Stone Cold Red Hot - [36]
“You could check that though, couldn’t you? If she had a baby there’d be a record of that, wouldn’t there?”
“Yes.” And it would probably be easier to find than Jennifer was.
“I want you to find out,” his eagerness was poignant. I realised with a rush of understanding that Roger was re-inventing himself as an uncle, with nephew or niece to his name. Though they’d be in their mid-twenties by now.
“I’d have to go to Huddersfield,” I said, “that’s the nearest place with the most up to date national records. I don’t think there’s any point in going all the way to London. There is an office in Manchester too but they haven’t got such a comprehensive archive.”
“Try Huddersfield then.”
“There’s a problem, I’ve had my car stolen, I’ll need to hire a car – for a day, add it to my expenses.”
“That’s fine,” he said.
“I also found out who the father was. Someone that Jennifer met at the Bounty, the banqueting hall where she used to waitress. He’s called Jones, Maxwell Jones. He’s black and that probably made it even harder for Jennifer to confide in your parents.”
He gave me a puzzled look.
“Your father, in particular, held racist views.”
“Oh, yes,” he blushed.
“So not only had Jennifer broken faith with their moral and religious position she’d done so with someone your father could never accept.”
“Does he know? This man?”
“No. The relationship was over before Jennifer realised that she was pregnant. Her friends say she never considered marrying him, she knew she’d be on her own.”
He swallowed and covered his eyes briefly. “It’s a lot to take in.”
“Yes.” When he looked at me again I continued. “We also know that no-one heard from Jennifer, none of her friends, and that they were surprised at her sudden departure.”
“But where can she have gone? If it wasn’t Keele?”
“That’s why I need to talk to your mother.”
“I don’t think that’s a good idea,” he protested. “Did they know?” he asked quietly, “about the baby, did my parents know?”
“I haven’t been able to establish whether she told them or not.”
“What she said, my mother, about Jennifer being a disgrace, that must be what she meant.”
“Roger, I need to talk to your mother. She was the one who led everyone to believe Jennifer had gone to Keele and then dropped out, that’s what she told Lisa and Mrs Clerkenwell and you. If anyone knows where she really went it’s your mother.”
“I don’t think she’ll see you,” he stonewalled.
“Don’t tell her.”
“What?”
“She’ll be in this evening?”
“Yes.”
“I’ll come round after you’ve eaten, I’ll ask what I have to ask.”
He looked sick.
“The worst that can happen is that she’ll throw me out.”
“And she’ll know that I’ve hired you?”
“Yes. Look I could invent some mickey mouse story about being an old friend or a school re-union or something but all she’s going to say is that she’s lost touch with Jennifer. I have to challenge her, Roger.”
“She’s not well.”
Was his concern for her or for himself? He was thirty one for heaven’s sake, not a child. Wasn’t it about time he stood up for himself? “It’s up to you,” I said tiring of his weakness, “but if you won’t give me a chance to talk to her I’m afraid I’m not prepared to carry on with the case.” I paused.
He stared at his hands as though they held the correct answer.
“Maybe she should know; that you’ve hired me, that you’re determined to find your sister.”
“OK,” he sat back in the chair, “come round about seven. She should still be awake – she has a room downstairs now, it’s easier. Will I need to be there?”
“No. Just let me in and I’ll see her on my own.”
A wave of doubt leapt at my conscience. Shouldn’t I leave it all be, leave a dying woman to her secrets, let the mystery remain? I pressed my palms onto my desk to steady myself. I couldn’t walk away from this. I was in too deep and I needed to know whether my intuition was playing me false, or whether Jennifer was dead rather than missing. And if she was dead was her death due to illness or accident or something more sinister? I had to find out and maybe then it would all come clear. It would all be right as rain, I would laugh at the disturbing fears that were multiplying in my imagination and the aching sensation in my stomach would melt away. Maybe.
A fine autumn evening, there was a fresh wind blowing, encouraging the trees to let go of their first dying leaves. The wind brought a cooler feel with it and I shivered as I pedalled along in spite of the heat generated by my cycling.
I leant the bike against the garage at the side of the house and locked the back wheel to the frame. It was exactly seven o’ clock. I rang the bell and heard the shrill tone echo inside. Roger answered the door, his dread of my visit written all over his face. He lived with his mother in awe of her. Would he find release once she had gone? Shed his persona of nervous little boy?
“Come in, she’s in here.”
The house was the mirror image of Mrs Clerkenwell’s as far as its layout went, the front rooms off to the right of the passageway with the stairs at the left. The hall was dark, lots of deep polished wood, an antique umbrella and hat stand on the left. The floor was brown tiles with geometric border of blue and white triangles, a Victorian style. The kitchen door at the far end of the hall was ajar and through it spilt a ruby wedge of light from the setting sun. Like warmth in the distance. It didn’t stretch the length of the hallway and when it suddenly faded everything was sombre and melancholy again.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Егор Кремнев — специальный агент российской разведки. Во время секретного боевого задания в Аргентине, которое обещало быть простым и безопасным, он потерял всех своих товарищей.Но в его руках оказался секретарь беглого олигарха Соркина — Михаил Шеринг. У Шеринга есть секретные бумаги, за которыми охотится не только российская разведка, но и могущественный преступный синдикат Запада. Теперь Кремневу предстоит сложная задача — доставить Шеринга в Россию. Он намерен сделать это в одиночку, не прибегая к помощи коллег.
Опорск вырос на берегу полноводной реки, по синему руслу которой во время оно ходили купеческие ладьи с восточным товаром к западным и северным торжищам и возвращались опять на Восток. Историки утверждали, что название городу дала древняя порубежная застава, небольшая крепость, именованная Опорой. В злую годину она первой встречала вражьи рати со стороны степи. Во дни же затишья принимала застава за дубовые стены торговых гостей с их товарами, дабы могли спокойно передохнуть они на своих долгих и опасных путях.
Как часто вы ловили себя на мысли, что делаете что-то неправильное? Что каждый поступок, что вы совершили за последний час или день, вызывал все больше вопросов и внутреннего сопротивления. Как часто вы могли уловить скольжение пресловутой «дорожки»? Еще недавний студент Вадим застает себя в долгах и с безрадостными перспективами. Поиски заработка приводят к знакомству с Михаилом и Николаем, которые готовы помочь на простых, но весьма странных условиях. Их мотивация не ясна, но так ли это важно, если ситуация под контролем и всегда можно остановиться?
Из экспозиции крымского художественного музея выкрадены шесть полотен немецкого художника Кингсховера-Гютлайна. Но самый продвинутый сыщик не догадается, кто заказчик и с какой целью совершено похищение. Грабители прошли мимо золотого фонда музея — бесценной иконы «Рождество Христово» работы учеников Рублёва и других, не менее ценных картин и взяли полотна малоизвестного автора, попавшие в музей после войны. Читателя ждёт захватывающий сюжет с тщательно выписанными нюансами людских отношений и судеб героев трёх поколений.
Александра никому не могла рассказать правду и выдать своего мужа. Однажды под Рождество Роман приехал домой с гостем, и они сразу направились в сауну. Александра поспешила вслед со свежими полотенцами и халатами. Из открытого окна клубился пар и были слышны голоса. Она застыла, как соляной столп и не могла сделать ни шага. Голос, поразивший её, Александра узнала бы среди тысячи других. И то, что обладатель этого голоса находился в их доме, говорил с Романом на равных, вышибло её из равновесия, заставило биться сердце учащённо.
Если вы снимаете дачу в Турции, то, конечно, не ждете ничего, кроме моря, солнца и отдыха. И даже вообразить не можете, что столкнетесь с убийством. А турецкий сыщик, занятый рутинными делами в Измире, не предполагает, что очередное преступление коснется его собственной семьи и вынудит его общаться с иностранными туристами.Москвичка Лана, приехав с сестрой и ее сыном к Эгейскому морю, думает только о любви и ждет приезда своего возлюбленного, однако гибель знакомой нарушает безмятежное течение их отпуска.