Split Second - [2]
There was a sharp crack and a tremor through the floor as the one called Gazza kicked the seat next to his quarry. Emma startled.
‘Hah,’ yelled Gazza. Another thump. ‘You want a kicking? That’ll sort you out,’ he shouted at the boy at the window. ‘You dirty nigger.’
The woman in the aisle seat in front of Emma pressed the bell, and she and her friend got to their feet, made their way to the front, standing near the driver as they waited for the lights to change. The large windscreen wiper was pushing slushy snowflakes in an arc across the glass. One of the women peered at the driver, but the man, grey hair, grey complexion, stared steadfastly ahead. She coughed; the driver glanced into his offside wing mirror and drove the bus across the junction, drawing in to the kerb with a whoosh of brakes. The doors folded back, letting in the cold air and a swirl of snow as the women got off. The bus moved on.
‘I’ll do you,’ the bully said, his tone intense with pent-up rage. ‘I’ll have you. I’ve got a knife. Tell him.’
‘He has,’ barked the runty one. ‘He’ll shank you.’
‘He’ll cut you,’ threatened the girl.
The air hummed with tension, the prospect of danger. Emma felt her neck burning, a band of pain around her head. They’re just boasting, she thought, winding each other up. It’ll all fizzle out in a minute. Just playing macho, aren’t they? The passengers were mute, the atmosphere thick with shame and fear. They all sat cocooned, eyes cast down or out of the window.
The girl giggled. ‘He’s shaking, Gazza. Look at him.’
The bell dinged and the red bus-stopping sign illuminated. A lad stomped down from the upper deck, hair down to his shoulders, zipping up his olive-green parka, one of those bright woolly hats on with ear flaps.
‘Knobhead.’ Gazza slapped Luke; the boy’s head banged into the glass.
The lad in the hat saw it; he flushed, moved down the bus. ‘Leave him alone.’
Gazza turned. ‘Or else? Fuck off.’
But the young man wasn’t cowed; his face darkened with outrage, ‘Just leave it.’
With a malicious snort, Gazza swivelled out of the seat and lunged at him, pushing him back and on to the lap of an old Asian man with bags of shopping.
Luke seized the distraction to leap into the aisle and run to the doors as the bus drew in to the stop.
‘Get him!’ Gazza roared, and the three of them scrambled after Luke. Pandemonium. Shouts of outrage and curses as they spilled off the bus.
The lad in the hat righted himself and followed at speed.
Emma felt sick. The doors closed, and she saw the woman with the baby shake her head at an old man on the disabled seats at the other side. But still no one spoke.
Emma looked out of the window as the bus drove away, tyres hissing on the wet tarmac, and saw Luke trip and recover and dart into a garden. The kids were close on his heels and the one in the hat behind them. It was the first house with lights on and there was a car parked at the side. Luke would be able to knock on the door, get help.
Should she ring the police now? And say what? There were some youths on the bus shouting abuse and making threats and now they’re chasing this lad? It would be hard to make the call on the bus with all the noise and people earwigging, and by the time she got home there wouldn’t really be any point. And they’d probably tell her they’d look into it but it wasn’t like anything definite had really happened. Well – one slap and the insults. It wasn’t up to her, really; perhaps the driver would report it when he reached the terminus. Maybe he’d not done anything because he knew it wasn’t actually worth reporting.
The bus trundled on and she sat, just like the rest of them, isolated and dumb, wanting to be anywhere but there.
Louise
‘Brilliant!’ Louise clapped as her daughter’s voice faded along with the backing track. ‘Dead good!’
Ruby was flushed, her brown eyes glittering, a sheen on her face from the exertion making her coppery skin glisten.
‘Yer nan’d be proud of you.’ Louise got up from the sofa, ready for a cup of tea.
‘You always say that.’ Ruby switched off the sound system.
‘’Cos it’s true.’ Louise had spent half her childhood applauding her mother, who’d made a living as a singer, fronting a twelve-piece band and crooning ballads or belting out show tunes. She’d spent the other half of it pining for the woman off criss-crossing the ocean singing for her supper on the cruise ships. Now she was here cheering on her daughter; the musical gene, the exhibitionist gene, had skipped a generation.
‘Did Dad sing?’ Ruby asked quietly.
Louise paused in the doorway to the kitchen. It had been ages since Ruby had spoken about her dad Eddie, who’d died suddenly at the wheel of his taxi when Ruby was only four years old. Heart attack.
‘Yeah, he did, he loved it. Couldn’t hold a tune for toffee, though.’
Ruby grinned.
Louise went on, ‘He’d sing hymns and football songs. Didn’t matter to him which. He’d sing to you – d’you remember?’
Ruby shook her head, disappointed. Four was so young to lose him, Louise thought, so few memories to cling to.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
She's a single parent. A private eye. And liking it. Until, that is, Mrs Hobbs turns up asking Sal Kilkenny to find her missing son. Sal's search takes her through the Manchester underworld, a world of deprivation and petty theft, of well-heeled organised crime and ultimately, murder. Would she have taken the job on if she had known what she was getting into? Probably, because Sal is fired with the desire to see justice done, to avenge the death of a young lad whose only crime was knowing too much.The first Sal Kilkenny Mystery, short-listed for the Crime Writers' Association best first novel award and serialised on BBC Radio 4, Woman's Hour.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
A handsome young New York professor comes to Phoenix to research his new book. But when he's brutally murdered, police connect him to one of the world's most deadly drug cartels. This shouldn't be a case for historian-turned-deputy David Mapstone – except the victim has been dating David's sister-in-law Robin and now she's a target, too. David's wife Lindsey is in Washington with an elite anti-cyber terror unit and she makes one demand of him: protect Robin.This won't be an easy job with the city police suspicious of Robin and trying to pressure her.
Частный детектив Андрей Шальнев оказывается вовлеченным в сложную интригу: ему нужно выполнить заказ криминального авторитета Искандера - найти Зубра, лидера конкурирующей группировки. Выполняя его поручение, Андрей неожиданно встречает свою старую знакомую - капитана ФСБ Кристину Гирю, участвующую под прикрытием в спецоперации по ликвидации обеих банд.
From the creator of the groundbreaking crime-fiction magazine THUGLIT comes…DIRTY WORDS.The first collection from award-winning short story writer, Todd Robinson.Featuring:SO LONG JOHNNIE SCUMBAG – selected for The Year's Best Writing 2003 by Writer's Digest.The Derringer Award nominated short, ROSES AT HIS FEET.THE LONG COUNT – selected as a Notable Story of the Year in Best American Mystery Stories 2005.PLUS eight more tales of in-your-face crime fiction.
В основу этой повести положены действительные события. 14 июля 1969 года из историко-художественного музея города Сольвычегодска была похищена пелена «Богоматерь Владимирская», изготовленная в мастерских Строгановых в первой половине XVII века. Долгое время о ней ничего не было известно, пока автор случайно не обнаружил ее в Коряжме в одной частной коллекции.Конечно, последовавшие за этим события несколько изменены, как заменены и имена действующих лиц.
Lori Maddox chooses to spend the year after university travelling and visits China where she finds casual work as a private English tutor. Back in Manchester, her parents Joanna and Tom, who separated when Lori was a toddler, follow her adventures on her blog. When Joanna and Tom hear nothing for weeks they become increasingly concerned, travelling out to Chengdu in search of their daughter. Landing in a totally unfamiliar country, Joanna and Tom are forced to turn detective, following in their daughter's footsteps.
Эта книга от начала до конца придумана автором. Конечно, в ней использованы некоторые подлинные материалы как из собственной практики автора, бывшего российского следователя и адвоката, так и из практики других российских юристов. Однако события, место действия и персонажи, безусловно, вымышлены. Совпадения имен и названий с именами и названиями реально существующих лиц и мест могут быть только случайными.В центре Москвы происходят убийства известных ювелиров. Но близкие уверяют, что из квартир ничего не пропало.