The Doll's House - [49]
Picking herself up off the sofa, she crossed over to the island and ripped the envelope open. As expected, inside was a tiny cassette. Fishing it out, she sought out her hand-held player and slipped the tape inside.
She was too wound up to sit – her body tense with anticipation – so she paced up and down having pressed ‘Play’. At first there was nothing – just the sound of fabric scratching against the microphone. She knew there must be more – Lloyd wouldn’t have hurried it over if it was blank – but still it made her worry.
Then the voices started. A man’s voice – odd, regional, unfamiliar – and a woman’s. The conversation was staccato and punctuated by silences as challenges were laid down and decisions made. The pair seemed to be coming to an agreement, despite their differences. As they did so, a smile tugged at the corners of Ceri’s mouth.
She listened some more. The pair didn’t exactly shake hands but the deal had been done. She had heard it straight from the horse’s mouth. What a bizarre day it had been. So unsettling, so distressing, and yet here amidst the wreckage of her life she had found the one thing she craved – the thing she had been searching for for months.
The means to destroy Helen Grace.
82
It was 10 p.m. and the incident room was deserted except for two lonely figures. Helen and DC Sanderson sat huddled at the DI’s desk, poring over the photocopied documents that the team had garnered from Simpson’s files.
He had lied to them – that much was clear. He didn’t have forty-two flats – he had over fifty. Some he owned the freehold to – having carved a decaying house into five tiny, dilapidated flats – others he was just the letting agent for. Interestingly, he also owned a number of derelict properties – lock-ups, outbuildings, even a barn or two – dotted around the county. Some were rural, some were urban, but all were isolated.
As Helen skimmed the list that Sanderson had compiled, she was seized with a desire to search them all. In an ideal world she would have been on the phone to a POLSA team already – scrambling the chopper, the cadaver dogs, the heat-seeking equipment – but that would have been a massive commitment of resources over that many properties. She wouldn’t be allowed to call up that kind of firepower without rock-solid evidence and, besides, she wasn’t sure she’d get the warrant anyway. They had one connection between Simpson and the dead women – a strong connection admittedly – but as yet no hard evidence linking the landlord to any instances of abduction or murder. He had no criminal record, there were no witnesses linking him to anything untoward and no picture yet of him having an unhealthy interest in young women. Helen had already instructed McAndrew to take a forensics unit back to Ruby’s flat. If they could place Simpson in her flat, then they’d have something to work with, especially as he had sworn blind he hadn’t been in that flat in years.
So, much as Helen was tempted to go kicking down doors, she knew that she would have to go about this in the old-fashioned way.
‘Round up as many of the team as you can,’ she said to Sanderson. ‘And pull in uniform too. I want every one of the properties on this list checked out. Knock on doors, ask around, find out if anyone’s seen or heard anything unusual at these places. Shouts, cries, lights on late at night. Do whatever you have to – just give me something to work with.’
Sanderson was already on her feet, ready to bash the phones and corral the troops.
‘Does that mean you won’t be joining us?’
‘Love to, but I’ve got something much more unpleasant in mind.’
Sanderson turned, intrigued.
‘I’ve got a date with Emilia Garanita.’
83
Emilia Garanita cast her eye over yesterday’s front page again. She had been allowed so few headlines recently – she was sure the editor was punishing her for her disloyalty – that she allowed herself to wallow in this one. It was a good cover with a great photo – the fluttering police cordon and then not one, but two crime scenes beyond it in the near and middle distance. It captured the magnitude of the crime perfectly, the bleakness of the beach and the loneliness of the graves serving to underline the fact that once more Hampshire Police were hunting a serial killer. Emilia had felt that old excitement when writing the copy – finally a major story to sink her teeth into.
Emilia lowered the paper to find Helen Grace walking towards her. It was a moment of pure serendipity that momentarily struck her dumb: Southampton Central’s hunter-in-chief striding towards her, fresh from the investigation. In the past, Emilia would have greeted her with sarcasm and snide innuendo, but not now. She ushered Helen into the vacant editor’s office, shutting the door behind her.
‘I need your help.’
As usual, her former adversary cut to the chase. Despite their difficult past, Emilia was the first to admit that she and Helen Grace shared some attributes. Women working in male-dominated industries, they both possessed a directness and courage that others of their sex lacked.
The international bestseller that "grabs the reader by the throat" (Crime Time).First in the new series featuring Detective Inspector Helen Grace.Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.It's a game more twisted than any Detective Inspector Helen Grace has ever seen. If she hadn't spoken with the shattered survivors herself, she almost wouldn't believe them.Helen is familiar with the dark sides of human nature, including her own, but this case-with its seemingly random victims-has her baffled.
Детектив-инспектор Хелен Грейс расследует серию преступлений, в каждом из которых похищены два человека. Похититель ставит свои жертвы перед страшным выбором – убить другого или умереть самому. Как долго продолжится эта смертельная игра, зависит только от Хелен. Ведь этими похищениями маньяк шлет послание лично ей.
Detective Helen Grace faces her own dark compulsions in the new thriller from the international best-selling author of Pop Goes the Weasel and Eeny Meeny.In a world where disguises and discretion are the norm, and where one admission could unravel a life, a killer has struck, and a man is dead. No one wants to come forward to say what they saw or what they know – including the woman heading the investigation: Detective Helen Grace.Helen knew the victim. And the victim knew her – better than anyone else.
THE FOURTH DI HELEN GRACE THRILLER BY BESTSELLING AUTHOR M J ARLIDGE 'Helen Grace is one of the greatest heroes to come along in years' JEFFERY DEAVER In the dead of night, three raging fires light up the city skies. It's more than a tragic coincidence. For DI Helen Grace the flames announce the arrival of an evil she has never encountered before. Because this is no firestarter seeking sick thrills, but something more chilling: a series of careful, calculating acts of murder. But why were the victims chosen? What's driving the killer? And who will be next? A powder keg of fear, suspicion and dread has been laid.
From the international bestselling author of Eeny Meeny comes the second thriller in the truly excellent series * featuring Detective Helen Grace."A man s body is found in an empty house.A gruesome memento of his murder is sent to his wife and children."He is the first victim, and Detective Helen Grace knows he will not be the last. But why would a happily married man be this far from home in the dead of night?The media call it Jack the Ripper in reverse: a serial killer preying on family men who lead hidden double lives.Helen can sense the fury behind the murders.
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».
Очнувшись на полу в луже крови, Роузи Руссо из Бронкса никак не могла вспомнить — как она оказалась на полу номера мотеля в Нью-Джерси в обнимку с мертвецом?
Действие романа происходит в нулевых или конце девяностых годов. В книге рассказывается о расследовании убийства известного московского ювелира и его жены. В связи с вступлением наследника в права наследства активизируются люди, считающие себя обделенными. Совершено еще два убийства. В центре всех событий каким-то образом оказывается соседка покойных – молодой врач Наталья Голицына. Расследование всех убийств – дело чести майора Пронина, который считает Наталью не причастной к преступлению. Параллельно в романе прослеживается несколько линий – быт отделения реанимации, ювелирное дело, воспоминания о прошедших годах и, конечно, любовь.
Егор Кремнев — специальный агент российской разведки. Во время секретного боевого задания в Аргентине, которое обещало быть простым и безопасным, он потерял всех своих товарищей.Но в его руках оказался секретарь беглого олигарха Соркина — Михаил Шеринг. У Шеринга есть секретные бумаги, за которыми охотится не только российская разведка, но и могущественный преступный синдикат Запада. Теперь Кремневу предстоит сложная задача — доставить Шеринга в Россию. Он намерен сделать это в одиночку, не прибегая к помощи коллег.
Опорск вырос на берегу полноводной реки, по синему руслу которой во время оно ходили купеческие ладьи с восточным товаром к западным и северным торжищам и возвращались опять на Восток. Историки утверждали, что название городу дала древняя порубежная застава, небольшая крепость, именованная Опорой. В злую годину она первой встречала вражьи рати со стороны степи. Во дни же затишья принимала застава за дубовые стены торговых гостей с их товарами, дабы могли спокойно передохнуть они на своих долгих и опасных путях.
Из экспозиции крымского художественного музея выкрадены шесть полотен немецкого художника Кингсховера-Гютлайна. Но самый продвинутый сыщик не догадается, кто заказчик и с какой целью совершено похищение. Грабители прошли мимо золотого фонда музея — бесценной иконы «Рождество Христово» работы учеников Рублёва и других, не менее ценных картин и взяли полотна малоизвестного автора, попавшие в музей после войны. Читателя ждёт захватывающий сюжет с тщательно выписанными нюансами людских отношений и судеб героев трёх поколений.