Stone Cold Red Hot - [32]

Шрифт
Интервал

I was upstairs in the bathroom, brushing my teeth when Maddie cried out. I went in to her.

“There was a thing, Mummy, in my dream.” She was sitting bolt upright, her face crinkled with anxiety. I sat beside her and put my arm around her.

“What sort of a thing?”

“Horrible.” Her voice wobbled.

“Do you want to tell me your dream?”

She shook her head emphatically.

“OK, lie down then.”

She began to protest.

“It won’t come back,” I said, “it’s only a dream, a picture in your sleep.” She wasn’t having it, her mouth pulled ready for tears.

“Maybe you could put your tape on,” I suggested.

She paused, considering. “Will you stay?”

I sighed.

“Just a bit Mummy and then leave the tape on?”

“Alright. I’ll just get changed.”

She leapt out of bed. No way was she going to stay alone in the room after that thing had been in her dream. She shadowed me to my room and back.

I settled her in, stuck the story tape in the machine and sat back in the rocking chair. Tom in the other bed slept undisturbed. Maddie mouthed the words to the story. I closed my eyes. When I opened them again she was asleep and the tape had finished. I padded across the landing and fell into bed. And then it was time to get up again.

When I don’t get enough sleep my concentration goes to pot. I knew I was going to spend the whole of Tuesday in a fuzzy state. I had a big breakfast to compensate; half a grapefruit, mushrooms and scrambled egg, toast and honey. I dragged Maddie and Tom away from the telly and got them to school, went to my office straight from there. I made a coffee and drank it with my eyes closed and feet up before I attempted any work. I made a list of things I had to do in the course of the day. Then I considered my appointments. I’d a meeting with Frances Delaney at ten thirty and I was seeing Roger Pickering later to give him the lowdown on what I’d discovered. That would take all of five minutes, I thought in my disgruntled mood. I pulled out the report I’d started and glanced over it. Alright, I reasoned with myself, maybe you haven’t found Jennifer yet but you’ve established some facts that Roger wasn’t sure of. I counted them off on my fingers. One – she was pregnant, two – Maxwell was the father, three – she left for university a week before the starting date, four – her friends were surprised at her sudden departure…

I was interrupted by the sound of footsteps up the path. I stood and craned my neck – caught sight of a Royal Mail uniform through the narrow basement window. I heard the clang of the letterbox and went up to check the mail. Most of it was for the Dobson’s, I left it on the hall table, but there was also something for me. Brown, window envelope postmarked Keele. Yes! I hurried back downstairs, opening it as I went.

‘Dear Ms Kilkenny,

Further to your recent enquiry concerning Jennifer Louise Pickering, 4.3.58, I have checked university records for the academic year 1976-77. Miss Pickering accepted a place for that year, conditional on her A-level grades, but she did not register for admittance. She was not a student of the English Faculty, or of any other University department, during that period.

Yours faithfully,

MRS V.HALLIDAY (Administrator)’

What?

I read it twice. Then I rang Mrs Halliday.

Chapter twelve

I introduced myself and thanked her for the letter. “I wanted to ask, registering for admittance – is that what students do when they actually arrive, during Fresher’s Week?”

She expelled air quickly, sounding frustrated with my question. “Yes,” she said brusquely, “we have to keep track of numbers obviously, and if someone had been through admissions and joined the Faculty they would be on the general register.”

“What if she’d been admitted but dropped out of the course early on?”

“Then there would be a record of admission.”

“Do you know if Jennifer contacted the university to say she wasn’t going to take the place?”

I heard her tut in exasperation. “No. And that sort of documentation wouldn’t have been kept as a matter of course. Our records weren’t computerised until the mid-eighties, space was at a premium, official records were all we could find room for and there are boxes full of those, I can tell you.”

“And you checked for other departments as well?”

“According to the formal admissions records Jennifer Pickering did not attend this university at all.”

I was stunned. Everything had been resting on Keele. Jennifer’s last known residence. Except it hadn’t been. I’d hoped to find a firm lead there, a forwarding address, perhaps the names of course mates who might still be in touch. I made another coffee and tried to work out what this meant. Jennifer never went to Keele. Everyone assumed that she had. There was more to it than that. I dug out my earlier notes and went back over them. Both Roger and Mrs Clerkenwell had spoken about Jennifer dropping out of her course, so had Lisa MacNeice. And who had told them that Jennifer had left Keele? Mrs Pickering – Jennifer’s mother. And who had told Mrs Pickering? Had Jennifer pretended to be at Keele when she was really elsewhere? Or had the Pickerings invented the story for reasons of their own? I had to talk to her. She must be able to tell me more about where Jennifer went at the end of that hot, dry summer. When I saw Roger later that day I would insist on meeting Mrs Pickering as a condition of carrying on with the case.


Еще от автора Cath Staincliffe
Trio

1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.


Witness

"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.


Dead Wrong

Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.


The Kindest Thing

Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.


Go Not Gently

From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.


Desperate Measures

The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.


Рекомендуем почитать
Капитан Рубахин

Опорск вырос на берегу полноводной реки, по синему руслу которой во время оно ходили купеческие ладьи с восточным товаром к западным и северным торжищам и возвращались опять на Восток. Историки утверждали, что название городу дала древняя порубежная застава, небольшая крепость, именованная Опорой. В злую годину она первой встречала вражьи рати со стороны степи. Во дни же затишья принимала застава за дубовые стены торговых гостей с их товарами, дабы могли спокойно передохнуть они на своих долгих и опасных путях.


Всегда можно остановиться

Как часто вы ловили себя на мысли, что делаете что-то неправильное? Что каждый поступок, что вы совершили за последний час или день, вызывал все больше вопросов и внутреннего сопротивления. Как часто вы могли уловить скольжение пресловутой «дорожки»? Еще недавний студент Вадим застает себя в долгах и с безрадостными перспективами. Поиски заработка приводят к знакомству с Михаилом и Николаем, которые готовы помочь на простых, но весьма странных условиях. Их мотивация не ясна, но так ли это важно, если ситуация под контролем и всегда можно остановиться?


Договориться с тенью

Из экспозиции крымского художественного музея выкрадены шесть полотен немецкого художника Кингсховера-Гютлайна. Но самый продвинутый сыщик не догадается, кто заказчик и с какой целью совершено похищение. Грабители прошли мимо золотого фонда музея — бесценной иконы «Рождество Христово» работы учеников Рублёва и других, не менее ценных картин и взяли полотна малоизвестного автора, попавшие в музей после войны. Читателя ждёт захватывающий сюжет с тщательно выписанными нюансами людских отношений и судеб героев трёх поколений.


Плохой фэн-шуй

Александра никому не могла рассказать правду и выдать своего мужа. Однажды под Рождество Роман приехал домой с гостем, и они сразу направились в сауну. Александра поспешила вслед со свежими полотенцами и халатами. Из открытого окна клубился пар и были слышны голоса. Она застыла, как соляной столп и не могла сделать ни шага. Голос, поразивший её, Александра узнала бы среди тысячи других. И то, что обладатель этого голоса находился в их доме, говорил с Романом на равных, вышибло её из равновесия, заставило биться сердце учащённо.


Блеск страха

Валентин Владимиров живет тихой семейной жизнью в небольшом городке. Но однажды семья Владимировых попадает в аварию. Жена и сын погибают, Валентин остается жив. Вскоре виновника аварии – сына известного бизнесмена – находят задушенным, а Владимиров исчезает из города. Через 12 лет из жизни таинственным образом начинают уходить те, кто был связан с ДТП. Поговаривают, что в городе завелась нечистая сила – привидение со светящимся глазами безжалостно расправляется со своими жертвами. За расследование берется честный инспектор Петров, но удастся ли ему распутать это дело?..


Сад камней

Если вы снимаете дачу в Турции, то, конечно, не ждете ничего, кроме моря, солнца и отдыха. И даже вообразить не можете, что столкнетесь с убийством. А турецкий сыщик, занятый рутинными делами в Измире, не предполагает, что очередное преступление коснется его собственной семьи и вынудит его общаться с иностранными туристами.Москвичка Лана, приехав с сестрой и ее сыном к Эгейскому морю, думает только о любви и ждет приезда своего возлюбленного, однако гибель знакомой нарушает безмятежное течение их отпуска.