The Last Confession of Thomas Hawkins - [26]
‘Mr Hawkins,’ Budge prompted.
There was no time to compose myself. Brushing the horse hair from my coat, I followed Mrs Howard through the door into a larger room.
Queen Caroline sat on a red damask sofa, knitting. Her pale, straight brows were drawn in concentration as she bent over her work. A heaped plate of candied fruit rested on a table at her elbow. Behind her lay two long sash windows, velvet curtains pulled back. They would offer a fine view of the park in the daytime. Now, the world outside was black and jewelled with stars.
The Queen of England. This was no dream, but still I could not quite believe my eyes. All the world knew that Queen Caroline of Ansbach was the great power in this family; everyone save her husband. Those famous, mocking lines played about my head. You may strut, dapper George, but ’twill all be in vain, We all know ’tis Queen Caroline, not you, that reign.
Mrs Howard glided behind her queen, the modest servant, attentive and silent. Budge stood sentinel by the fire. I glanced at him for instruction, but he gazed ahead, shoulders back. Mrs Howard gave a subtle gesture, bidding me to wait. I stood with one leg half behind the other, poised to bow.
The only sound was the fire crackling in the hearth and the knitting needles clicking back and forth. The queen twirled the wool with her thick fingers and said nothing. There was nothing to do but consider her, and doubtless that was her intent. Let the speechless fool gawp for a while until he regains his senses. Her dress was plain and somewhat sombre – a mantua gown in dark-blue silk matched with a black quilted petticoat. There was a prodigious dollop of black lace fixed atop her head, quite mysterious in its design and almost comical.
She had once been as fair as her husband’s mistress – fairer, in fact. A quarter-century ago every prince in Europe had wanted her hand. Fragments of her beauty still remained – her thick mane of greying blonde hair bouncing in ringlets down her shoulders, her butter cream complexion. The half-smile that played lazily on her pillow lips. But she had grown stout from childbirth and a sweet tooth. She seemed inflated somehow, swollen to twice the size of her rival, standing quietly behind her. No doubt that was why she wore a mantua, the bodice loose and unboned – not a fashionable style, but a good deal more comfortable.
‘Howard,’ the queen said without looking up. ‘Bring me the papers on this boy.’ Her voice was warm and rich, laced with a strong Bavarian accent. I felt the hairs on the back of my neck rise.
Mrs Howard crossed to a writing table piled high with books and correspondence. The queen paused in her knitting and began to count the stitches to herself in French, tapping her finger along the needle. The work was very neat. She gave a satisfied grunt and at last fixed me with a look, holding her knitting to her nose like a woollen veil. A deliberate, playful gesture that somehow merely confirmed her power. The world was hers to play in as she chose. She was chuckling to herself as I made my bow, but I could feel her eyes lashing over me like a whip.
‘Oh, mon dieu. Up! Up!’ she said, after I’d bent myself double for a long, back-breaking minute. As if she had not been the one keeping me there. Mrs Howard gave a curtsey and handed a sheaf of papers to her mistress. What a curious, uncomfortable situation for both women. I wondered why the queen allowed it.
‘Thomas Hawkins,’ the queen said, rolling my name around her mouth as if it were one of her sugared confections. She opened up a letter and read the first few lines – or pretended to. She folded the letter and dropped it on the sofa beside her. Settled back against a cushion. ‘Well, sir – I hear you fought a great battle in the park. Saved poor Howard from an unhappy reunion with her husband. He is a beast, of course – quite the worst man in England. Mrs Howard has not been as fortunate as I in her choice of husband.’ Her eyes gleamed. She had placed emphasis upon the word choice. Henrietta had chosen to marry Charles Howard.
The queen glanced at her servant, her husband’s mistress, her once-friend. ‘How long have you been married, Howard? I forget.’
I doubted that very much.
‘Two and twenty years, Your Majesty. I was sixteen years old.’ Mrs Howard’s voice was clear and perfectly composed. But there must be pain somewhere, buried deep. Twenty-two years, married to such a man! How had she survived him all this time?
‘Sixteen,’ the queen snuffed, as if that were quite old enough to know better. She skewered me with her gaze. ‘You are not married, sir.’
‘No, Your Majesty.’
‘No, Your Majesty,’ she mimicked, with surprising skill. ‘God forbid, Your Majesty. Why should I marry my red-haired trull when she opens her legs and her pocket for free
WINNER OF THE CWA HISTORICAL DAGGER AWARD 2014.Longlisted for the John Creasey Dagger Award for best debut crime novel of 2014.London, 1727 – and Tom Hawkins is about to fall from his heaven of card games, brothels, and coffeehouses to the hell of a debtors' prison. The Marshalsea is a savage world of its own, with simple rules: those with family or friends who can lend them a little money may survive in relative comfort. Those with none will starve in squalor and disease. And those who try to escape will suffer a gruesome fate at the hands of the gaol's rutheless governor and his cronies.The trouble is, Tom Hawkins has never been good at following rules – even simple ones.
Успех незамысловатой песенки про Марусю Климову, которая должна простить любимого, необъясним. Жизнь и смерть знаменитой бандерши, которая стала популярной благодаря этим куплетам, напоминает голливудский блокбастер — любовь и предательство, взлеты и падения, оглушительный успех и всеобщее порицание… Предлагаем вашему вниманию правдивую историю о Кровавой Мэри, которая стала прототипом персонажа полюбившейся многим песни. Хрупкая женщина держала в кулаке Петроград 20-х годов прошлого столетия, жила неистово, с фантазией, будто каждый день был последним.
Книги, входящие в серию, созданы на основании записок действительного статского советника по полицейской части Тулина Евграфа Михайловича. Сюжеты книг погружают читателя в поиск украденных чертежей, кладов, фальшивомонетчиков и уникальных коней. 1. Георгий и Ольга Арси: Дело о секте скопцов. Исторический детектив Тулину Евграфу Михайловичу в свою бытность сыщиком московской сыскной части пришлось распутать клубок интриг, связанных с похищением секретных чертежей нового оружия на Императорском оружейном заводе в Туле.
В графстве Хэмптоншир, Англия, найден труп молодой девушки Элеонор Тоу. За неделю до смерти ее видели в последний раз неподалеку от деревни Уокерли, у озера, возле которого обнаружились странные следы. Они глубоко впечатались в землю и не были похожи на следы какого-либо зверя или человека. Тут же по деревне распространилась легенда о «Девонширском Дьяволе», берущая свое начало из Южного Девона. За расследование убийства берется доктор психологии, член Лондонского королевского общества сэр Валентайн Аттвуд, а также его друг-инспектор Скотленд-Ярда сэр Гален Гилмор.
Наталья Павлищева – признанный мастер исторических детективов, совокупный тираж которых перевалил за миллион экземпляров.Впервые автор посвятила целую книжную серию легендарному клану Медичи – сильнейшей и богатейшей семье Средневековья, выходцы из которой в разное время становились королевами Франции, римскими палами.Захватывающие дворцовые игры и интриги дают представление об универсальной модели восхождения человека к Власти, которая не устарела и не утратила актуальности и в наши дни.Неугомонный Франческо, племянник богатого патриция Якопо Пацци, задумал выдать сестру Оретту за старого горбатого садовника.От мерзкого «жениха» девушка спряталась в монастыре.
Тени грехов прошлого опутывают их, словно Гордиев узел. А потому все попытки его одоления обречены на провал и поражение, ведь в этом случае им приходиться бороться с самими собой. Пока не сверкнёт лезвие… 1 место на конкурсе СД-1 журнал «Смена» № 11 за 2013 г.
Повести и романы, включенные в данное издание, разноплановы. Из них читатель узнает о создании биологического оружия и покушении на главу государства, о таинственном преступлении в Российской империи и судьбе ветерана вьетнамской авантюры. Объединяет остросюжетные произведения советских и зарубежных авторов сборника идея разоблачения культа насилия в буржуазном обществе.