Witness - [3]

Шрифт
Интервал

Fiona doled out lasagne and handed Owen his plate, took some salad. Her son was avoiding her eyes, skulking behind his long, black fringe. Eyes studiously downcast. She felt a flare of resentment; what was he so scared of? That she might weep again or shake or show some other embarrassing emotion? Precisely that, she thought. With all the intense selfishness of a teenager, Owen hated adult displays of feeling though his own moods were mercurial and dramatic.

She cut into the pasta, scooped a small forkful up. It smelt good, her mouth watered. Then she felt a rush of nausea. She set her fork back down. ‘He was one of my babies,’ she told him.

Owen gawped. ‘He was a teenager.’

‘Now he is,’ she told him. ‘A twin.’ She frowned, her eyes stung. Owen hastily looked away.

He cleared his throat. ‘It was on the news,’ he said. ‘He died.’

She’d known. He’d died there, in her shadow. The sky trapped in his eyes. Everything that came after: the breath she shared, the medical efforts, the oxygen and drugs, the mercy dash – irrelevant, surplus to requirements.

She felt her nose redden and the prickle of tears. Bit down hard on her inside cheek and watched as the swifts wove arcs in the sky.

Owen shovelled his food down, eating only with his fork, gulping his orange juice in between.

She cut a piece of cucumber in half. Ate that, a sliver of red onion, some lettuce. Took a sip of the Sauvignon, so cold it made her teeth ache. The meat in tomato sauce was congealing on her plate. Ask me about it, she demanded in her head. Ask me now. Just show a glimmer of interest. She wanted to talk about it, all the details, go over it. Tell him everything, not just the facts that the police wanted, but all the rest. How she felt. Ask me how I am. Ask me.

Owen pushed back his chair, the metal legs scraping, screeching on the flagstones. ‘Going out,’ he said.

Panic exploded in her chest. Stay, she wanted to say. Don’t go. Be careful! This – the soft air, the food, home, it’s a mirage. Gone in an instant. It’s not safe out there.

‘Back by ten,’ she told him, ‘school tomorrow.’

‘’Kay.’

She turned to watch him go: a clumsy bear of a boy. An impression strengthened by the ridiculous baggy black denims, the huge black T-shirt. At fifteen it was as if the light in him had gone out. Just a phase, everyone told her, and she hoped that was the case, and that it would not be long-lived.

She took more wine. Drank deep. Felt her edges smudge. Stayed there for a while watching the birds. Then forced herself up to go and walk Ziggy.


* * *

The dog ran ahead of her hoovering up smells, tail waving. Ziggy was a mongrel they’d rescued from the dogs’ home. Owen’s dog. Arranged when he was six in the wake of his dad leaving them. The dog was average, unremarkable. Tan-coloured, pointy ears and muzzle. An every-dog. The sort that could illustrate the alphabet letter D or a brand of dog food. Impossible to mistake for any pedigree breed. He was good-natured, biddable.

Owen was meant to walk him once a day, Fiona the other time. But in recent months Owen’s personality transplant meant he’d given up on the walking. It ranked alongside brushing his hair and clearing up his room. Boring, beneath him.

Fiona felt a stab of guilt. Then a wash of shame. Her son was alive. She should have clung to him despite his protestations. Rejoiced. He was a lovely boy beyond the practised disenchantment, the grunts and the sneers. He was caring and honest. As a younger child he’d been avidly interested in the world and its workings, genial, prone to giggles. Easy company. He would be again, surely.

She wondered about Danny and his mother. Had they squabbled and fallen out? Was he surly and sullen at home? What had his parting words been? Something mundane: I don’t want tea. Or edgy: I heard you, I’ll do it later! Or poignant: Love you, Mum. Fiona had a sudden urge to text Owen – Luv u. He’d not thank her for it, would probably not even acknowledge it. His phone was always off when she tried it, or out of credit when she asked why he’d not responded to her messages. Mysterious how he still seemed able to communicate with his mates on it.

Ziggy waited at the bridge to see which route they were taking. Fiona signalled ahead: ‘Go on Zig.’ The dog waited and trotted over the bridge when Fiona reached the steps. The pub on the other bank, Jackson’s Boat, once derelict, had been done up a couple of years ago and there were parties sitting at the picnic tables. The smell of fried food lingered in the air, children squealed in the playground. Back in the mists of time she and Jeff had occasionally treated themselves to Sunday lunch there, Owen in his pushchair.

The lane led through an avenue of trees, the canopies in full leaf, the track beneath still muddy in the shadiest places from last week’s rains. Fiona hoped she wouldn’t run into any of the regulars, the dog walkers who’d come to know each other through their animals. A rag-tag community, all shapes and sizes. She didn’t want to talk to anyone. She tried to immerse herself in the natural world around her: the heady perfume of dog-roses, splashed pink among the hedgerows, the clamour of sparrows, a small tortoiseshell butterfly dancing in the nettles, the flash of orange and the blue edging far fancier than its name suggested. They crossed into the little wood by the nature reserve building and she saw a wren busy in the undergrowth and a ball of gnats in a roiling jig under the boughs of the trees. The path led on to the water park. The lake was the colour of blue-black ink, ruffled despite the still of the evening. The motorway ran at the other side, its roar ever-present. Pylons stood sentinel, their wires stretched high above the water. Bulrushes and Himalayan balsam, with its sweet, waxy scent, lined the banks. The lake was used for sailing and canoeing but the water was clear of craft now, the boats locked away in the yard on the far side near the fancy motorway footbridge with its triangular frame. Now only ducks and Canada geese, gulls and a solitary heron broke the water’s surface.


Еще от автора Cath Staincliffe
Make Believe

Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.


The Kindest Thing

Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.


Dead To Me

A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…


Desperate Measures

The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.


Trio

1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.


Ruthless

A blaze at an abandoned chapel in impoverished Manorclough turns out to be more than just arson when the body of a man who has been shot twice is discovered in the ashes.For the Manchester Metropolitan police team it's the start of a gruelling and complex case that exposes the fractures and fault lines of a community living on the edge. DC Rachel Bailey, recently married, is trying to come to terms with her new status and deal with the fallout from her chaotic family. She throws herself into work but her compulsion to find answers and see justice done leads her into the deepest jeopardy.


Рекомендуем почитать
Тени красной луны

Луна временами становится красной. Кто-то даже не заметит, но только не жители маленького городка Делейси. События предстоящей ночи поменяют их жизни навсегда. Человек-без-имени хочет исцелиться от древнего недуга. Банковский клерк постарается изо всех сил спасти возлюбленную. А троица грабителей планируют сорвать солидный куш. Остаётся вопрос: а нет ли четвёртой заинтересованной стороны?


Пуля не дура

Юрий Ребров по образованию преподаватель русского языка и литературы. Долгое время занимался журналистикой, работал ведущим на радио и телевидении. Занимал должность главного редактора журнала. Сочинение детективных произведений — его старое увлечение. Повести Юрия Реброва неоднократно публиковались в журналах и были награждены премиями. В настоящее время вышло несколько его книг. Компания «Посейдон» лакомый кусочек: морские суда, ценные грузы, портовая инфраструктура. И владелец ее Юрий Филимонов тоже настоящая акула капитала.


Восемь дней в сентябре и Рождество в Париже. Антикварный детектив. Или детективная история, разгаданная экспертом

Книга «Восемь дней в сентябре и Рождество в Париже» — это детективный роман петербургского искусствоведа В. И. Переятенец. Будучи аттестованным экспертом Министерства культуры РФ, автором многочисленных статей и таких книг, как «Русский антиквариат» и «Экспертиза и оценка произведений декоративно-прикладного искусства. Фарфор. Стекло. Ювелирные изделия», она хорошо знакома со средой коллекционеров и торговцев антиквариатом. Однако не следует воспринимать данное сочинение как документальное.


Красная комната

Действие нового романа Ирины Лобусовой «Красная комната» происходит в большом городе, куда приезжает, переживая любовную драму, талантливая художница Евгения Кравец, именующая себя Джин. Она устраивается на работу дизайнером в архитектурную фирму и снимает квартиру в старинном доме: ей очень нравится гостиная в красных обоях, производящая на многих зловещее впечатление. Джин чувствует некоторое родство с этой странной комнатой, да и сама она выглядит странно, эпатируя окружающих зелеными волосами, в том числе руководителя фирмы Вадима, человека пресыщенного, живущего в свое удовольствие, но давно потерявшего интерес ко всему.



Выстрелы на пустоши

В маленьком городке, затерянном среди бескрайних пустошей Австралии, произошла трагедия: священник местной церкви убил пятерых человек, а потом и сам погиб от пули полицейского. Что же стало причиной кровавой бойни? В этом решил разобраться известный столичный журналист Мартин Скарсден. Однако едва он приступил к расследованию, как городок потрясло новое преступление – возле запруды обнаружили тела двух неизвестных молодых женщин… Связаны ли между собой это двойное убийство и история священника-«стрелка»? Расследование Мартина приняло новый оборот.