Letters To My Daughter's Killer - [35]
I read the oath and affirm my intention to tell the whole truth and nothing but the truth.
His first questions are straightforward – my relationship to Lizzie, where I live – then he asks me about the night itself.
‘I got a text from Lizzie asking me if I could babysit the following Saturday. And I texted her to say yes.’
‘What time was this?’
‘Eight thirty-nine in the evening.’ The time is branded on my memory. I looked at the text over and over after she’d died. Her last communication.
‘Then Jack rang me,’ I say. ‘He was very upset; he said someone had hurt Lizzie. He thought she was dead. I told him to call the police. I went round there. Jack was outside with Florence.’
I stroked her head, she shrugged me off.
‘How did he appear?’ says Mr Cromer.
‘Very shocked, distraught.’
‘Can you remember what he was wearing?’
‘No,’ I say, ‘not really.’
‘Were his clothes stained or marked?’
‘I didn’t notice anything like that.’
‘Please tell us what happened next.’
I draw breath. The nerves are getting worse, not better, the tinnitus in my ears making me dizzy. ‘I went into the house. Lizzie was…’ My voice goes, a kick of grief.
Mr Cromer waits. The room is hushed. I want to flee, to run back down the steps and out of the building. I do not want to be here telling all these people about how I found my daughter. I do not want to bear witness but I manage to continue. ‘Lizzie was on the floor, there was blood everywhere.’ I keep talking, although tears sting my eyes. ‘She wasn’t moving. Then the police came in and took me outside.’
Dragging me back when every cell in my body wanted to reach her, touch her, help her.
‘Thank you,’ Mr Cromer says. ‘In the days following, Mr Tennyson stayed at your house?’
‘Yes.’
‘Did he speak about that evening?’
‘Yes, trying to work out what had happened, and who had hurt her. Like we all were.’
‘Did Mr Tennyson tell you how he and Mrs Tennyson had spent the evening?’ says Mr Cromer.
‘Yes, he said they had been at home. Lizzie was watching television. He went to the gym.’
‘And Florence was upstairs in bed?’
‘Yes,’ I say.
‘Was that usual – his trip to the gym?’ he says.
‘Yes. They both went regularly.’
I sense your eyes on me. The dock is to my left, screened in glass. You sit there with a guard.
‘Did Mr Tennyson say what time he’d set off to the gym?
‘Yes, around eight thirty.’
‘Mr Tennyson rang you that evening; what time was that?’
‘Just before eleven.’ I remember earlier: the allotments, buying fish, a world that still had Lizzie in it.
‘You were present when Mr Tennyson received the details of the post-mortem on the Monday?’
‘Yes.’ My blood freezes at the recollection. How bewildered we were as Kay took us through the initial findings.
‘How did he react?’
‘Stunned and shocked, like the rest of us.’
‘Who else was present?’
‘Tony – he’s my ex-husband, Lizzie’s father – and the family liaison officer. She gave us the information.’
‘And on Saturday the nineteenth of September Mr Tennyson was arrested and you were there when the police made the arrest?’
‘Yes,’ I say. The smell of bananas and sweat and you screaming, lunging to escape.
‘How did Mr Tennyson conduct himself when the arrest warrant was served?’
‘He went crazy,’ I say. ‘He tried to get out of the house and he was yelling and fighting the police.’
When Mr Cromer has finished thanking me, your barrister gets up. Miss Dixon is about the same height as Kay, though not so willowy. She has long brown hair in a ponytail under her wig, and a sharp face. She wears an unfortunate shade of orange lipstick that draws attention to her lips, too thin for scrutiny.
‘Mrs Sutton, when Mr Tennyson called you as you described, what did you think had happened?’
‘I thought… I don’t know,’ I answer. ‘I couldn’t imagine.’
‘You couldn’t imagine?’
‘No. It felt unreal. It was like it was happening to someone else.’
It is hard going through it all again in public, in this formal setting. I feel so exposed, like a specimen staked out for everyone to prod at and pore over.
‘And when you met Mr Tennyson outside the house, did you notice anything untoward about his appearance?’
‘Like what?’
‘I’m sorry, Mrs Sutton, I need you to answer the question.’
‘Well, he was shocked,’ I say.
‘Why did you invite Mr Tennyson to stay at your house?’
‘He couldn’t stay at theirs; it was the obvious thing to do. For him and Florence.’
‘You had no qualms about him being there?’ she says.
‘Not then, no.’
‘At that point you had no reason to suspect that Mr Tennyson had any involvement in your daughter’s death?’ She gives a thin smile.
‘No, that’s right.’
‘When did that change?’
‘When he was arrested,’ I say.
‘When he was arrested,’ she repeats. ‘Before that point how would you have described your son-in-law?’
The words are soil in my mouth.
‘Mrs Sutton?’ she prompts me.
‘Nice,’ I say. Someone sniggers and my cheeks burn.
‘Nice? Would you say he cared for your daughter?’
‘Yes.’
‘And for their daughter?’ she says.
‘Yes. He was – he seemed like a good man.’ Are you gloating over there in your lightweight wool suit and your crisp white shirt?
‘Had you any concerns about your daughter marrying him?’
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Если весь мир – театр, то балетный театр – это целый мир, со своими интригами и проблемами, трагедиями и страстями, героями и злодеями, красавицами и чудовищами. Далекая от балета Лиза, живущая в Турции, попадает в этот мир совершенно случайно – и не предполагает, что там ей предстоит принять участие в расследовании загадочного убийства и встретиться с любовью… или это вовсе не любовь, а лишь видимость, как всё в иллюзорном мире театра?Этот роман не только о расследовании убийства – он о музыке и о балете, о турецком городе Измире и живущих в нем наших соотечественниках, о людях, преданных театру и готовых ради искусства на все… даже на преступление.
Владелица небольшого ресторанного бизнеса Голди знает цену деньгам.Когда на счету остается всего пара долларов, а экс-супруг, преуспевающий врач-гинеколог, выплачивает мизерные алименты на содержание их сына Арча с неохотой, рассчитывать приходится только на саму себя.Голди берется за любую работу, которую только можно найти, даже если это предложение организовать бранч в частной школе для отпрысков самых богатых и влиятельных жителей города Аспен-Мидоу.Однако, планируя это торжественное мероприятие, она даже представить не могла, что так удачно начавшийся для ее маленького бизнеса день закончится настоящей трагедией…
В номере:Денис Овсянник. Душа в душуИгорь Вереснев. Спасая ЭрикаОксана Романова. МощиТатьяна Романова. Санкторий.
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Загадка сопровождает карты Таро не одну сотню лет. А теперь представьте колоду, сделанную из настоящего золота, с рисунками, нанесенными на пластины серебром. Эти двадцать две карты смело можно назвать бесценными. Стоит ли удивляться, что того, кто владеет ими, преследует многовековое проклятие…
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.