Witness - [5]

Шрифт
Интервал

Mike slammed on his brakes, felt the seat belt bite his shoulder, hauled the wheel over to the left and mounted the pavement. Earning a blast on the horn from the car in his wake. He killed the engine and The Clash cut out mid-beat.

Across the far side of the recreation ground the bloke with the gun slid into the passenger seat, pulled the door to and the car set off at speed, the driver gunning the engine. The car was side on and Mike couldn’t see the registration plates. Wouldn’t be able to read them at this distance. There was a woman coming out of one of the houses, dressed in a blue uniform. A nurse. The car almost mowed her down, bucked and swerved past her. She was running to the boy. Mike pulled out his phone and pressed 999 as he jumped down from the van. He walked quickly, closing the distance between himself and the figures on the ground. The lad in his green top and jeans, the nurse crouched over him. Across the way, at the corner of the houses, a dog stood barking up at the roof. At something Mike couldn’t see. Pigeons perhaps, or a cat.

‘Ambulance,’ he snapped when they asked him which service he required.

‘What’s your emergency?’

‘There’s a lad been shot on the field near Abbey Street, in Hulme. Beyond the bridge.’

‘Please stay on the line.’

Mike kept walking, and the operator asked him all sorts of impossible questions about the situation and the lad’s health. He tried to stay calm, to get enough breath and control the trembling in his voice as he answered her. He was close enough now to see the lake of blood, glossy in the light, and the nurse doing mouth-to-mouth. He relayed what he could see, told her what the nurse was doing. She kept him talking until the sirens materialized. He thanked her several times before sliding his phone shut. Watching the paramedics scurry from the ambulance, Mike stepped back. The lad wasn’t moving. He couldn’t be very old. Maybe fourteen or fifteen.

Then there was a crowd in Sunday best swarming to the field. A black woman near the front, running fast, her face a mask of fear. Mike had to look away. He tried to swallow, suddenly thirsty. He had some Coke in the van but it didn’t seem right to walk away.

The black woman was on her knees by the paramedics, an older woman beside her, others around them. The woman was shouting and crying, her distress making her words unintelligible but Mike knew exactly what she meant. Any human being would: my son, my son! Mike bit his tongue, took a steadying breath.

Four squad cars arrived, and other assorted vehicles as the lad was stretchered into the ambulance. His mother, an older woman and a teenage girl were directed to an unmarked car. Manchester Royal Infirmary was the nearest A &E, only a couple of streets away. They’d be there in no time, Mike thought. The police were edging people away, asking them to go to the road by the houses, to give their details.

The policeman who first spoke to him was a pudgy lad with large blue eyes. Staring eyes, like he’d had a surprise and never got over it. He took Mike’s name and address, date of birth, and asked him what he was doing in the area.

Mike explained and gestured to his van.

‘And can you tell me what you saw?’

‘I saw the shooting,’ Mike said.

The police officer glanced swiftly at him, as if to check he was serious. Then nodded and wrote something in his notebook. ‘Can you come over here, sir? We’d like to take some details now.’

It was another hour and a half before they were done. There was a lot of waiting about. Mike tried ringing Vicky but there was no answer on either her mobile or the landline. Then he sat in a car with a woman who took a detailed account from him, and she seemed to deliberately take it slowly. First interrupting him and wanting him to elaborate on things, then asking him to repeat what he’d just told her. He was thirsty and asked if he could get his Coke but she wouldn’t let him. She drummed up a bottle of water, warm but wet. Mike drank it all. Someone removed his shoes and returned them after taking an impression of the soles.

A lot of the questions were about the man with the gun. His height and size, which arm he raised, his stance, his clothes, his hairstyle. Mike could see the guy in his mind’s eye but when she repeated her questions uncertainty corroded the picture. He was black, yes, like the boy he shot. Tall, solid build. Baggy yellow and blue clothes, like the basketball players wear. But Mike was too far away to be sure about his hair, or his features.

‘Could you identify him?’ she asked. It was warm in the car, even with the windows open, and tiny beads of sweat framed her forehead. Mike could smell his own sweat. Rank. He wanted to apologize for it. It couldn’t be pleasant. You must get used to it, he thought, people in a state. He recalled the nurse standing up once the ambulance arrived, her hands and knees crimson and blood daubed on her uniform, a smear on one cheek. Looking dazed and lost.

‘I was too far away,’ he admitted.

Finally the woman told Mike he could go. They’d be in touch.


Еще от автора Cath Staincliffe
Trio

1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.


Dead Wrong

Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.


The Kindest Thing

Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.


Go Not Gently

From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.


Desperate Measures

The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.


Stone Cold Red Hot

When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.


Рекомендуем почитать
Кольцо Веры

Археолог Вера Буковская при раскопках монастыря в Армении обнаруживает кусок льняной ткани с непонятными надписями и чертежом. Странная находка погружает «везучую Верочку» в кольцо динамично развивающихся событий, предсказать которые не может никто. Командор Тайного ордена хранителей Священного Копья и римский кардинал, магистр Мальтийского ордена и отставной полковник Котов, петербургский академик-востоковед Пиоровский и безжалостный итальянский специалист по «щекотливым делам» охвачены азартом охоты за утерянным тысячелетия назад артефактом.


Наследство разрушительницы

Профессор археологии Парусников обнаруживает в Израиле захоронение Лилит – первой женщины, созданной Творцом вместе с Адамом еще до появления Евы. Согласно легенде, Лилит пыталась подчинить мир с помощью женских чар и за это была уничтожена. У еще не вскрытого учеными саркофага Лилит случайно оказывается Арина, бежавшая в Израиль от невзгод, которые обрушились на нее в Москве. Что произойдет с женщиной, которой достанется энергия Лилит? Не возникнет ли у нее желания подчинить мир своим прихотям? А если возникнет, то кто сможет остановить ее?


Правда или забвение

Эрна, молодая девушка, недавно попавшая в аварию, приходит в себя в больнице, рядом с незнакомым человеком, утверждающим, что он ее муж. Девушка не помнит, как оказалась в другом городе и когда успела выйти замуж. Что она делала последние два года? Муж пытается ей помочь вспомнить, однако о многом не рассказывает. А когда на пороге дома появляется полиция, Эрна узнает, что была последней, с кем разговаривала пропавшая без вести девушка, которая исчезла как раз в вечер аварии. Эрна должна восстановить события и понять, что ее связывает с пропавшей, о чем недоговаривает муж и какая истинная причина потери памяти. Перенесись в суровый Берлин и погрузись в мрачную историю Эрны Кайсер.


Мама, я Великан

Журналистка Ия одержима своей работой. Она трудится в лучшем издании города и пишет разгромные статьи под псевдонимом Великан. Девушка настолько поглощена своим делом, что иногда даже слышит и видит дотошного старца Великана внутри себя. Нормально ли слышать голоса? Ие некогда думать об этом, ведь у неё столько дел: есть своя колонка в журнале, любящий парень, сложные отношения с родителями, строгий главный редактор и новая «великанская» статья каждый месяц. Так могло бы продолжаться бесконечно, если бы не человек, который каждую минуту наблюдает за Ией, знает её привычки и слабости, одновременно завидует, ненавидит и страстно желает девушку.


Случайная жертва. Книга 1. Смерть в законе

Первый день на работе всегда полон волнений. Амбициозный следователь Ольга Градова приступает к новому делу. И надо же такому случиться, что жертва — ее знакомый. Коллеги девушки считают, парень покончил с собой под воздействием наркотиков. Но она уверена: речь идет об убийстве. Окунувшись с головой в расследование, Ольга выходит на след бандитов. Но вопросов больше, чем ответов. Подозреваемых несколько, и у каждого есть мотив. Кто-то хочет получить выгоду от торговли наркотиками, кто-то — отомстить за давнее убийство криминального авторитета.


Деление на ночь

Однажды Борис Павлович Бeлкин, 42-лeтний прeподаватeль философского факультета, возвращается в Санкт-Пeтeрбург из очередной выматывающей поездки за границу. И сразу после приземления самолета получает странный тeлeфонный звонок. Звонок этот нe только окунет Белкина в чужое прошлое, но сделает его на время детективом, от которого вечно ускользает разгадка. Тонкая, философская и метафоричная проза о врeмeни, памяти, любви и о том, как все это замысловато пeрeплeтаeтся, нe оставляя никаких следов, кроме днeвниковых записей, которые никто нe можeт прочесть.