Witness - [13]

Шрифт
Интервал

‘No point in you waiting,’ she told Shelley.

‘I don’t know.’

‘I’m fine. Honestly. The pain’s all gone.’

Shelley took some persuading but they both knew enough about hospitals to realize it could be a long time before Fiona was seen. ‘Can you do me a favour, take my car home?’

‘Of course, and let me know what they say.’

She had nothing to do. Nothing to read. She passed the time examining her fellow casualties, trying to work out what accident had befallen them. Some were easy: the schoolboy in his PE kit with a makeshift sling and the elderly woman with a grazed knee complaining to all and sundry about the kerbs. But others had hidden traumas.

The time inched by. Patients were called through to the examination bays and others took their places. They would have brought Danny here. Through the other double doors straight into the resuscitation suite. And then to the mortuary.

‘Fiona Geary.’

She stood and followed the nurse to a bay. ‘You’ll know the drill,’ the woman joked. A reference to Fiona’s uniform. ‘You at St Mary’s?’ The maternity hospital was nearby.

‘Yes, on the community.’ Some of the midwives worked all their shifts in the hospital. The community midwives made the home visits before and after birth, carried out home deliveries, worked with women on the domino scheme, where they only went into hospital for the actual birth. Fiona preferred work in the community. There was more freedom and greater responsibility. Less intervention. The consultants held less sway.

The nurse handed Fiona the thermometer, which she tucked under her armpit. She tested her blood pressure. Both readings were a little high. ‘Any symptoms now?’

Fiona shook her head. ‘Just a bit tired, a bit dizzy.’

‘Any breathing trouble?’

‘No.’

The nurse checked through her form. No history of asthma, allergies, no pre-existing medical conditions. No regular prescriptions. Any family history of heart problems? Yes, her father. Fiona felt the prick of irritation. It was already all down there in black and white, she’d filled the form in today, did they think she’d developed diabetes or epilepsy in the meantime? She knew she was being unreasonable. She double-checked the same details with her own patients. She answered all the questions as reasonably as possible. The nurse left her for a few minutes and then a doctor appeared. The doctor looked at the form and listened to her heartbeat. Then she was sent back to reception to wait.

Another half-hour passed. Fiona knew that a lot could be done with heart disease. She was a little overweight but nothing excessive. They might put her on statins to lower her cholesterol, or do a bypass. A nurse brought Fiona a form and asked her to take it to Cardiology. The hospital was a maze: annexes and prefabs had been bolted on to the old Victorian buildings, sprawling in all directions and now connected up to a spanking new extension. Complicated colour-coded signs were there for navigation.

She handed the form in to the receptionist at Cardiology and took a seat. There was a water cooler there and she was thankful to drink a cup, to clear the stale taste from her mouth.

The ECG took ten minutes. The cardio guy attached the stickers to her arms, legs and chest, and she lay down on the curtained bed while the machine took its measurements.

There was nothing wrong, no arrhythmia or palpitations, no indication of any heart trauma. No echo of myocardial infarction. The cardiologist, giving her the results, asked her to describe again the symptoms she’d had. As she did, she felt her mouth get dry and her pulse speed up, a sense of dread creeping up her spine.

‘The tingling,’ he asked, ‘where was that?’

‘My feet and my hands.’

‘Any cramping in the arms?’

‘No.’

He nodded, pleased with her answers. ‘I think the good news is that there’s no sign of a heart attack. But there is an explanation that accounts for all the symptoms you describe, and that’s a panic attack.’

Fiona stared at him.

‘Have you been under any particular stress recently?’

‘Yes,’ she whispered. Felt her tongue stick to the roof of her mouth.

Another nod. ‘Your GP will be able to help,’ he carried on, ‘discuss the treatment, ways of managing it. It may be a one-off. Some people have an attack once and that’s it.’

But the rest? She was appalled. It could happen again.

She went to the walk-in clinic at her GP’s practice the following morning. Dr Melling wasn’t her regular doctor but she couldn’t wait for an appointment, she had to see someone straight away. When Fiona tried to explain what had happened, starting with Sunday, the words clotted in her mouth and she was alarmed by tears in her eyes.

‘Take your time,’ the GP said.

‘The boy that was shot on Sunday,’ Fiona said.

Sympathy rippled across the doctor’s face. It made Fiona feel worse. She gave the gist of the story. ‘Then when I went back I had this, erm, this panic attack.’ She felt small and frail as she spoke. ‘The doctor at the hospital said sometimes it just happens once. But it was so awful…’

‘Have you heard from Victim Support?’


Еще от автора Cath Staincliffe
Make Believe

Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.


Trio

1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.


The Kindest Thing

Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.


Go Not Gently

From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.


Dead Wrong

Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.


Dead To Me

A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…


Рекомендуем почитать
Смерть машиниста

В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.


Хроника отложенного взрыва

Совершено преступление. Быть может, самое громкое в XX веке. О нем знает каждый. О нем помнит каждый. Цинизм, жестокость и коварство людей, его совершивших, потрясли всех. Но кто они — те, по чьей воле уходят из жизни молодые и талантливые? Те, благодаря кому томятся в застенках невиновные? Те, кто всегда остаются в тени…Идет война теней. И потому в сердцах интерполовцев рядом с гневом и ненавистью живут боль и сострадание.Они профессионалы. Они справедливы. Они наказывают и спасают. Но война теней продолжается. И нет ей конца…


Любвеобильный труп

В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.


Бей ниже пояса, бей наповал

Два предприимчивых и храбрых друга живут случайными заработками. То в их руки попадает лучший экземпляр коллекции часов («Говорящие часы»), то на чужой жетон они выигрывают кучу денег («Честная игра»), а то вдруг становятся владельцами прав на песню и заодно свидетелями убийства ее автора («Бей ниже пояса, бей наповал»). А это делает их существование интересным, но порой небезопасным.


Говорящие часы

Два предприимчивых и храбрых друга живут случайными заработками. То в их руки попадает лучший экземпляр коллекции часов («Говорящие часы»), то на чужой жетон они выигрывают кучу денег («Честная игра»), а то вдруг становятся владельцами прав на песню и заодно свидетелями убийства ее автора («Бей ниже пояса, бей наповал»). А это делает их существование интересным, но порой небезопасным.


Гебдомерос

Джорджо де Кирико – основоположник метафизической школы живописи, вестником которой в России был Михаил Врубель. Его известное кредо «иллюзионировать душу», его влюбленность в странное, обращение к образам Библии – все это явилось своего рода предтечей Кирико.В литературе итальянский художник проявил себя как незаурядный последователь «отцов модернизма» Франца Кафки и Джеймса Джойса. Эта книга – автобиография, но автобиография, не имеющая общего с жизнеописанием и временной последовательностью. Чтобы окунуться в атмосферу повествования, читателю с самого начала необходимо ощутить себя странником и по доброй воле отправиться по лабиринтам памяти таинственного Гебдомероса.