Letters To My Daughter's Killer - [7]
‘That makes two of us,’ I say bitterly.
Kay regards me steadily. ‘She’s four, she may not have a concept of death. She needs to understand that Mummy won’t be coming back, that her body doesn’t work any more, that she won’t wake up.’
‘I’ll get her breakfast first,’ I say tersely.
While Florence enjoys the bizarre novelty of having Grandpa Tony and Nana Denise watch her eat her Shreddies, I explain to Jack what Kay has told me.
‘I’ll do it,’ he says. ‘Can I take her upstairs?’
‘Yes, use my room or the spare room, there’s no one staying. If you want me to be there…’ He shakes my offer away.
It is the longest day. There seems to be no beginning to it and no end in sight. Florence is Jack’s shadow, and when it is time to identify the body I have to prise her off him, kicking and screaming. I had hoped to go, wanting to see Lizzie’s face, to be certain that the body I’d seen really was my daughter. To make it undeniably real. But Florence needs me here.
Jack’s parents, the Tennysons, are on their way from East Anglia, and Tony and Denise have left for now but Tony promised to return later.
After Jack gets back, he tells me that he had to identify Lizzie without looking at her face, which was covered because of the extent of the damage. He had to look at her hands and feet, her wedding ring and the tattoo on her right shoulder: a swallow in flight.
The savagery you must have used. To destroy her face. It astounds me.
Ruth
CHAPTER FOUR
17 Brinks Avenue
Manchester
M19 6FX
‘Can we go home now?’ Florence has a boiled egg with soldiers. I’m relieved to see her eating. She turns to her father, wiping crumbs from her tiny fingers, a smear of egg yolk on her cheek.
‘Not yet,’ Jack says.
‘When?’
‘Another day, I don’t know when.’
She thinks about this, a small frown darkening her expression. ‘I want Bert.’ Bert is Florence’s teddy bear. White originally, a gift from Tony and Denise, he is now a muddy grey colour, with bald and ragged ears which Florence liked to chew on as a toddler.
‘Can someone fetch it?’ I ask Kay. Surely retrieving a child’s toy from a different room in the house will not hamper their endeavours, but Kay shakes her head. ‘I’ll let you know as soon as you can collect anything. Do you have clothes here for Florence?’
‘Not really, just the one change for emergencies.’ The words die in my mouth. I swallow. ‘And a box of toys.’ It’s kept in one of the kitchen cupboards, but someone got it out earlier and put it in the living room. Florence has ignored it so far.
‘Make a list,’ Kay says. ‘A few basics we can buy. You’ll need something too,’ she says to Jack. She passes him some paper and a pen.
‘I want Bert,’ Florence says, her voice rising.
‘You’ll see Bert soon,’ I try to reassure her. ‘Perhaps you could look after someone new till then.’
‘Who?’ she says suspiciously.
‘A dolly or a pony? Something from the toyshop. We could go and choose.’
It’s touch and go whether she’ll play ball or have a tantrum. ‘With Daddy,’ she says. She doesn’t want to be parted from him.
‘Of course,’ Kay says.
‘You’ll have to go barefoot,’ I say to Florence.
She makes a funny face and I laugh, then feel clumsy and guilty. Lizzie is dead. What sort of mother am I? What sort of human being?
I go with them. I’m not so different from my granddaughter, not keen to let people out of my sight, not comfortable at being left. After all, anything could happen. The world is a chaotic, dangerous, random place now.
We go to John Lewis; it’s out of town, with free parking and everything under one roof. We must make a strange sight: Jack and I looking wrecked, slow and distracted, Kay guiding us through the various departments.
We pick a couple of books, familiar ones that Florence has at home, then go to the toy section. Florence stands with her arms folded and surveys the bins of soft toys and the shelves of dolls with disdain. Jack and I make some suggestions: the little donkey’s sweet, how about a polar bear, or the tiger? She shakes her head each time.
Another child arrives, an older girl, perhaps seven, dressed in a pink pinafore dress and ballet shoes and with fuchsia-pink bows in her hair, dragging a woman, presumably her mother, by the hand. ‘This one,’ the girl squeals and grabs a baby doll. It’s one of those designed to look realistic, with a floppy neck and a protruding navel. There is a range of accessories to buy too, clothes and bottles, nappies and wipes. The woman asks the girl if she’s sure, and they move away with their booty.
‘Come on, Florence,’ Jack says. ‘Time to choose.’
Florence goes to one end of the display, then the other, picking up and relinquishing the toys. I can feel something like panic thickening in the air as she darts about.
‘You don’t have to get one,’ I tell her, ‘if you don’t like them.’
She gives a little shrug. We make it to the escalator, then she turns and runs back. Jack follows her. She picks up one of the lifelike dolls. It’s revolting. Staring blue eyes and a pursed rosebud mouth. The wrinkles around its neck and furrows on its forehead make me think of an alien or something old and decrepit.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
She's a single parent. A private eye. And liking it. Until, that is, Mrs Hobbs turns up asking Sal Kilkenny to find her missing son. Sal's search takes her through the Manchester underworld, a world of deprivation and petty theft, of well-heeled organised crime and ultimately, murder. Would she have taken the job on if she had known what she was getting into? Probably, because Sal is fired with the desire to see justice done, to avenge the death of a young lad whose only crime was knowing too much.The first Sal Kilkenny Mystery, short-listed for the Crime Writers' Association best first novel award and serialised on BBC Radio 4, Woman's Hour.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Тупик. Стена. Старый кирпич, обрывки паутины. А присмотреться — вроде следы вокруг. Может, отхожее место здесь, в глухом углу? Так нет, все чисто. Кто же сюда наведывается и зачем? И что охраняет тут охрана? Да вот эту стену и охраняет. Она, как выяснилось, с секретом: время от времени отъезжает в сторону. За ней цех. А в цеху производят под видом лекарства дурь. Полковник Кожемякин все это выведал. Но надо проникнуть внутрь и схватить за руку отравителей, наживающихся на здоровье собственного народа. А это будет потруднее…
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«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издаётся с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Анатолий Королев ПОЛИЦЕЙСКИЙ (повесть)Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (окончание) (повесть)Владимир Лебедев ГОСТИ ИЗ НИОТКУДА.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издается с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (повесть);Петр Любестовский КЛЕТКА ДЛЯ НУТРИИ (повесть)
Наталья Земскова — журналист, театральный критик. В 2010 г. в издательстве «Астрель» (Санкт-Петербург) вышел её роман «Детородный возраст», который выдержал несколько переизданий. Остросюжетный роман «Город на Стиксе» — вторая книга писательницы. Молодая героиня, мечтает выйти замуж и уехать из забитого новостройками областного центра. Но вот у неё на глазах оживают тайны и легенды большого губернского города в центре России, судьбы талантливых людей, живущих рядом с нею. Роман «Город на Стиксе» — о выборе художника — провинция или столица? О том, чем рано или поздно приходится расплачиваться современному человеку, не верящему ни в Бога, ни в черта, а только в свой дар — за каждый неверный шаг.
В сборник «Последний идол» вошли произведения Александра Звягинцева разных лет и разных жанров. Они объединены общей темой исторической памяти и личной ответственности человека в схватке со злом, которое порой предстает в самых неожиданных обличиях. Публикуются рассказы из циклов о делах следователей Багринцева и Северина, прокуроров Ольгина и Шип — уже известных читателям по сборнику Звягинцева «Кто-то из вас должен умереть!» (2012). Впервые увидит свет пьеса «Последний идол», а также цикл очерков писателя о событиях вокруг значительных фигур общественной и политической жизни России XIX–XX веков — от Петра Столыпина до Солженицына, от Александра Керенского до Льва Шейнина.