Ruthless - [3]
Elise opened her mouth in protest. ‘I can’t believe this.’
‘You’re fifteen, Elise,’ Ade said, ‘we’re not letting you swan off, God knows where, with a bunch of strangers without asking any questions.’
Elise rounded on Janet. ‘You said yes, you said I could. If Dad hadn’t said-’
‘Enough!’ said Ade.
‘Find out,’ Janet said, ‘and when it starts and finishes. When we know all that, your dad and I can have an informed discussion and let you know our decision.’
‘This is outrageous,’ Elise said.
Janet did think Ade was going a bit over the top but better safe than sorry. ‘We’re not doing this to be awkward,’ she said, standing up.
‘Yes, you are. It’s like living in a prison camp.’ Elise kicked the back of the door with her foot and stormed off upstairs.
Ade sighed, Janet choked back a laugh. ‘She might want to turn the poor-oppressed-victim act down a bit if she wants to go,’ Janet said. ‘Not like Elise to be so moody.’ Elise was the sensible one, the elder daughter, hard-working, responsible. Usually it was Taisie who tested their patience. ‘I’m off, so we’ll talk about it when she’s done her research, shall we?’
‘Yeah,’ Ade said, face in the paper. Janet had a sudden urge to share a memory with him, a party they’d gone to as teenagers. One room full of couples smooching, the kitchen crammed. Janet had felt jittery, sensed people watching her, and Ade had tried to help her relax by pouring her a large glass of Southern Comfort which she drank far too quickly. They indulged in some heavy petting out in the alley behind the house then Janet had been sick as a dog all down her front. Ade had walked her the four miles home as they didn’t expect to be allowed on the bus.
She’d not been out of hospital long then and social situations were still awkward. She’d feel people’s curiosity, sticky and keen, could hear their unspoken comments and questions as they swapped glances, she’s a psycho, a nutter, been in the loony bin. Did they strap her down, shock her? Do we need to hide the sharp objects? And their fear, as if having a breakdown might be catching and distress was an airborne virus. Keep your distance.
Not Ade though. God knows where he got that compassion, that understanding, mature beyond his years – but it wasn’t much in evidence nowadays. Maybe it had all been used up, burned out. Maybe Ade was spent. He’d said at Rachel’s wedding perhaps they should get divorced. That it wasn’t really working, them sharing the house, putting it up for sale and not expecting to sell, stuck there. Had they just run out of steam, of passion, of love? Didn’t the years of backing each other up, of pulling together, of routine and quiet affection, didn’t they count?
Twenty-six years. She owed it to him to hang on. It was Janet who had risked it all for a few snatched nights with another man. Janet who had brought mistrust and jealousy and disruption into the marriage. The least she could do now was bide her time, see if it really was possible to salvage anything.
She looked at the back of his head, the hair thinning, and the folds of skin where his neck had thickened over the years. The warm flush of nostalgia evaporated.
Janet picked up her keys and bag and left for work.
The Old Chapel reeked. DCI Gill Murray could smell it as soon as she parked, even before she opened her car door. And once she’d been logged in and admitted into the scene, the acrid smell filled her nostrils and clawed at her throat.
Not the worst smell at a crime scene, the worst were the corpses left undiscovered until nature had its way. Decay blooming like green and black flowers on the skin, body fat and fluids breaking down, melting, leaking from the corpse, flesh rotting, home to blowfly and their maggots. That truly was the most god-awful reek. This was simply unpleasant.
The fire service had alerted the Major Incident Team earlier that morning, when officers doing a sweep of the Old Chapel had recovered human remains half buried among the charred debris of the fire.
On the threshold, where the main doors had once hung, Gill surveyed the building. Or what was left of it. Above her, open sky, blue and streaked with thin clouds, was framed by the jagged remnants of roof beams. The centre, the spine of the roof, had collapsed taking many ribs with it but others, broken, split, now ringed the gaping hole like so many blackened, jagged teeth.
The place was simply designed, a rectangular prayer hall with a rounded apse. Small anterooms off to either side of where the altar would have been. She could pick out several lumps of beams, charcoal now, among the ash and smashed roof tiles that covered the floor. The brick walls had withstood the ferocity of the fire though they were coated black with soot. Here and there were holes on the ground where the wooden floorboards had burned away.
‘Theresa Barton, crime scene manager,’ the plump woman introduced herself.
‘Trevor Hyatt, fire investigation,’ the man with her said. He was tall and bald with a red face and a nose that looked like it had been broken.
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The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
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Молодой и дерзкий журналист Виктор Вавилов, главный редактор глянцевого журнала, находится на грани нервного срыва. Кредитор требует срочного возврата долга, угрожая физической расправой; любимая жена, кажется, собирается подать на развод; подчиненные на работе явно не готовы выполнять поставленные задачи. Все меняется, когда в руки Виктора попадает видеокамера его друга, телевизионного оператора. Нужно просто нажать кнопку «rec» — и все будет… хорошо?
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