Stone Cold Red Hot - [37]
I gestured for Roger to open the door and braced myself. I followed him in.
“There’s someone to see you,” he said and withdrew.
She was sitting in a high-backed armchair, a crocheted rug over her legs and one of those v-shaped support pillows behind her. She looked haggard, her skin tone was yellow, she had a mob-cap on with lacy edge and I wondered whether the treatment had caused her hair to fall out. Her features were small, neat, and she wore bi-focals on a chain. I could discern a slight resemblance to Jennifer in the thin nose and the small mouth but not to Roger who presumably took after his father. In her hands she held a little magazine, a puzzle book, full of crosswords and word-searches. She lay it down on her lap.
“Are you from The Children?”
“Pardon?”
“The Children of Christ?”
“No. Are you expecting someone?”
“Tomorrow, I think. They’re very good.” Her voice was clear.
“You’re still involved with the church?”
She stared at me for a moment. “I am dedicated. The Children are my spiritual family, my one true family, surpassing all others. When all about is corruption…”
She stopped. I don’t know whether she was quoting something or making a social observation. I was still standing but there was nowhere for me to sit. A dining chair near to Mrs Pickering was covered in clothes and I didn’t want to perch on the bed.
“No, I’m not from the church,” I said, “I’m a private detective. I’ve come to talk to you about Jennifer.”
I thought she was going to keel over. Her eyes fluttered and she went even paler. She began to shake her head as though I were a noise she could dislodge.
“Jennifer has been missing since 1976,” I said. “I’m trying to trace her.”
“Go away,” she said quickly, her mouth trembling.
“I’d like your help.”
“I don’t know where she is, she went to university, after that I don’t know.”
“She didn’t go to Keele,” I said calmly, “she never got there. That’s what she had been planning to do, that’s what you told people but it wasn’t the truth.”
“Get out of here. Roger,” her voice rose, quavering.
I crouched down, better to talk to her at the same level. “I know she was pregnant, did she tell you? It must have been a terrible shock.”
“Why are you asking me all this?” she cried, anguish in her voice.
“Roger wants me to find his sister, he wants it desperately enough to go against your wishes.”
“She went to Keele,” she repeated.
“She didn’t, they’ve checked the records.”
“Roger,” she began to scream.
“Where did she really go?”
She got up and took a few steps still calling, “Roger, Roger, Roger.”
“Did you ever hear from Jennifer?”
“Roger!”
The door flew open and Roger came in.
I stood up. I know when I’ve overstayed my welcome. “I’ll wait in the kitchen,” I said to him.
It was quarter of an hour before Roger joined me. I stared at the notice-board with its neat list of names and numbers, clinic appointment cards and money off coupons. I considered ways to get Mrs Pickering to talk to me but couldn’t come up with anything that would get me past her hysteria. Why was she so agitated at the mention of Jennifer? Surely after twenty odd years the reaction to Jennifer’s pregnancy would have softened a little? Jennifer must have told them about the baby, that much seemed evident. Was Mrs Pickering’s illness affecting her emotional state? But according to Roger he’d had the same response a year previously.
I stared out of the back window to the house opposite where Frances Delaney had grown up and I worked out which had been her room. The stone wall separating the gardens was substantial, about six foot high, darkened by the smoke from the city before the Clean Air Act came in and they sand-blasted everything.
When Frances talked about Jennifer climbing over the wall and becoming distraught I thought perhaps she’d been imagining what waited for her at home and it had all been too much. I re-considered. Could she have seen something? There was a large garden shed at the bottom of the Pickering’s garden and it would be about the only thing you’d see from the Delaney’s wall. Had she seen something in the shed? I opened the door at the side of the kitchen and walked round to the back garden. It was uninspiring. Roger definitely hadn’t inherited his father’s green fingers. A couple of rhododendron bushes, some lavender and geraniums were all that stocked the borders, weeds were rampant in-between. The rest of the place was lawn, dotted with dandelions. I walked over to the shed and circled it, no windows. I went to the wall which was about four feet from the shed. I easily found foot holds in the stones and hoisted myself up until I was sitting on the top. A startled cat leapt down and shot away into the large trees at the bottom of the garden next-door. From my vantage point the shed obscured any view of the Pickering’s house. I shuffled along to the left and found I could see the upper floors of Mrs Clerkenwell’s. From the other end the house at the right, where the Shuttle’s had lived was screened by a Leylandii hedge which grew above the dividing fencing. There was precious little chance of Jennifer seeing any thing from there.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».
Очнувшись на полу в луже крови, Роузи Руссо из Бронкса никак не могла вспомнить — как она оказалась на полу номера мотеля в Нью-Джерси в обнимку с мертвецом?
Действие романа происходит в нулевых или конце девяностых годов. В книге рассказывается о расследовании убийства известного московского ювелира и его жены. В связи с вступлением наследника в права наследства активизируются люди, считающие себя обделенными. Совершено еще два убийства. В центре всех событий каким-то образом оказывается соседка покойных – молодой врач Наталья Голицына. Расследование всех убийств – дело чести майора Пронина, который считает Наталью не причастной к преступлению. Параллельно в романе прослеживается несколько линий – быт отделения реанимации, ювелирное дело, воспоминания о прошедших годах и, конечно, любовь.
Егор Кремнев — специальный агент российской разведки. Во время секретного боевого задания в Аргентине, которое обещало быть простым и безопасным, он потерял всех своих товарищей.Но в его руках оказался секретарь беглого олигарха Соркина — Михаил Шеринг. У Шеринга есть секретные бумаги, за которыми охотится не только российская разведка, но и могущественный преступный синдикат Запада. Теперь Кремневу предстоит сложная задача — доставить Шеринга в Россию. Он намерен сделать это в одиночку, не прибегая к помощи коллег.
Опорск вырос на берегу полноводной реки, по синему руслу которой во время оно ходили купеческие ладьи с восточным товаром к западным и северным торжищам и возвращались опять на Восток. Историки утверждали, что название городу дала древняя порубежная застава, небольшая крепость, именованная Опорой. В злую годину она первой встречала вражьи рати со стороны степи. Во дни же затишья принимала застава за дубовые стены торговых гостей с их товарами, дабы могли спокойно передохнуть они на своих долгих и опасных путях.
Из экспозиции крымского художественного музея выкрадены шесть полотен немецкого художника Кингсховера-Гютлайна. Но самый продвинутый сыщик не догадается, кто заказчик и с какой целью совершено похищение. Грабители прошли мимо золотого фонда музея — бесценной иконы «Рождество Христово» работы учеников Рублёва и других, не менее ценных картин и взяли полотна малоизвестного автора, попавшие в музей после войны. Читателя ждёт захватывающий сюжет с тщательно выписанными нюансами людских отношений и судеб героев трёх поколений.