Trio - [30]
‘Maybe she was homesick?’
‘She never said anything. Do you think we could ask someone?’
Caroline shrugged. She didn’t fancy trying to talk to anyone about it. They’d bite your head off soon as look at you.
A new girl was allocated to take the room and still nothing was said.
In the end Victoria persuaded Caroline to join forces with her and approach Sister Mahr, one of the younger nurses who had a lot of contact with the new girls.
She led them into the nurses’ station and shut the door.
‘I’m afraid Doreen let herself and everybody down. She behaved improperly and found herself expecting.’
Caroline felt her face go cold, a prickle brushed across her neck and upper arms. She stared at the floor.
‘Instead of throwing herself on the mercy of the societies that are there to help, she…’
Caroline swallowed, remembered the corner in the garden, the feel of the shawl, the weight of the baby cradled in one arm.
‘… she tried to kill her baby.’
Victoria drew her breath in sharply, her hand flew to her mouth.
There had been no rumours, Caroline thought, not a whisper. If she’d collapsed in the hospital someone would have seen something, overheard enough to pass on.
‘She went to an abortionist.’ The word was shocking. Like a big, dark-red blood clot in the nurse’s mouth. ‘The police are involved.’
Caroline could feel heat blooming through her, replacing the shivers, pressure in her head. Oh, Doreen.
‘What will happen to her?’ Victoria asked.
‘Nothing now. She didn’t survive. They found her by the canal.’ Her voice was bitter.
‘Oh,’ Victoria said softly.
Doreen. Little Doreen with her bright eyes and her delicate features. Why hadn’t she gone to St Ann’s? How on earth did she know where to find a person who did that? What did they use? She imagined a knife, a grappling hook, balked at the pictures.
A ewe had haemorrhaged once up on Colby’s Farm. So much blood and the ewe had struggled until its wool was crimson and then it had jerked, spasms racking it until it lay still.
Doreen. Did her family know? Would she get a proper burial? Caroline couldn’t find the words to ask. Why had they come here? It would be better not to know, to imagine that Doreen had just gone home, fed up of the place.
‘I want you girls to promise me that you will not speak about this to anyone else. It is a tragic thing and it would never have happened if Doreen had remembered the importance of staying pure. You give me your word?’
They both did. Victoria’s voice shaky with emotion.
Caroline dreamt of Doreen that night. Doreen lay in her arms singing, a lovely ballad. She was wrapped in a shawl, sticky and dark with blood.
‘Nurse!’ The cry was like a bleat. The young man in the end bed. He’d been brought in that afternoon, his leg crushed by a forklift truck. He’d been in the Army doing National Service for the last eighteen months. A year younger and this would never have happened to him. They’d abolished it now. He’d been in the last batch, called up in 1960. She took a look at him, his lips taut with pain, tongue gripped between his teeth. Pearls of sweat sprinkled on his forehead.
‘I’ll get Sister.’ She hurried to the nurse’s station and alerted Sister Colne, who administered more medicine.
‘Sit with him a while,’ she told Caroline. ‘He’s spiking a temp so keep him cool and he can drink if he’s thirsty.’
Caroline took the cloth from his brow, dipped it in cold water, wrung it out and replaced it. He was hovering between sleep and waking, his eyelids fluttering up and down, his mouth working occasionally but no speech. The drugs would make him woozy. There was a rank smell from him, sour and unwashed. He wouldn’t be bathed until the doctors examined him again in the morning.
It was warm on the ward and quiet now save for the snoring from someone at the far end and an occasional murmur from the depths of a dream.
Caroline closed her eyes for a moment, felt herself settle in the chair. Her head was heavy and she felt sleep steal over her like a cloak, creeping up her spine and over her skull, enveloping her shoulders. When she jerked awake some time later he was looking at her, his eyes made dreamy by the medicine.
‘Hello,’ he said.
She smiled.
‘What’s your name?’
‘Caroline.’
‘Paul.’
‘The pain, has it helped?’
‘Yeah. Where are you from, Caroline? That’s not a Manchester accent.’
‘Bolton,’ she said.
‘Ah, Bolton,’ he mimicked her.
She smiled even though having the mickey taken was not particularly amusing.
‘Get that a lot?’ He surprised her.
She nodded. His hair was cut close, for the services of course. He had a strong face. She could imagine him as a man of action, no nonsense.
‘This leg, what'll they do? Nobody’s saying anything. Will they…?’ He faltered, looked away then back, his Adam’s apple bobbed. ‘Can they save it?’
‘Oh, yes,’ she said. ‘It's only if there’s gangrene or complications.’
Relief shone damp in his eyes. Light-blue eyes. She saw his chest fall as he exhaled.
‘I don’t understand,’ he said. ‘The operation?’
Oh, you poor man. ‘They’ll put a pin in, a metal rod, where the bones are shattered. You’ll have a lump, scars.’
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Кен Фоллетт — один из самых знаменитых писателей Великобритании, мастер детективного, остросюжетного и исторического романа. Лауреат премии Эдгара По. Его романы переведены на все ведущие языки мира и изданы в 27 странах. Содержание: Скандал с Модильяни Бумажные деньги Трое Ключ к Ребекке Человек из Санкт-Петербурга На крыльях орла В логове львов Ночь над водой.
В самой середине 90-тых годов прошлого века жизнь приобрела странные очертания, произошел транзит эпох, а обитатели осваивали изменения с разной степенью успешности. Катя Малышева устраивалась в транзитной стадии тремя разными способами. Во-первых, продолжала служить в издательстве «Факел», хотя ни работы, ни денег там почти не наблюдалось. Во-вторых редактировала не совсем художественную беллетристику в частных конторах, там и то и другое бытовало необходимом для жизни количестве. А в третьих, Катя стала компаньоном старому другу Валентину в агентстве «Аргус».
В самом начале нового века, а может быть и в конце старого (на самом деле все подряд путались в сроках наступления миллениума), Катя Малышева получила от бывшего компаньона Валентина поручение, точнее он попросил оказать ему платную любезность, а именно познакомиться с заслуженной старой дамой, на которую никто в агентстве «Аргус» не мог угодить. Катя без особой охоты взялась за дело, однако очень скоро оно стало усложняться. Водоворот событий увлек Катю за собой, а Валентину пришлось её искать в печальных сомнениях жива она или уже нет…
Наталия Новохатская Предлагает серию развернутых описаний, сначала советской (немного), затем дальнейшей российской жизни за последние 20 с лишком лет, с заметным уклоном в криминально-приключенческую сторону. Главная героиня, она же основной рассказчик — детектив-самоучка, некая Катя Малышева. Серия предназначена для более или менее просвещенной аудитории со здоровой психикой и почти не содержит описаний кровавых убийств или прочих резких отклонений от здорового образа жизни. В читателе предполагается чувство юмора, хотя бы в малой степени, допускающей, что можно смеяться над собой.
Эта история начинается с ограбления с трагическим финалом: немолодой хозяин загородного дома погибает от рук неизвестных преступников. Однако в этой истории оказывается не так все просто, и сам погибший несет ответственность за то, что с ним произошло. Рассказ «Вода из колодца» седьмой в ряду цикла «Дыхание мегаполиса». Главным героем этого цикла является следователь Дмитрий Владимиров, который на этот раз должен разобраться в хитросплетениях одной запутанной семейной драмы.