда в руки Виктора попадает видеокамера его друга, телевизионного оператора. Нужно просто нажать кнопку «rec» — и все будет… хорошо?
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Обстоятельный и дотошный инспектор амстердамской полиции Ван дер Вальк расследует странное убийство домохозяйки («Ать-два!»). Героям известного автора детективов предстоят жестокие испытания, прежде чем справедливость восторжествует.
Книга написана по сценарию известного российского драматурга А.В. Тимма. На страницах романа вы встретитесь со старыми знакомыми, полюбившимися вам по сериалу «NEXT», — благородным и великодушным Лавром, его сыном Федором, добродушным весельчаком Санчо и решительной Клавдией. Увлекательное повествование вводит в мир героев, полный настоящих рыцарских подвигов и романтических приключений.