Trio - [87]
Maybe it was best Claire had not tried again, after all, Aidan wasn’t exactly an advert for happy family life. He wouldn’t be home for Christmas. He wouldn’t be home for another eighteen months and how long he’d manage to stay out of trouble then was anybody’s guess. When she visited him she could see the place was only making him worse. Not borstal but good as.
He’d been scared at first, she’d seen it in those first few visits: licking his lips, his knee twitching, signs a mother recognised. She was devastated. She’d still no idea why it had all gone wrong. She wanted to cuddle him better but he was a gawky fifteen-year-old and when she put her arms about him he wriggled free. As the weeks went by he started playing the hard man, growing a skin of disaffection.
The last time she’d been, his first words were, How many fags did you bring us? Not Hi, Mam or Thanks for coming. She wanted to shake him, to tell him that how he dealt with this place, and what he did after, would set the course for the rest of his life, that there weren’t any more chances. She could give him love and help but you couldn’t give a thing to someone who was turning away from you. She told him, without the shaking, and he sighed and shuffled on his chair and gave her a dead look with his eyes.
She checked her Christmas list. Francine wanted a watch. There were a couple of jewellers on Shude Hill she could try.
Francine had started her nursery nursing course. Megan had tried to talk Francine into staying on and going for A levels if she did all right in her exams but the girl didn't want to.
‘Keep your options open,’ Megan had said. ‘If you got more qualifications you’d have a chance of more jobs, better money. There’s two million people out of work, you know. A piece of paper will go a long way to getting something.’
‘I want to do the nursing,’ Francine insisted. ‘I’ve had enough of school.’
Well, if it didn’t work out for her with the nursing she could always work at the shop. Bit boring really but she was good with people.
Francine was courting. She and Shane seemed serious. He was a mechanic. They were saving for a deposit on a flat – rent, not buy. Megan had told her not to rush anything but Francine told her to stop fussing. ‘Frightened I’ll make you a Grandma too soon? You needn’t worry, I’m on the Pill.’
Megan had looked at her. The Church still banned Catholics from any form of artificial contraception and sex before marriage was forbidden. The bishop sent letters round every so often reminding his parishioners of the edict. But the bishop hadn’t got a sixteen-year-old daughter, had he?
‘Good,’ she said. ‘Don’t forget to take it.’
Francine beamed, pleased that her Mam was understanding and hadn’t gone all religious on her.
At least if she was protected, Megan thought, and things didn’t work out for her and Shane, there wouldn’t be a baby in the middle of it all to consider.
Marjorie
The doorbell rang. She wasn’t expecting anyone but it could be a door-to-door salesman. There seemed to be more and more of them; wanting to demonstrate the latest vacuum cleaner or sell you household insurance or tarmac the drive. A sign of the times. Rising unemployment. The winter of discontent they called it and it had been awful, with countless strikes. People will always need glasses, Robert said, though they might patch the frames with sellotape if times were hard. More and more people were trying contact lenses and he’d started stocking those too.
‘Mrs Underwood?’ Two police officers in uniform, a man and a woman.
‘Yes?’ She held her breath.
‘Stephen Underwood’s your son?’
‘Yes,’ she whispered, her throat suddenly dry and her chest tight.
‘Can we come in a moment? It’s about Stephen.’
‘No.’ She tried to shut the door, they moved into the way. She pushed harder. ‘No,’ she repeated, her voice cracking. ‘No.’
‘Mrs Underwood, we need to come inside and talk to you.’ The man eased the door back. She moved away. The woman stepped inside, took her elbow. Marjorie twisted aside. ‘No.’ Her thoughts scrambling to get away.
‘Come on, now.’
She let them lead her into the lounge. Her heart was galloping. She sat down, her belly heavy with dread.
She watched them mouth words, silly little words: car, roundabout, passenger, revive, failure. Silly, little words, each tearing a bit of her soul. The dread rose, flooding her throat, full of love and anger and breathtaking pain. She opened her mouth hoping that if the roar of it were loud enough it would drown out the man and the woman and bury the stupid, little words. Force them away, back down, anywhere. Stephen. Into the past, into another time, another place. Oh, Stephen. ‘No-no-no-no!’ she howled. ‘No-no-no-God-no!’
The words floated free, too strong to be shouted down. Once spoken they soared above like balloons cut free. And burst like her heart. Stephen. Dead.
Nina
She couldn’t believe it. Even now. It was like some gross practical joke. Like God had looked down and seen what a mess she was in and how bloody fed-up she was. He knew how when she looked in the mirror this ugly, fat cow was there and when she looked inside herself there was just a black hole. Everyone hated her. And then God had looked at Stephen, last year of university, studying chemistry, lots of friends, popular and hardworking, even a steady girlfriend, attractive now he’d grown his blond hair longer. And God had decided to take Stephen. Not her. Or maybe he’d gone eenie-meenie-miney-mo. And Stephen was dead. When it should have been her. They all thought that. Even she did, for heaven’s sake. ’Course, no one said a word, but you’d have to be mental not to think it. And she’d been such a bitch to him. Teasing him for being boring and goody-goody when he was just a boy, just a nice boy who’d learnt his manners and didn’t have to put up with everyone hating him. He was dead and it was like they all were.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.
Книга написана по сценарию известного российского драматурга А.В. Тимма.Франц Хартман и Ангелина Виннер, подстроившие автокатастрофу, в которой погиб хозяин «Империи» Владимир Кирсанов, намерены идти до конца. Теперь они замышляют убийство его жены Ольги и несовершеннолетнего сына Вани, наследника «трона». Волею случая Лавру суждено сыграть роль доброго ангела в судьбе женщины и ребенка.
Книга написана по сценарию известного российского драматурга А. В. Тимма.Конкуренты хозяина «Империи» Владимира Кирсанова подстроили автокатастрофу. Он гибнет, а его жена Ольга чудом остается жива. Пока она лежит в коме, адвокат Ангелина Виннер и бывший компаньон погибшего Андрей Семирядин пытаются завладеть наследством Кирсанова. Но его сын Ваня прерывает учебу в Лондоне и с помощью «сладкой парочки», музыкального Санчо и неувядающей Клавдии, возвращается на Родину, чтобы продолжить дело отца.
Обстоятельный и дотошный инспектор амстердамской полиции Ван дер Вальк расследует странное убийство домохозяйки («Ать-два!»). Героям известного автора детективов предстоят жестокие испытания, прежде чем справедливость восторжествует.
Книга написана по сценарию известного российского драматурга А.В. Тимма. На страницах романа вы встретитесь со старыми знакомыми, полюбившимися вам по сериалу «NEXT», — благородным и великодушным Лавром, его сыном Федором, добродушным весельчаком Санчо и решительной Клавдией. Увлекательное повествование вводит в мир героев, полный настоящих рыцарских подвигов и романтических приключений.
Предать жену и детей ради любовницы, конечно, несложно. Проблема заключается в том, как жить дальше? Да и можно ли дальнейшее существование назвать полноценной, нормальной жизнью?…
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».