Letters To My Daughter's Killer - [9]
‘I’m so sorry,’ she says.
‘I know. Oh Rebecca.’
‘What happened?’
‘We don’t really know anything yet.’ I have learnt that I’m not the only one wanting answers; it’s natural to seek understanding, comprehension for something so hard to believe. ‘Nothing will happen for a while, with the funeral,’ I tell her. ‘They, erm… they have to wait so an independent post-mortem can be done if there’s going to be a trial.’
There has to be a trial, doesn’t there? What purgatory would it be to never know who’d hurt Lizzie, to never know the truth?
You were a bogeyman back then. I reinvented you time and again during that long day. The vicious stalker with a fatal obsession, back to carry out your threats. Those sick letters, awful warnings preyed on us all for months. We should have acted, protected her.
Or I pictured you as the prowler, a blurred photofit with dead eyes and jail tattoos, peering in through the windows, sizing up the house, or Lizzie. Watching. Perhaps waiting for Jack to leave. To do what? What were your intentions? Did you plan to take her life, or did something go so terribly wrong that you beat her to keep her quiet?
I wondered if you slept. If you curled up somewhere, safe and warm, muscles relaxing, breath becoming shallow, thoughts fading. Of course I preferred to think of you as frantic, sickened, haunted, like Raskolnikov in Crime and Punishment. I had glimpses of you ‘coming to your senses’, the guilt and horror at what you’d done growing so large as to be unbearable, so you would have to confess. Turn yourself in and beg for forgiveness.
Even then, part of needing to know who you were was because I needed someone to blame. Someone to hate.
Ruth
CHAPTER FIVE
Sunday 13 September 2009
Tony comes back about nine. He comes back and I’m relieved he comes alone. And he and Jack and I drink and talk about Lizzie. An impromptu wake, I suppose.
Our anecdotes are punctuated by expressions of disbelief and sudden urgent questions as we pick over the few stark facts we have. Time and again we are brought up short, confronted by her death. Almost a rhythm to it, waves breaking over us, cold and salty, a merciless tide.
Jack listens intently to the reminiscences that Tony and I share of Lizzie’s childhood. The birth was a nightmare, with the baby in distress and me being rushed for an emergency C-section. And it turned our world upside down, not necessarily in a good way at first. The operation left me very weak and it took a long time for me to regain any strength and energy. Which Lizzie snatched from me. She had colic and screamed for hours on end, she kept me marooned in the house, exhausted and weepy and slightly mad. Whenever I managed to get us both up and out, wherever we went, she cried the place down. She failed to thrive, which made me feel like a failure, and I gave up trying to breastfeed, but the formula only seemed to aggravate her colic. We spent money we didn’t have trying every possible solution: cranial massage, homeopathy, Reiki healing. Nothing helped.
One night Tony got in late from the salvage yard to find me weeping in the kitchen and Lizzie screaming in the lounge. The oven had broken, just conked out halfway through baking some potatoes. It was a bitter winter’s day, and even with the heating on, the house was chilly. No double glazing or decent insulation back then.
‘I’ll fix it,’ Tony said. He can fix just about anything.
‘It’ll still take another hour even if you can,’ I shouted. ‘It’s seven already.’ Lizzie was still screaming.
‘Does she need changing?’ Tony said.
‘No idea. Why don’t you have a look? I’m not doing anything else today. I’m sick of it. Sick of it all.’
He disappeared into the living room. I heard him pick her up, jig her about. The screaming halted for a moment, then resumed.
I lit a cigarette, went outside and smoked it in the perishing wind. I felt cheated: it wasn’t meant to be like this.
When I came back in, my eyes watering and my fingers numb, Tony said, ‘Get ready, we’ll go out to eat.’
‘The baby,’ I said scornfully.
‘My mum’s coming round.’
‘I don’t know if that’s-’
‘Get ready,’ he said, his eyes snapping at me.
‘Fine!’ I flung back.
I left him mixing formula, Lizzie grizzling in her bouncy chair, and went to change. I felt ugly, lumpen and sullen. My hair greasy and in need of a trim. But I made myself halfway presentable with clothes that didn’t reek of baby sick, and when his mother arrived we left her to it.
We went to Rusholme and stuffed ourselves full of curry. The food, the warm buzz of the restaurant, the change of scene worked on me like a tonic. My frustration, my unhappiness ebbed away and I determined to ignore the whisper of anxiety at being away from the baby. We even managed to talk about something other than Lizzie. Tony had been running the architectural salvage business on his own for two years after taking it over from his uncle. He was specializing in interior features: stained glass, wood balustrades, tiles and fire surrounds, cornices and dado rails. In the wholesale rush to convert and modernize, these were being ripped out of old villas and terraces. But some people still valued traditional items, and Tony’s business was steadily growing.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
She's a single parent. A private eye. And liking it. Until, that is, Mrs Hobbs turns up asking Sal Kilkenny to find her missing son. Sal's search takes her through the Manchester underworld, a world of deprivation and petty theft, of well-heeled organised crime and ultimately, murder. Would she have taken the job on if she had known what she was getting into? Probably, because Sal is fired with the desire to see justice done, to avenge the death of a young lad whose only crime was knowing too much.The first Sal Kilkenny Mystery, short-listed for the Crime Writers' Association best first novel award and serialised on BBC Radio 4, Woman's Hour.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Тупик. Стена. Старый кирпич, обрывки паутины. А присмотреться — вроде следы вокруг. Может, отхожее место здесь, в глухом углу? Так нет, все чисто. Кто же сюда наведывается и зачем? И что охраняет тут охрана? Да вот эту стену и охраняет. Она, как выяснилось, с секретом: время от времени отъезжает в сторону. За ней цех. А в цеху производят под видом лекарства дурь. Полковник Кожемякин все это выведал. Но надо проникнуть внутрь и схватить за руку отравителей, наживающихся на здоровье собственного народа. А это будет потруднее…
«Посмотреть в послезавтра» – остросюжетный роман-триллер Надежды Молчадской, главная изюминка которого – атмосфера таинственности и нарастающая интрига.Девушка по имени Венера впадает в кому при загадочных обстоятельствах. Спецслужбы переправляют ее из закрытого городка Нигдельск в Москву в спецклинику, где известный ученый пытается понять, что явилось причиной ее состояния. Его исследования приводят к неожиданным результатам: он обнаруживает, что их связывает тайна из его прошлого.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издаётся с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Анатолий Королев ПОЛИЦЕЙСКИЙ (повесть)Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (окончание) (повесть)Владимир Лебедев ГОСТИ ИЗ НИОТКУДА.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издается с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (повесть);Петр Любестовский КЛЕТКА ДЛЯ НУТРИИ (повесть)
Наталья Земскова — журналист, театральный критик. В 2010 г. в издательстве «Астрель» (Санкт-Петербург) вышел её роман «Детородный возраст», который выдержал несколько переизданий. Остросюжетный роман «Город на Стиксе» — вторая книга писательницы. Молодая героиня, мечтает выйти замуж и уехать из забитого новостройками областного центра. Но вот у неё на глазах оживают тайны и легенды большого губернского города в центре России, судьбы талантливых людей, живущих рядом с нею. Роман «Город на Стиксе» — о выборе художника — провинция или столица? О том, чем рано или поздно приходится расплачиваться современному человеку, не верящему ни в Бога, ни в черта, а только в свой дар — за каждый неверный шаг.
В сборник «Последний идол» вошли произведения Александра Звягинцева разных лет и разных жанров. Они объединены общей темой исторической памяти и личной ответственности человека в схватке со злом, которое порой предстает в самых неожиданных обличиях. Публикуются рассказы из циклов о делах следователей Багринцева и Северина, прокуроров Ольгина и Шип — уже известных читателям по сборнику Звягинцева «Кто-то из вас должен умереть!» (2012). Впервые увидит свет пьеса «Последний идол», а также цикл очерков писателя о событиях вокруг значительных фигур общественной и политической жизни России XIX–XX веков — от Петра Столыпина до Солженицына, от Александра Керенского до Льва Шейнина.