The Doll's House - [42]
Cutting off the corner of the wood, she raised her speed a notch further. She was taking a calculated gamble that the man she was chasing would bear left on leaving the sanctuary of the wood, heading for the busy city centre rather than exposing himself to capture on the open ground of the Common.
Sprinting free of the woods, the man turned sharply left and sprinted for the park exit. Wham! Lucas took him down, wrapping her arms round his legs, bringing him down hard on the concrete pathway. She was swiftly up on her feet and pressing him hard up against the park noticeboard. He was already cuffed and compliant by the time the other officers arrived to assist.
Lucas’s pulse was racing, but her triumph was short-lived. The ‘man’ she was chasing turned out to be sixteen years old. A teenager with a taste for soft drugs and two decent-sized baggies of cannabis in his pocket. What he didn’t have, it soon became clear, was any mobile phones.
Cursing, Lucas turned him over to uniform and returned to the hunt. Another twenty minutes had passed and it was clear to her now that unless their killer had a pathological desire to be caught, he would be long gone.
71
Helen stood on the lip of the trench, as the team continued their excavations. Their ground-penetrating radar had picked up two bulky forms buried deep below the beach at locations that were only a stone’s throw from each other. Helen’s whole body was rigid, hoping she was wrong, but fearing that they had found what they came for.
‘It’s a young female.’
The words were simply said, but affected everyone who heard them. Some things you never get used to and the loss of young life was always particularly upsetting. Helen lowered herself into the trench, taking care not to impede the team’s efforts or trample on potential evidence. As with Pippa, the cold sand had done a good job of preserving its charge. There was only slight decomposition and the young woman looked as if she had simply gone to sleep four feet below the beach. Strange that people who have met their ends in such awful circumstances could look so peaceful.
Using fine tools and brushes, the team had now revealed the woman’s face and the damp black hair that framed it. Helen examined it closely. There were two small holes in her right nostril, but, as with Pippa, the jewellery had been removed. Any make-up there might have been had also vanished, the moisture and movement of the sand effectively scrubbing the young girl clean. There was a stark simplicity to her face, the features proud and undisguised. It was beautiful, but also crushing. Helen had seen the photos, read the files, and looking down at the face below, she had no doubt in her mind that she was now looking at the remains of Roisin Murphy.
Helen was tempted to leave Roisin now. The rest of the team were at the other dig site, twenty odd yards away, disinterring another form, and it was important to establish as swiftly as possible whether she was their other missing girl – Isobel Lansley. Yet something made Helen pause. It’s strange the connection you can make with someone you’ve never met before, someone whose life has been snuffed out months, possibly years, ago. But Helen wasn’t alone in wanting to cleave close to the poor girl, now that she had been discovered. Her family had been searching for so long, hoping against hope that she was ok, wondering if Roisin would ever return to her baby boy. The uncertainty was over now – they would never see their bubbly, troublesome daughter, mum and friend again. She had been let down by those around her and cruelly let down by life and – though there was nothing that could be done for her – it seemed wrong to abandon her now.
It didn’t make much sense, but no one would leave the trench until they had delivered the young woman from her tomb. There was something tender about the way the team eased her shoulders and arms from the sand. It was obviously done to preserve both the evidence and the scene, but it was oddly moving, a final act of kindness in a brief, brutalized life. Helen made a mental note to thank the team later for their professionalism and care.
Already Helen’s mind was scrolling forward, drafting the words she would use to tell Roisin’s family the terrible news, but what she saw suddenly banished all such thoughts. Roisin’s left shoulder and arm had now been fully exposed and the sight of it made Helen’s blood run cold.
There, standing proud on her bare, pale shoulder was a small bluebird tattoo.
72
Ruby looked at her reflection, but saw a stranger staring back. On the back of the improvement in their relationship, Ruby had persuaded her captor to leave the main lights on during the day and had pushed her luck still further by asking for a mirror. He had refused of course – there was no way he was going to give her glass, or anything else that might be fashioned into a weapon.
But, in deference to her wishes, he had found a couple of sheets of Mylar and made a mirror of sorts. It had only taken him a few minutes to find the reflective sheets upstairs and it set Ruby wondering what kind of job he did. Mylar was used to make those shiny silver helium balloons – was he some kind of children’s entertainer? Did he work in a gift shop?
The international bestseller that "grabs the reader by the throat" (Crime Time).First in the new series featuring Detective Inspector Helen Grace.Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.It's a game more twisted than any Detective Inspector Helen Grace has ever seen. If she hadn't spoken with the shattered survivors herself, she almost wouldn't believe them.Helen is familiar with the dark sides of human nature, including her own, but this case-with its seemingly random victims-has her baffled.
Детектив-инспектор Хелен Грейс расследует серию преступлений, в каждом из которых похищены два человека. Похититель ставит свои жертвы перед страшным выбором – убить другого или умереть самому. Как долго продолжится эта смертельная игра, зависит только от Хелен. Ведь этими похищениями маньяк шлет послание лично ей.
Detective Helen Grace faces her own dark compulsions in the new thriller from the international best-selling author of Pop Goes the Weasel and Eeny Meeny.In a world where disguises and discretion are the norm, and where one admission could unravel a life, a killer has struck, and a man is dead. No one wants to come forward to say what they saw or what they know – including the woman heading the investigation: Detective Helen Grace.Helen knew the victim. And the victim knew her – better than anyone else.
THE FOURTH DI HELEN GRACE THRILLER BY BESTSELLING AUTHOR M J ARLIDGE 'Helen Grace is one of the greatest heroes to come along in years' JEFFERY DEAVER In the dead of night, three raging fires light up the city skies. It's more than a tragic coincidence. For DI Helen Grace the flames announce the arrival of an evil she has never encountered before. Because this is no firestarter seeking sick thrills, but something more chilling: a series of careful, calculating acts of murder. But why were the victims chosen? What's driving the killer? And who will be next? A powder keg of fear, suspicion and dread has been laid.
From the international bestselling author of Eeny Meeny comes the second thriller in the truly excellent series * featuring Detective Helen Grace."A man s body is found in an empty house.A gruesome memento of his murder is sent to his wife and children."He is the first victim, and Detective Helen Grace knows he will not be the last. But why would a happily married man be this far from home in the dead of night?The media call it Jack the Ripper in reverse: a serial killer preying on family men who lead hidden double lives.Helen can sense the fury behind the murders.
Очнувшись на полу в луже крови, Роузи Руссо из Бронкса никак не могла вспомнить — как она оказалась на полу номера мотеля в Нью-Джерси в обнимку с мертвецом?
Действие романа происходит в нулевых или конце девяностых годов. В книге рассказывается о расследовании убийства известного московского ювелира и его жены. В связи с вступлением наследника в права наследства активизируются люди, считающие себя обделенными. Совершено еще два убийства. В центре всех событий каким-то образом оказывается соседка покойных – молодой врач Наталья Голицына. Расследование всех убийств – дело чести майора Пронина, который считает Наталью не причастной к преступлению. Параллельно в романе прослеживается несколько линий – быт отделения реанимации, ювелирное дело, воспоминания о прошедших годах и, конечно, любовь.
Егор Кремнев — специальный агент российской разведки. Во время секретного боевого задания в Аргентине, которое обещало быть простым и безопасным, он потерял всех своих товарищей.Но в его руках оказался секретарь беглого олигарха Соркина — Михаил Шеринг. У Шеринга есть секретные бумаги, за которыми охотится не только российская разведка, но и могущественный преступный синдикат Запада. Теперь Кремневу предстоит сложная задача — доставить Шеринга в Россию. Он намерен сделать это в одиночку, не прибегая к помощи коллег.
Опорск вырос на берегу полноводной реки, по синему руслу которой во время оно ходили купеческие ладьи с восточным товаром к западным и северным торжищам и возвращались опять на Восток. Историки утверждали, что название городу дала древняя порубежная застава, небольшая крепость, именованная Опорой. В злую годину она первой встречала вражьи рати со стороны степи. Во дни же затишья принимала застава за дубовые стены торговых гостей с их товарами, дабы могли спокойно передохнуть они на своих долгих и опасных путях.
Как часто вы ловили себя на мысли, что делаете что-то неправильное? Что каждый поступок, что вы совершили за последний час или день, вызывал все больше вопросов и внутреннего сопротивления. Как часто вы могли уловить скольжение пресловутой «дорожки»? Еще недавний студент Вадим застает себя в долгах и с безрадостными перспективами. Поиски заработка приводят к знакомству с Михаилом и Николаем, которые готовы помочь на простых, но весьма странных условиях. Их мотивация не ясна, но так ли это важно, если ситуация под контролем и всегда можно остановиться?
Из экспозиции крымского художественного музея выкрадены шесть полотен немецкого художника Кингсховера-Гютлайна. Но самый продвинутый сыщик не догадается, кто заказчик и с какой целью совершено похищение. Грабители прошли мимо золотого фонда музея — бесценной иконы «Рождество Христово» работы учеников Рублёва и других, не менее ценных картин и взяли полотна малоизвестного автора, попавшие в музей после войны. Читателя ждёт захватывающий сюжет с тщательно выписанными нюансами людских отношений и судеб героев трёх поколений.