Letters To My Daughter's Killer - [62]
‘What, then?’
‘A wine bottle, her straighteners.’
I groan in sorrow. Start to cry, wipe the tears away fiercely.
‘Are you all right to continue?’ Dr Meredith says. ‘Would you like a break?’
‘No, I want to go on.’ Go on for Lizzie and for Florence and myself. I’m frozen in grief, entombed in my bitter loss. I need a way to shatter the stasis, smash through the crypt I find myself in.
‘She wouldn’t listen to me.’ You speak softly. ‘She kept saying that we’d work something out, that another child would be company for Florence, that she’d go back to work soon after the baby.’
‘What did you say?’
‘I was shouting: “You stupid bitch, you fucking stupid, selfish bitch.” ’ The words are blows. But I will take them: every consonant, every vowel. ‘ “No way are you having a baby, you hear me, get rid of it.” ’ You jab a finger half-heartedly, a faint echo of that anger.
‘Where was she? Was she sitting or standing?’ I say.
‘She was sitting, on the big sofa. I was standing. Then she got up. She was frightened.’
‘Frightened of you? How do you know?’
‘She had her eyes down.’ You take a tremulous breath. ‘She knew I was… I was losing it. We both knew. She stood up and she said, “No, I’m not going to do that. I’ll leave you if I have to.” And I don’t… I don’t remember picking up the poker.’
Sweat springs and cools under my arms and at the back of my neck. A chemical taste on my tongue.
‘I must have just grabbed it.’ You press a hand to your mouth. My toes are curled rigid, my jaw clamped tight. My insides seething.
‘I hit her with it.’
‘Where?’ I whisper.
‘Her shoulder.’
‘Did you speak?’ I ask.
‘I said, “You will, you will. You’ll do what I say.” ’
‘What then?’
‘She lost her balance, fell towards the stove. But she recovered, stayed up, and then she grabbed me.’
‘Your arm?’ Those scratches. The skin she clawed from you. The damning evidence.
‘Yes.’
‘Did she speak?’
‘She said, “Please don’t, please please don’t.” ’ Your voice fractures.
Something collapses in me. Oh my baby girl. My lovely girl. My beautiful young woman. Oh my daughter. I close my eyes. I breathe. I look at you. ‘Go on.’
‘I hit her on the arm, then the head.’ You start weeping, your nose reddening, the tears running down your cheeks. ‘She fell to her knees.’
‘Did she speak?’
‘No, not again.’
Never again.
‘I don’t remember much. I know I kept striking out, and then she was still and there was blood. Everywhere there was blood.’ You are gulping, gasping as you talk. ‘I couldn’t believe it. What I’d done. I didn’t want anybody to know. I didn’t want to be found out. I wanted to run away. Hide. But there was Florence. I didn’t want her to know.’
‘All that noise and Florence didn’t come down.’
‘She knew not to.’ I think of Florence’s stern instruction: Stay in your room. ‘I looked in on her before I left and she was asleep.’
‘She heard you attack Lizzie,’ I say. ‘She told me.’
You flinch, cry out. Turn away.
I don’t stop. ‘And after, you cleared up like they said at the trial?’
‘Yes,’ you whisper.
‘You burnt your trainers?’
‘Yes.’
‘And sent those texts?’ I think of that last message, a fake request to me to babysit. The warm glow when I read it, a moment of connection with Lizzie, and then looking forward to seeing Florence.
‘Yes.’
‘You left Florence.’ Something catches in my throat. ‘You left Lizzie and went to the gym?’
‘Yes,’ you say.
‘Your clothes?’
You shuffle in your chair. ‘I went the back way, over the playing fields and round behind the shops. Where the takeaways are – there’s some dumpsters. I hid them in there, under bags of food waste.’
It is still so astonishing to me, what you have done. I have the facts, but still I cannot comprehend why you killed Lizzie, why you hit her in the first place. So I ask you, ‘Why did you ever hit her at all? Did your father hit you?’
You blush, a flood of red in your cheeks, up your throat. You swallow. ‘No.’
I stare at you. There must be something. ‘Jack?’
You inhale sharply, throw back your head. I can see the pulse in your neck. You slowly lower your head to face me. Tears stand in your eyes. ‘My mother did.’
Good God. Marian.
‘I was a handful, apparently,’ you say quietly. Then add more quickly, ‘But what happened, it’s my fault. There are no excuses. It’s down to me.’ You hide your face momentarily, then look at me, a naked gaze, anguish in your eyes, a frown across your brow. ‘I am so sorry, Ruth. Tell Florence too, please, I am so, so sorry.’
You cannot ask for my forgiveness outright. It is one of our ground rules. There is to be no pressure on me to forgive. No expectation of absolution.
Meredith asks me if there is anything I would like to ask by way of restitution. I shake my head. I cannot imagine what that might be, what would help at all. She asks if I have anything to say before we end, but I don’t. Nothing profound or perceptive or acutely intelligent. All I say is, ‘Not now. I’ll write.’
I am hollowed out.
Exhausted.
EPILOGUE
17 Brinks Avenue
Manchester
M19 6FX
It’s taken me a while to write. Months, I know. Things got very difficult again after we met. It was as if I was grieving afresh. It brought it all back. All my energy went into making it through each day and caring for Florence.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
В порыве гнева гражданин Щегодубцев мог нанести смертельную рану собственной жене, но он вряд ли бы поднял руку на трёхлетнего сына и тем самым подверг его мучительной смерти. Никто не мог и предположить, что расследование данного преступления приведёт к весьма неожиданному результату.
Предать жену и детей ради любовницы, конечно, несложно. Проблема заключается в том, как жить дальше? Да и можно ли дальнейшее существование назвать полноценной, нормальной жизнью?…
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».
Очнувшись на полу в луже крови, Роузи Руссо из Бронкса никак не могла вспомнить — как она оказалась на полу номера мотеля в Нью-Джерси в обнимку с мертвецом?
Действие романа происходит в нулевых или конце девяностых годов. В книге рассказывается о расследовании убийства известного московского ювелира и его жены. В связи с вступлением наследника в права наследства активизируются люди, считающие себя обделенными. Совершено еще два убийства. В центре всех событий каким-то образом оказывается соседка покойных – молодой врач Наталья Голицына. Расследование всех убийств – дело чести майора Пронина, который считает Наталью не причастной к преступлению. Параллельно в романе прослеживается несколько линий – быт отделения реанимации, ювелирное дело, воспоминания о прошедших годах и, конечно, любовь.
Егор Кремнев — специальный агент российской разведки. Во время секретного боевого задания в Аргентине, которое обещало быть простым и безопасным, он потерял всех своих товарищей.Но в его руках оказался секретарь беглого олигарха Соркина — Михаил Шеринг. У Шеринга есть секретные бумаги, за которыми охотится не только российская разведка, но и могущественный преступный синдикат Запада. Теперь Кремневу предстоит сложная задача — доставить Шеринга в Россию. Он намерен сделать это в одиночку, не прибегая к помощи коллег.