Letters To My Daughter's Killer - [8]
When we reach the counter, Jack sways. ‘I’ve no card – my wallet…’ He throws his hands wide.
‘I’ve got mine, no problem,’ I tell him.
While Jack goes to get some clothes for himself, I select a few basic outfits for Florence, and spare pyjamas, a coat and some shoes. I barely look at the prices or the designs; all that matters is getting this done, finding the right size.
We go to the supermarket next door – cereal and fish fingers for Florence, a hot chicken, a French stick, wine, bananas, bread and milk.
As I wait to pay, I come close to meltdown. Barely able to stand this: buying food and choosing fruit seems sacrilegious. Irreverent. It’s only Florence really that keeps me halfway grounded. As it is, I get my pin number wrong this time. The girl on the checkout looks at us and says very slowly, ‘Try it again, love, you get three goes.’ She probably imagines we are a care-in-the-community group, practising our basic skills, or refugees of some sort. Which I suppose we are. Except there is no refuge, nowhere to flee. Reality, the reality you brought to our door, is inescapable. Our landscape has altered. We’re in the wilderness. You brought it to us.
At home, Florence leaves the doll, discarded, on the floor in the kitchen. After tea, once Jack promises to tuck her in, she lets me bath her. I dress her in her new pyjamas and dry her hair. Abruptly she bursts into tears, wailing, ‘I want Mummy.’ Her face is creased and red, tears streaming from her eyes and snot bubbling from her nose. I sit her on my lap and rock her and murmur little phrases: ‘You’re sad, Mummy’s dead and she can’t come back. Poor Florence. Poor Mummy. Poor Daddy.’ I weep too, but silently, not wanting to distress her any more. Gradually her crying fades and stops. She has hiccups.
Downstairs we read one of the books, We’re Going on a Bear Hunt. Of course we can go to the library and get more on Monday, if Jack and Florence are still here. I’ve no idea how long it will be until they can go home. I might ask Kay to take her to choose some books. I don’t know if I can face people at work. I want to hide away from the world.
Florence insists on sharing a room with Jack, so I tell him to use mine and I’ll take the spare room. I fetch some things I’ll need, then he puts her to bed and waits until she is asleep and comes downstairs leaving the doors open so we can hear if she cries out.
Kay advises us to only talk to the media with guidance from the police. She says they may ring me, so I put the answer-phone on to screen calls.
Lizzie’s murder is all over the television news, reports accompanied by a picture of her, cropped from a family photo. Film of their house, sealed off with that tape they use, provides the backdrop for the reporter talking to the camera. They say the same thing each time. ‘Greater Manchester Police launched a murder inquiry today after the body of twenty-nine-year-old Lizzie Tennyson was discovered yesterday evening in her home in the Levenshulme area of the city. Lizzie Tennyson was married with one child, and police are asking for anyone with any information to come forward.’
Bea, my oldest friend, is on the doorstep. Her face crumples when she sees me and I pull her inside and she gives me a hug so fierce I think she’ll crack my ribs. We go into the lounge. ‘I won’t stay,’ she says, ‘unless you-’
‘No, thanks.’ I shake my head. ‘It’s crazy.’
‘What can I do?’ she says. ‘Anything, anything at all?’
My mind is blank, woolly. My mobile phone rings. It’s been going repeatedly; each time I check the display in case it’s Tony. He’s the only person I can entertain.
‘Ring round people,’ I say to Bea. ‘Tell them we don’t know anything at the moment. When we do, I’ll let you know.’
‘And I can pass it on.’ She’s trying so hard not to cry, it tears me up. We’re only fit for nods and clenched mouths by way of farewell.
It makes me think of the deaf people Lizzie works with. When tragedy strikes them, do their signs fail, their fingers falter in the same way that words fail the hearing? Lizzie would know. There’s a split in my head: part of my brain thinking I must ask her, see what she says, and the other part saying, don’t be so bloody stupid, Lizzie’s not here any more. And she’s never coming back. I think it, I shape the words, but they don’t add up. Computer says no. You can’t get there from here. My heart cannot keep up with my head and I continually find myself imagining how I will describe all this to Lizzie.
We play the messages on the answerphone at the end of the day. It’s agonizing to listen to people’s shock and grief and compassion. We make a note of who has rung. There’s a message from Rebecca, Lizzie’s oldest friend.
‘I just heard about Lizzie,’ she says. ‘Oh Ruth, I am so sorry. If there’s anything I can do…’ She starts crying. As a graphic designer, the only job she’s found since graduating is in London. She can’t afford to rent anywhere in the capital so she’s staying with friends, sleeping on their sofa.
I steel myself and ring her back. ‘Rebecca, it’s Ruth.’
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
She's a single parent. A private eye. And liking it. Until, that is, Mrs Hobbs turns up asking Sal Kilkenny to find her missing son. Sal's search takes her through the Manchester underworld, a world of deprivation and petty theft, of well-heeled organised crime and ultimately, murder. Would she have taken the job on if she had known what she was getting into? Probably, because Sal is fired with the desire to see justice done, to avenge the death of a young lad whose only crime was knowing too much.The first Sal Kilkenny Mystery, short-listed for the Crime Writers' Association best first novel award and serialised on BBC Radio 4, Woman's Hour.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Чемодан с миллионом долларов, кучка головорезов, желающих его вернуть, и это в городишке, отрезанном от мира. Что может быть хуже? Ах, да….кровососущий монстр.От Автора:Данный рассказ является частью трилогии «Последний рубеж» и повествовал о молодости Кейн и его знакомству с Изабелл. Сюжет рассказа блуждал у меня в голове больше года, и дошел до кондиции, когда нужно перенести его на бумагу. Сама «трилогия Рубежа» будет представлена публике — когда меня устроит результат. Но, если сей рассказ будет достаточно популярен, и у читателей будет желание увидеть продолжение, то я вполне могу написать ещё одну-две истории повествующие о похождениях молодого Кейна, тем самым сформировав из них полноценный роман.Так что не стесняйтесь оставлять комментарии, тыкать носом в нелогичности.
Поздним вечером посыльный курьерской почты юный Джейс Деймон торопится доставить пакет от клиента, которого позже находят мертвым. Да и сам Джейс оказывается втянутым в криминальные сети шантажа и убийств.Под угрозой жизнь самого Джейса и его младшего брата.Конечно, можно бежать, но удастся ли скрыться?Это и предстоит узнать Джейсу Деймону.
Астра Фадеева – самостоятельная женщина, ведет собственный бизнес, в одиночку воспитывает сына, а еще помогает сестрам и бывшему мужу, хоть и не стоит он того. Но как же ей хочется быть слабой, беззащитной, опереться на сильное мужское плечо! Да только вот незадача – все ее романы обязательно заканчивались крупными неприятностями, причем не столько для самой Астры, сколько для окружающих. В общем, роковая женщина!Вот и на этот раз романтическая поездка к морю в солнечную Болгарию обещала жаркие объятия и страстные поцелуи, а обернулась очередной катастрофой.
«Посмотреть в послезавтра» – остросюжетный роман-триллер Надежды Молчадской, главная изюминка которого – атмосфера таинственности и нарастающая интрига.Девушка по имени Венера впадает в кому при загадочных обстоятельствах. Спецслужбы переправляют ее из закрытого городка Нигдельск в Москву в спецклинику, где известный ученый пытается понять, что явилось причиной ее состояния. Его исследования приводят к неожиданным результатам: он обнаруживает, что их связывает тайна из его прошлого.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издаётся с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Анатолий Королев ПОЛИЦЕЙСКИЙ (повесть)Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (окончание) (повесть)Владимир Лебедев ГОСТИ ИЗ НИОТКУДА.
В сборник «Последний идол» вошли произведения Александра Звягинцева разных лет и разных жанров. Они объединены общей темой исторической памяти и личной ответственности человека в схватке со злом, которое порой предстает в самых неожиданных обличиях. Публикуются рассказы из циклов о делах следователей Багринцева и Северина, прокуроров Ольгина и Шип — уже известных читателям по сборнику Звягинцева «Кто-то из вас должен умереть!» (2012). Впервые увидит свет пьеса «Последний идол», а также цикл очерков писателя о событиях вокруг значительных фигур общественной и политической жизни России XIX–XX веков — от Петра Столыпина до Солженицына, от Александра Керенского до Льва Шейнина.