Trio - [31]
‘And a stick? Charlie Chaplin. No more drill, then.’ He spoke in a rush. Then gave a little hiccup. ‘Sorry.’
Mortified, Caroline realised he was crying. She wanted to crawl under the bed and hide. ‘Don’t worry, please,’ she said. ‘I’d better go.’
He nodded.
She drew the curtains round so, although the light sleepers might hear the broken breathing coming from the cubicle, no one would have to witness him losing control.
His plaster cast was off and his leg looked sick beneath it, the skin like uncooked fish, greyish-white and damp. A smell too, cheesy. The skin had healed in puckered lumps along the outside muscle and across the knee. As if a child had started to model a leg from white plasticine and left it rough and unfinished. She betrayed no reaction as she wiped it gently with clean water and antiseptic and began to prepare the bandages.
She was fed up, another black mood, a miserable day. Most days were. A knot of resentment inside. She felt hot tears pressing behind her eyes. No reason for them. No reason for any of it. She stirred more plaster of paris into the mix.
‘Are you courting?’ he said.
She looked sharply at him, two spots of red forming on her cheeks.
‘Sorry,’ he amended quickly. He watched her work, sneaking a look at her face now and then, large brown eyes, broad cheeks, her hair pulled back under the nurses hat. ‘What would you do if you weren’t a nurse?’
She shrugged. She didn’t want to chat.
‘What about when you were little then…’
Why wouldn’t he just give up and shut up?
‘… what did you want to be? I suppose it’s different for girls – you don’t have to be anything much once you get married – but boys it’s always engine drivers and pilots and footballers. Or soldiers.’
No more drill parade.
‘Farming,’ she said.
‘That’s a hard life for a woman.’
Try this.
‘What sort of farming?’
She thought of the ewe and of sick people, sick animals, mess. Grandma’s allotment. ‘Crops,’ she said. ‘Market gardening, a nursery.’
He raised his eyebrows.
And landscape gardening too. The chance to sculpt the earth, to plant it and make beautiful vistas, like they did in the grand old houses. Not the sort of thing a nurse from Bolton could aspire to.
She started to wind the bandages, feeling the plaster wet and cold and heavy on her hands. She wished he wouldn’t stare at her so much.
He had several weeks of physiotherapy. He was moved out of the men’s surgical ward. Caroline missed his company and felt a ripple of embarrassment when she realised she was manufacturing reasons to run errands to the convalescent ward. Then one day he came looking for her, using a stick now not crutches, with a rolling gait so he appeared to travel as far sideways as he did forward.
She turned from the cupboard she was stacking to greet him. They were the same height, she was pleased he wasn’t taller. But why did it matter?
‘You’re doing well.’
He nodded. ‘Discharge next week. Back home.’ His family lived up in Yorkshire.
A crush of disappointment pressed on her heart. Silly, she thought.
‘I wondered, your day off, perhaps we could have tea?’
‘Yes,’ she said quickly, then, ‘Will they let you out?’
‘Occupational therapy. Got to try getting on a bus tomorrow.’ He tipped his head at the stick. There was a familiar trace of bitterness in his voice. She recognised it as a shield against self-pity.
Tea was a delight. He talked more than ever; about his army days, the boys in his regiment and his family. He asked after hers. She told him a little but threw questions back.
He reached out to touch her hand, his skin warm and dry against hers. She let his palm cover the back of her hand, a falling feeling inside her, like Alice in the rabbit hole.
‘Caroline…’ He licked his lips. She watched his mouth form different shapes as he chased words. ‘Can I write?’ He managed. ‘Do you think, perhaps?’
Oh, Paul, yes. But if he knew. He thought she was young and innocent but she was spoilt. It just wouldn’t be fair to him. He was a good man. She pulled her hand back. ‘I don’t think it’s a good idea.’
His head reared slightly at the rejection and he ran his fingers along his jaw. ‘I see.’
On the walk back to the hospital their conversation was strained and awkward. She felt the numb weight of depression settle on her. It would always be like this, it would never change.
And Paul had similar thoughts, cursing himself for being a fool. He should have known better than to expect her to take on a cripple. He should never have asked. What girl in her right mind would look at him twice? Yes, she’d been friendly and kind but that was her job. That was all. He must have been cracked to think there was anything more.
Kay
Kay Farrell was astonished at how much work one tiny infant generated. It wasn’t just feeding and changing her, it was everything in-between too. Sterilising all the bottles and teats, sluicing and soaking and washing and drying the nappies, washing and drying and ironing the clothes. The daily walk, the bath. Life had been full before – keeping the house and garden in order, shopping and cooking and cleaning – but now it was hard to fit everything in. The windows were overdue for a clean, the pile of mending was becoming overwhelming. She tried to tell herself it didn’t matter but it bothered her. Other women managed, why couldn’t she? Was she doing something wrong?
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Кен Фоллетт — один из самых знаменитых писателей Великобритании, мастер детективного, остросюжетного и исторического романа. Лауреат премии Эдгара По. Его романы переведены на все ведущие языки мира и изданы в 27 странах. Содержание: Скандал с Модильяни Бумажные деньги Трое Ключ к Ребекке Человек из Санкт-Петербурга На крыльях орла В логове львов Ночь над водой.
В самой середине 90-тых годов прошлого века жизнь приобрела странные очертания, произошел транзит эпох, а обитатели осваивали изменения с разной степенью успешности. Катя Малышева устраивалась в транзитной стадии тремя разными способами. Во-первых, продолжала служить в издательстве «Факел», хотя ни работы, ни денег там почти не наблюдалось. Во-вторых редактировала не совсем художественную беллетристику в частных конторах, там и то и другое бытовало необходимом для жизни количестве. А в третьих, Катя стала компаньоном старому другу Валентину в агентстве «Аргус».
В самом начале нового века, а может быть и в конце старого (на самом деле все подряд путались в сроках наступления миллениума), Катя Малышева получила от бывшего компаньона Валентина поручение, точнее он попросил оказать ему платную любезность, а именно познакомиться с заслуженной старой дамой, на которую никто в агентстве «Аргус» не мог угодить. Катя без особой охоты взялась за дело, однако очень скоро оно стало усложняться. Водоворот событий увлек Катю за собой, а Валентину пришлось её искать в печальных сомнениях жива она или уже нет…
Наталия Новохатская Предлагает серию развернутых описаний, сначала советской (немного), затем дальнейшей российской жизни за последние 20 с лишком лет, с заметным уклоном в криминально-приключенческую сторону. Главная героиня, она же основной рассказчик — детектив-самоучка, некая Катя Малышева. Серия предназначена для более или менее просвещенной аудитории со здоровой психикой и почти не содержит описаний кровавых убийств или прочих резких отклонений от здорового образа жизни. В читателе предполагается чувство юмора, хотя бы в малой степени, допускающей, что можно смеяться над собой.
Эта история начинается с ограбления с трагическим финалом: немолодой хозяин загородного дома погибает от рук неизвестных преступников. Однако в этой истории оказывается не так все просто, и сам погибший несет ответственность за то, что с ним произошло. Рассказ «Вода из колодца» седьмой в ряду цикла «Дыхание мегаполиса». Главным героем этого цикла является следователь Дмитрий Владимиров, который на этот раз должен разобраться в хитросплетениях одной запутанной семейной драмы.