Split Second - [4]
‘Geography!’ Val had exclaimed when Andrew told her Jason had been talking about it. ‘He can barely find his way home from school without a sat nav. He’s no sense of direction – in either sense of the word.’
‘He loves geography, though,’ Andrew had said. ‘Remember all those maps we used to make?’ Pieces of lining paper scrawled on with felt pens: islands littered with treasure troves and hazards; sharks and sinking sands, whirlpools and stingrays. Staining the paper with used tea bags, singeing the edges with the kitchen matches and setting the smoke alarm off, rolling them into scrolls, tied with broken shoelaces.
‘He liked maps because you did,’ Val said.
‘Maybe. Does it matter? It’s good to know there’s something he wants to do – and his marks have been great.’
‘Yes.’ She softened, gave a rueful smile. ‘I just worry about him, that’s all,’ apologizing, acknowledging the tension she brought to the discussion, that for all his charms, her child’s flaws still irritated her, made her feel impatient and then guilty.
Jason had seen it through, taken the offer from Durham, got his grades and moved into halls twelve weeks ago. The house had been deadly without him, ghostly without the trail of debris, the piles of laundry, the racket as he moved about the place, heavy-footed, clumsy, big-boned. Now he was back home for Christmas. He’d gone to the pub tonight, to catch up with his mates from school, the group scattered to universities around the country.
Andrew turned, let the jets of water drum on his back, inched the temperature control up a notch. He bent for the shower gel.
‘Andrew! Andrew!’ Val braying at the bathroom door. Was there a leak? The shower flooding into the kitchen below? Her voice frantic, furious. For a moment he wondered if he had done something wrong, or failed to do something, but what would merit such fury? He stopped the shower. ‘Get out here!’ she yelled. ‘There’s a fight outside. Jason’s there!’
He almost slipped stepping out of the shower, swiped a towel down his front and across his back, pulled on clothes from the floor, his jeans and pullover, the wool itchy against his skin. He hurried downstairs, where he could see the front door open, Val just inside, the phone in hand, her voice urgent, shaky as she gave their address and then shouted to Jason.
Andrew went past her on to the front lawn. Jason was tussling with a boy, dragging at his sleeve; on the grass beside them lay a figure, curled small. Two people waited at the gate, yelling: a girl in a white coat and another bigger lad in a hoodie, popping-out eyes. Andrew ran forward, yelling too. The boy wrenched himself free from Jason, leapt over the prone figure and ran. Andrew went after them, screaming, his heart thumping fiercely in his chest, fury red at the edges of his eyes. He lost his footing on the slippery pavement, he had no shoes on, and went over, his shoulder and hip hitting the ground hard. He scrambled up but the trio were already near the junction and he saw them veer off. He’d never catch them now.
He ran back to the house, the ground cold and wet and gritty beneath his feet. The crystals of snow on the grass squeaking as he went to his son. Jason was bent over, hands on knees, breathless, panting. He swung his head, saw Andrew. ‘Dad, call an ambulance.’ He was close to tears. ‘I think they’ve killed him.’
‘Oh God!’ Andrew’s phone was upstairs. But Val was already… ‘I think your mum…’
‘Call a fucking ambulance,’ Jason screamed at him.
Tears started in his eyes, at his son’s anguish, at the pathos of the scene. He ran upstairs, grabbed his phone and punched in 999. He hurried back down and the operator answered on the second ring and transferred him to the ambulance service. Val was still talking. ‘Three of them, a girl and two boys, they’ve only just gone.’
Outside, Andrew hunkered down. The boy on the floor was still; his face was bloody and swollen. Andrew’s stomach flooded with acid; his heart was still pounding, and he was trembling. He followed what the voice on the phone said, tried to answer their questions as best he could.
‘I think he’s dead,’ Jason gasped. ‘He was jerking, like a fit.’
Andrew repeated the information for the operator, and listened to her instructions.
‘They’re coming,’ he said.
‘We should do something.’ Jason’s voice was wild with panic. He was batting his fists together. The boy was still; by his head, the snow was pink, like sorbet with raspberry sauce. Flecks of snow landed and melted on his hair, on his poor, poor face.
‘I need to check if he’s breathing,’ Andrew said.
Jason began to cry.
‘Hey.’ Andrew straightened up, folded him into his arms. Felt a tremor ripple through his son. And another. ‘You’re freezing, go in.’
Val came out. ‘Jason.’
‘Mum.’
‘Take him inside,’ Andrew urged. He heard sirens howling in the distance. Coming here, he prayed.
‘No, I’m not-’ Jason began to protest, but Andrew shushed him.
‘Come inside, Jason,’ Val said.
‘I think he’s in shock,’ Andrew told her. ‘He must have seen it all.’
‘Oh, Mum. Mum.’
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Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
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A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…
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Чемодан с миллионом долларов, кучка головорезов, желающих его вернуть, и это в городишке, отрезанном от мира. Что может быть хуже? Ах, да….кровососущий монстр.От Автора:Данный рассказ является частью трилогии «Последний рубеж» и повествовал о молодости Кейн и его знакомству с Изабелл. Сюжет рассказа блуждал у меня в голове больше года, и дошел до кондиции, когда нужно перенести его на бумагу. Сама «трилогия Рубежа» будет представлена публике — когда меня устроит результат. Но, если сей рассказ будет достаточно популярен, и у читателей будет желание увидеть продолжение, то я вполне могу написать ещё одну-две истории повествующие о похождениях молодого Кейна, тем самым сформировав из них полноценный роман.Так что не стесняйтесь оставлять комментарии, тыкать носом в нелогичности.
Поздним вечером посыльный курьерской почты юный Джейс Деймон торопится доставить пакет от клиента, которого позже находят мертвым. Да и сам Джейс оказывается втянутым в криминальные сети шантажа и убийств.Под угрозой жизнь самого Джейса и его младшего брата.Конечно, можно бежать, но удастся ли скрыться?Это и предстоит узнать Джейсу Деймону.
Астра Фадеева – самостоятельная женщина, ведет собственный бизнес, в одиночку воспитывает сына, а еще помогает сестрам и бывшему мужу, хоть и не стоит он того. Но как же ей хочется быть слабой, беззащитной, опереться на сильное мужское плечо! Да только вот незадача – все ее романы обязательно заканчивались крупными неприятностями, причем не столько для самой Астры, сколько для окружающих. В общем, роковая женщина!Вот и на этот раз романтическая поездка к морю в солнечную Болгарию обещала жаркие объятия и страстные поцелуи, а обернулась очередной катастрофой.
«Посмотреть в послезавтра» – остросюжетный роман-триллер Надежды Молчадской, главная изюминка которого – атмосфера таинственности и нарастающая интрига.Девушка по имени Венера впадает в кому при загадочных обстоятельствах. Спецслужбы переправляют ее из закрытого городка Нигдельск в Москву в спецклинику, где известный ученый пытается понять, что явилось причиной ее состояния. Его исследования приводят к неожиданным результатам: он обнаруживает, что их связывает тайна из его прошлого.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издаётся с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Анатолий Королев ПОЛИЦЕЙСКИЙ (повесть)Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (окончание) (повесть)Владимир Лебедев ГОСТИ ИЗ НИОТКУДА.
В сборник «Последний идол» вошли произведения Александра Звягинцева разных лет и разных жанров. Они объединены общей темой исторической памяти и личной ответственности человека в схватке со злом, которое порой предстает в самых неожиданных обличиях. Публикуются рассказы из циклов о делах следователей Багринцева и Северина, прокуроров Ольгина и Шип — уже известных читателям по сборнику Звягинцева «Кто-то из вас должен умереть!» (2012). Впервые увидит свет пьеса «Последний идол», а также цикл очерков писателя о событиях вокруг значительных фигур общественной и политической жизни России XIX–XX веков — от Петра Столыпина до Солженицына, от Александра Керенского до Льва Шейнина.