Trio - [33]
She had her hair cut to shoulder length and bought some setting lotion and jumbo rollers so she could make it flick out at the ends. It made her feel grown up.
He looked well when he arrived, face and arms brown from the weather, prompting her to ask if he’d been working outside.
‘Not working, studying. Balance isn’t good enough to work – fall over all the time like some old duffer. Scares the sheep.’ He gave a wry smile. He was more handsome than she remembered. Not film-star looks but nice. A lazy slant to his eyes like Dean Martin’s, his eyes were even bluer against his tan. His hair was longer, floppy at the front, a dark-blond colour. The sun had brought out the light parts of it.
‘I’ll tell you about it. But we’d better get going, it starts in quarter of an hour.’
They watched the new Alfred Hitchcock film, The Birds. It was very scary and Caroline hid her face and gripped Paul’s arm when it got really frightening. At least it wasn’t a weepy. She had bought herself a block of mascara and some lipstick. Putting the mascara on had been a nightmare. Spitting on the little block then working up a paste then trying to get the stuff on her lashes with the little rectangular brush. So there was no way she wanted to see it all dribble down her face.
There was a coffee bar opposite the Odeon and they went there after. She got the drinks, realising it would be hard for Paul to manage with his stick.
‘How’s the hospital?’
‘Same as ever.’ She was sick of it, if the truth be told. The endless grind of dirty dressings and bedpans, the smell of sick bodies and pain and fear. Some days when it was time to get up she lay there and wished she could sleep forever. Once a month she made the trip home and there would be red salmon sandwiches and Victoria sponge and she’d get an hour or two up on the hills. She would go to Grandma’s grave most times and say hello and wonder whether life would have felt any brighter with Grandma still in it. And she would climb up to a vantage point, to Little Craven or Goat’s Head, and sit and let her eyes roam and let everything ebb away, all the feelings and the pictures and the words, let them empty from her, seeping into the earth like dew. Leaving her cleansed and grounded. Just bone and breath.
The city was choking her. Sometimes she felt like a mole, especially doing nightshifts – living underground, never coming up for air. Some of the other girls had got married and given up work. Married women weren’t allowed to nurse. But Caroline could see no end to it. She couldn’t go back and live at home again, the presence of her parents too much like a reproach. And what would she do all day?
She dropped two sugar cubes in her coffee and stirred.
‘You look tired,’ Paul said.
She concentrated on the spoon, the circles in the froth. She didn’t want his pity. ‘I’m fine.’
‘I’ve missed you.’
‘Don’t.’
She saw his jaw tighten.
‘So what’s this studying?’
‘Business. How to keep accounts, import and export, trading law, stock-taking. Correspondence course. I’ve picked quite a lot up.’
He missed me. She tried to concentrate on the conversation. ‘You’re thinking of setting up in business?’
‘Yes. I’ve got some compensation through. Not heaps but enough to start me off.’
A crowd piled into the coffee bar, voices raucous, the boys teasing the girls and the girls giving lip back. Someone put the jukebox on, ‘She Loves You’ blared out. Caroline loved the song, it was a new group from Liverpool called The Beatles, but it was impossible to talk above the noise.
‘Let’s walk,’ he said.
They headed for Whitworth Park. It was a dull evening, warm and humid, midges danced in clouds beneath the trees in the park, a gang of children kicked a ball about, their squeals punctuating the murmur of the city.
They stopped to sit on a bench. Paul propped his stick against the end. ‘Caroline, there’s something I want to say.’ He spoke quickly, tripping over the words. ‘I don’t know what your feelings are for me but I meant what I said. I have really missed you.’
‘Paul…’ She felt her mouth get dry, her hands shook a little.
‘Please, listen. The business idea. You talked about gardening. Well, I’ve been thinking, it could be a nursery. I’ve enough to buy some land and I could run the financial side, the paperwork. You’d be in charge of all the rest.’
‘You want to go into business with me?’ She was confused.
There was a pause.
‘I want to marry you.’
‘No!’ she exclaimed.
‘Caroline.’
‘No, I can’t.’
‘Don’t you care for me?’
‘I can’t marry you,’ she repeated. You don’t know about me. You don’t know what happened. It wouldn’t be fair.
He stood up, his face flushed. ‘I thought you’d be sympathetic. See beyond the ruddy cane and the game leg.’ He grabbed his stick and slammed it against the bench.
She stood too. ‘Oh, Paul, it’s not you. Don’t think that. It’s me. I can’t. I don’t deserve you.’
‘Is there someone else?’ He said tightly.
‘No!’ She exclaimed, then, ‘There was before.’ Did he understand what she meant?
‘You still see him?’
‘No.’ She waited. ‘I’m sorry.’
‘It doesn’t matter, really.’ He felt for her hand, clasped it tight against his chest. ‘If it’s over, I don’t mind, Caroline, really.’
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Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
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From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
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Археолог Вера Буковская при раскопках монастыря в Армении обнаруживает кусок льняной ткани с непонятными надписями и чертежом. Странная находка погружает «везучую Верочку» в кольцо динамично развивающихся событий, предсказать которые не может никто. Командор Тайного ордена хранителей Священного Копья и римский кардинал, магистр Мальтийского ордена и отставной полковник Котов, петербургский академик-востоковед Пиоровский и безжалостный итальянский специалист по «щекотливым делам» охвачены азартом охоты за утерянным тысячелетия назад артефактом.
Профессор археологии Парусников обнаруживает в Израиле захоронение Лилит – первой женщины, созданной Творцом вместе с Адамом еще до появления Евы. Согласно легенде, Лилит пыталась подчинить мир с помощью женских чар и за это была уничтожена. У еще не вскрытого учеными саркофага Лилит случайно оказывается Арина, бежавшая в Израиль от невзгод, которые обрушились на нее в Москве. Что произойдет с женщиной, которой достанется энергия Лилит? Не возникнет ли у нее желания подчинить мир своим прихотям? А если возникнет, то кто сможет остановить ее?
Эрна, молодая девушка, недавно попавшая в аварию, приходит в себя в больнице, рядом с незнакомым человеком, утверждающим, что он ее муж. Девушка не помнит, как оказалась в другом городе и когда успела выйти замуж. Что она делала последние два года? Муж пытается ей помочь вспомнить, однако о многом не рассказывает. А когда на пороге дома появляется полиция, Эрна узнает, что была последней, с кем разговаривала пропавшая без вести девушка, которая исчезла как раз в вечер аварии. Эрна должна восстановить события и понять, что ее связывает с пропавшей, о чем недоговаривает муж и какая истинная причина потери памяти. Перенесись в суровый Берлин и погрузись в мрачную историю Эрны Кайсер.
Журналистка Ия одержима своей работой. Она трудится в лучшем издании города и пишет разгромные статьи под псевдонимом Великан. Девушка настолько поглощена своим делом, что иногда даже слышит и видит дотошного старца Великана внутри себя. Нормально ли слышать голоса? Ие некогда думать об этом, ведь у неё столько дел: есть своя колонка в журнале, любящий парень, сложные отношения с родителями, строгий главный редактор и новая «великанская» статья каждый месяц. Так могло бы продолжаться бесконечно, если бы не человек, который каждую минуту наблюдает за Ией, знает её привычки и слабости, одновременно завидует, ненавидит и страстно желает девушку.
Первый день на работе всегда полон волнений. Амбициозный следователь Ольга Градова приступает к новому делу. И надо же такому случиться, что жертва — ее знакомый. Коллеги девушки считают, парень покончил с собой под воздействием наркотиков. Но она уверена: речь идет об убийстве. Окунувшись с головой в расследование, Ольга выходит на след бандитов. Но вопросов больше, чем ответов. Подозреваемых несколько, и у каждого есть мотив. Кто-то хочет получить выгоду от торговли наркотиками, кто-то — отомстить за давнее убийство криминального авторитета.
Однажды Борис Павлович Бeлкин, 42-лeтний прeподаватeль философского факультета, возвращается в Санкт-Пeтeрбург из очередной выматывающей поездки за границу. И сразу после приземления самолета получает странный тeлeфонный звонок. Звонок этот нe только окунет Белкина в чужое прошлое, но сделает его на время детективом, от которого вечно ускользает разгадка. Тонкая, философская и метафоричная проза о врeмeни, памяти, любви и о том, как все это замысловато пeрeплeтаeтся, нe оставляя никаких следов, кроме днeвниковых записей, которые никто нe можeт прочесть.