Ruthless - [4]
‘Body’s over here,’ Barton said, pointing. Gill followed her, taking care to tread only on the stepping plates. The figure, burned black, was partially concealed by a timber. Face and shoulders exposed, lying on its side, fist and forearm close to its neck. Pugilist pose – a side effect of the fire, the intense heat causing the muscles to contract. The wreckage covered the torso and abdomen but poking out below were the legs and feet, the feet curled like claws. No clothing remained.
‘No shoes?’ Gill said. ‘They’d burn?’
‘Yes,’ Hyatt said.
Here and there the scorched skin was split to reveal seams of meat. The lips had shrivelled back to expose long, discoloured teeth, an uneven skeletal grin. It was impossible for Gill to tell from the remains whether this was a man or a woman, to determine age or ethnicity. All questions for the pathologist.
‘Could it be accidental?’ she asked the fire officer.
He shook his head. ‘Almost certainly deliberate. It looks like an accelerant, petrol or something, was used and we can tell by the spread that the seat of the fire was here,’ he gestured to the body, ‘and around this area.’
So whoever had used the accelerant had been inside the building. It wasn’t a case of petrol poured through the doorway, which was three or four yards away.
‘Self-immolation?’ Gill wondered aloud. ‘They usually want an audience, don’t they? Act in public.’ And as for suicide, burning was an appalling way to die, our fear of fire as intense as the pain it delivered. She could not recall one sudden unexplained death she had been asked to investigate where the victim had set themselves on fire as a way to end it all.
‘The body was set alight?’ she said.
‘It’s a possibility.’ Hyatt was cautious. They were all cautious until they had the evidence, theories were no more than that. The job was about facts, science and hard data. The body on the floor might be a fatality due to some awful accident but for now the very presence of accelerant meant it was suspicious. And that meant Gill needed to inform the coroner and ask permission to carry out a forensic post-mortem.
She coughed, hot inside her protective suit. The face mask did nothing to hide the smell.
‘When were you called?’ she asked the fire investigation officer.
‘999 came in at eight o’clock last night,’ he said, ‘no reports of occupants. Place had been empty for several years. Last officially used as storage for a carpet wholesaler in 2009.’
‘We will document as much as we can here,’ Theresa Barton said, ‘but there’s little chance of recovering trace materials after an inferno like that.’
In the normal course of things they would hope to find evidence of any recent contact between the victim and other people. Fingerprints, DNA from hair or saliva, blood or sperm that might lead them to witnesses or, if foul play was suspected, to potential suspects. The fire compromised all that.
‘The remains are at risk of further disintegration when we move them,’ Barton said.
‘Just do your best,’ said Gill.
‘Seeing as it’s you,’ Barton said.
‘Let’s just suppose it was an accident,’ Gill said, ‘our victim decided they were going to make a fire, to keep warm.’
‘Not especially cold last night,’ said Barton.
‘Not outside,’ Gill agreed, ‘but in here it might be like a tomb. No heating for several years. Damp.’
‘OK, go on,’ the crime scene manager nodded.
‘So they build a fire, they’ve got some petrol, slosh it on and don’t realize they’ve splashed some on their sleeves or shoes. They light the fire and puff!’ She splayed her fingers wide. ‘Up in smoke.’
Hyatt was pulling a face, not convinced.
‘But it is possible?’ said Gill.
‘Possible,’ he said slowly.
‘We found a container?’ Gill asked.
‘Not yet, still a lot of debris to sort through. It may have been destroyed with the heat,’ he said. ‘Third case of arson in the area in the past six months.’
‘Really?’
‘The mosque at the far end of Shuttling Way in December,’ he said, ‘and the school, the one over the road, in February.’
Gill nodded. St Agnes’s, a little primary school, most of the kids on free school meals, a significant number on the at-risk register. Manorclough was dirt poor and beset by all the problems that came with poverty, including a high crime rate.
‘We’ll be comparing them,’ Hyatt said.
‘You think this might be the same person?’
‘Often is, and there are clear similarities with the first two incidents.’
‘So maybe this is them,’ Gill pointed to the body, ‘the fire-setter, and we’re looking at a case of arson that went horribly wrong. We need an ID, whatever cause of death is, doesn’t get us very far if we don’t know who this is. Right, I’ll let you get on.’
Gill made her first call, waited for the coroner to answer. ‘Mr Tompkins, it’s DCI Gill Murray. I’m at the site of an unexplained death at the Old Chapel, Manorclough. I have a body discovered in a suspicious fire, accelerants found. Identity unknown as yet. I’d like permission for a forensic post-mortem in order to determine cause of death.’
‘Go ahead, DCI Murray.’
‘Thank you, sir.’ He liked to be called sir and it was no skin off Gill’s nose to be respectful. Best to keep on the right side of the coroner. It was his dead body now: the body officially belonged to the coroner, not the police, not the family, and the coroner would determine whether and when the body could be released for burial or cremation, when an inquest was required, and whether to interrogate the police on their actions.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
She's a single parent. A private eye. And liking it. Until, that is, Mrs Hobbs turns up asking Sal Kilkenny to find her missing son. Sal's search takes her through the Manchester underworld, a world of deprivation and petty theft, of well-heeled organised crime and ultimately, murder. Would she have taken the job on if she had known what she was getting into? Probably, because Sal is fired with the desire to see justice done, to avenge the death of a young lad whose only crime was knowing too much.The first Sal Kilkenny Mystery, short-listed for the Crime Writers' Association best first novel award and serialised on BBC Radio 4, Woman's Hour.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Чемодан с миллионом долларов, кучка головорезов, желающих его вернуть, и это в городишке, отрезанном от мира. Что может быть хуже? Ах, да….кровососущий монстр.От Автора:Данный рассказ является частью трилогии «Последний рубеж» и повествовал о молодости Кейн и его знакомству с Изабелл. Сюжет рассказа блуждал у меня в голове больше года, и дошел до кондиции, когда нужно перенести его на бумагу. Сама «трилогия Рубежа» будет представлена публике — когда меня устроит результат. Но, если сей рассказ будет достаточно популярен, и у читателей будет желание увидеть продолжение, то я вполне могу написать ещё одну-две истории повествующие о похождениях молодого Кейна, тем самым сформировав из них полноценный роман.Так что не стесняйтесь оставлять комментарии, тыкать носом в нелогичности.
Поздним вечером посыльный курьерской почты юный Джейс Деймон торопится доставить пакет от клиента, которого позже находят мертвым. Да и сам Джейс оказывается втянутым в криминальные сети шантажа и убийств.Под угрозой жизнь самого Джейса и его младшего брата.Конечно, можно бежать, но удастся ли скрыться?Это и предстоит узнать Джейсу Деймону.
Астра Фадеева – самостоятельная женщина, ведет собственный бизнес, в одиночку воспитывает сына, а еще помогает сестрам и бывшему мужу, хоть и не стоит он того. Но как же ей хочется быть слабой, беззащитной, опереться на сильное мужское плечо! Да только вот незадача – все ее романы обязательно заканчивались крупными неприятностями, причем не столько для самой Астры, сколько для окружающих. В общем, роковая женщина!Вот и на этот раз романтическая поездка к морю в солнечную Болгарию обещала жаркие объятия и страстные поцелуи, а обернулась очередной катастрофой.
«Посмотреть в послезавтра» – остросюжетный роман-триллер Надежды Молчадской, главная изюминка которого – атмосфера таинственности и нарастающая интрига.Девушка по имени Венера впадает в кому при загадочных обстоятельствах. Спецслужбы переправляют ее из закрытого городка Нигдельск в Москву в спецклинику, где известный ученый пытается понять, что явилось причиной ее состояния. Его исследования приводят к неожиданным результатам: он обнаруживает, что их связывает тайна из его прошлого.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издаётся с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Анатолий Королев ПОЛИЦЕЙСКИЙ (повесть)Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (окончание) (повесть)Владимир Лебедев ГОСТИ ИЗ НИОТКУДА.
В сборник «Последний идол» вошли произведения Александра Звягинцева разных лет и разных жанров. Они объединены общей темой исторической памяти и личной ответственности человека в схватке со злом, которое порой предстает в самых неожиданных обличиях. Публикуются рассказы из циклов о делах следователей Багринцева и Северина, прокуроров Ольгина и Шип — уже известных читателям по сборнику Звягинцева «Кто-то из вас должен умереть!» (2012). Впервые увидит свет пьеса «Последний идол», а также цикл очерков писателя о событиях вокруг значительных фигур общественной и политической жизни России XIX–XX веков — от Петра Столыпина до Солженицына, от Александра Керенского до Льва Шейнина.