36 Arguments for the Existence of God - [16]

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“Yes, of course. I’m Cass. Cass Seltzer.”

“Nice to meet you, Cass.”

“Oh, we’ve already met,” he said, stopping himself before he could wail out his dismay: Don’t you remember? Don’t you remember how we laughed together like careless gods?

“Oh, sorry. I’m terrible with faces. Remind me of what you do?”

“Psychology of religion.”

“Psychology of religion?” Her thin upper lip curled slightly, not quite achieving a smile. “As a branch of abnormal psychology? Or are you one of those people who try to offer an evolutionary explanation for group madness?”

“Well, not exactly. What interests me more is the phenomenology of religion in all its varieties. What does it feel like from the inside? What sorts of terrors does it address, and what sorts of emotional growth does it both block and enhance? And how does the religious response manifest itself, even in ways that may not seem religious?”

Her lip curled a bit more, and it was a smile, and she lifted her chin so that her throat was exposed.

“It must be frustrating to deal with irrationality.”

“How can one be a psychologist and not deal with irrationality?”

“If I thought that were true, I’d never have gone near the field.”

“Well, I guess it’s a good thing for the field, then, that you don’t think it’s true.”

“But is it a good thing for the field that you do?”

Cass studied her face, which seemed both serious and friendly. He couldn’t tell from it, or from her serious and friendly voice, whether her question was ingenuous or sarcastic. Either way, he didn’t know how to respond. Lucinda held his gaze for several more ambiguous moments and then turned back to Held to resume their interrupted conversation.

He didn’t say more than ten words to Lucinda, nor she to him, for the rest of the semester.

Autumn and winter had gone by without his taking much notice. He must have shown up and taught his classes; he had his students’ class evaluations to prove it. And they were pretty good evaluations, too, considering he couldn’t remember a thing about the classes, neither preparing for them, nor giving them, nor reading the papers and grading the exams he had apparently assigned and administered. He had done it all sleepwalking with his eyes open, instructing the youth by day and writing, writing, writing by night.

Lucinda’s question to him, so direct and so undecipherable, had stunned him, and he needed to answer her. He needed to extract some answer out of the questions that had been roiling in him for the past two decades, the questions that he had lived out with Jonas Elijah Klapper and the questions he had lived out with Azarya. He had never cashed in that experience for hard insight.

Had he tried out any of his new thoughts on his students? He couldn’t remember, but a few of the more perceptive class evaluations had spoken of how it was cool to watch Professor Seltzer arguing with himself. “Sometimes it could get a little weird, like that dude at the end of Psycho. But in a good way.”

No doubt he had been distracted. It had been all he could do just to keep up with his classes and his fantasies. He never skimped on his fantasies, no matter how busy he was. He didn’t need to, since they blended with all he saw and thought and wrote and said. It was the love of the impossible that made everything possible. He was battered by the beating wings of unlimited desire, but they lifted him, too. Battered, emboldened, and exalted, and all at once.

Mona was convinced, despite his disclaimers, that he had stopped attending the Psychology Outside Speaker lectures because he couldn’t stand the circus they had become-“what with that Mandelbaum creature performing in all three rings at once, juggler, lion-tamer, tightrope walker, bareback horseback rider, lady on the flying trapeze…”

“That’s five rings, Mona.”

“And counting. She’s such an insufferable showoff. She’s destroyed the whole atmosphere of our department. Do you know, that pig Pavel doesn’t even go through the motions of asking for questions anymore? He just turns to her with an obscene leer and squeals, ‘Lucinda?’ and the whole place cracks up, including the star-by which I don’t mean the outside speaker. It’s revolting. The whole display is revolting. Everybody bows down to that creature, and only because she’s a bully.”

“Surely there’s more to it than that.”

“You mean the fucking Mandelbaum Equilibrium? Cass, you think anybody here understands it better than you and me? They don’t know the Mandelbaum Equilibrium from e = fucking mc>2. For all they know, it’s got as much to do with psychology as my grandmother’s blintzes. It’s not like mindfulness. Just because everybody can understand mindfulness, and can’t understand what the Mandelbaum Equilibrium is even about, they let her get away with carrying on as if the rest of us are just her movable props. Do you know, people have told me that they have to keep introducing themselves to her over and over again, because she’s just not mindful enough to remember who anyone here is? For some reason, she always seems to remember me, though. I’m one of the few whose names she actually knows, although for some reason she seems to think I’m Hungarian.”


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Слоны могут играть в футбол

Может ли обычная командировка в провинциальный город перевернуть жизнь человека из мегаполиса? Именно так произошло с героем повести Михаила Сегала Дмитрием, который уже давно живет в Москве, работает на руководящей должности в международной компании и тщательно оберегает личные границы. Но за внешне благополучной и предсказуемой жизнью сквозит холодок кафкианского абсурда, от которого Дмитрий пытается защититься повседневными ритуалами и образом солидного человека. Неожиданное знакомство с молодой девушкой, дочерью бывшего однокурсника вовлекает его в опасное пространство чувств, к которым он не был готов.


Плановый апокалипсис

В небольшом городке на севере России цепочка из незначительных, вроде бы, событий приводит к планетарной катастрофе. От авторов бестселлера "Красный бубен".


Похвала сладострастию

Какова природа удовольствия? Стоит ли поддаваться страсти? Грешно ли наслаждаться пороком, и что есть добро, если все захватывающие и увлекательные вещи проходят по разряду зла? В исповеди «О моем падении» (1939) Марсель Жуандо размышлял о любви, которую общество считает предосудительной. Тогда он называл себя «грешником», но вскоре его взгляд на то, что приносит наслаждение, изменился. «Для меня зачастую нет разницы между людьми и деревьями. Нежнее, чем к фруктам, свисающим с ветвей, я отношусь лишь к тем, что раскачиваются над моим Желанием».


Брошенная лодка

«Песчаный берег за Торресалинасом с многочисленными лодками, вытащенными на сушу, служил местом сборища для всего хуторского люда. Растянувшиеся на животе ребятишки играли в карты под тенью судов. Старики покуривали глиняные трубки привезенные из Алжира, и разговаривали о рыбной ловле или о чудных путешествиях, предпринимавшихся в прежние времена в Гибралтар или на берег Африки прежде, чем дьяволу взбрело в голову изобрести то, что называется табачною таможнею…


Я уйду с рассветом

Отчаянное желание бывшего солдата из Уэльса Риза Гравенора найти сына, пропавшего в водовороте Второй мировой, приводит его во Францию. Париж лежит в руинах, кругом кровь, замешанная на страданиях тысяч людей. Вряд ли сын сумел выжить в этом аду… Но надежда вспыхивает с новой силой, когда помощь в поисках Ризу предлагает находчивая и храбрая Шарлотта. Захватывающая военная история о мужественных, сильных духом людях, готовых отдать жизнь во имя высоких идеалов и безграничной любви.


И бывшие с ним

Герои романа выросли в провинции. Сегодня они — москвичи, утвердившиеся в многослойной жизни столицы. Дружбу их питает не только память о речке детства, об аллеях старинного городского сада в те времена, когда носили они брюки-клеш и парусиновые туфли обновляли зубной пастой, когда нервно готовились к конкурсам в московские вузы. Те конкурсы давно позади, сейчас друзья проходят изо дня в день гораздо более трудный конкурс. Напряженная деловая жизнь Москвы с ее индустриальной организацией труда, с ее духовными ценностями постоянно испытывает профессиональную ответственность героев, их гражданственность, которая невозможна без развитой человечности.