Letters To My Daughter's Killer - [33]
The fear won’t leave me. It grows inside me, something heavy crawling up my back, hands around my throat, making me dizzy. I drop the bags and leave the house and flee for home.
I am at your house again. Tony is with me. I did consider getting someone else in to clean up, but it’s another expense when money is really tight and this is something we can do ourselves, upsetting though it is. I’ve tried to prepare him for what we’ll find, described the blood, the scene of carnage, but he’s still shaken. He freezes by the couch, then swings round and I think he will leave like I did.
‘The bastard,’ he says. ‘That bastard.’ And he kicks out, smashing his foot into a side table, which splinters apart, the lamp on it crashing to the floor. ‘If he gets off, comes back…’ Tony says.
‘He won’t,’ I snap. It’s what I fear. You evading justice, taking up the reins, reclaiming Florence. They must not let you go.
But Tony is steadfast. While he rips up the floor and loads the pieces into bags for the tip, I go upstairs and collect Florence’s clothes and toys, including Bert. The unease about being in the space clings to me as I’m busy sorting through Florence’s clothes. She’s not grown much, so most of her things will still fit. I hope the shoes will. It’s the shoes that make me cry. Why they set me off, I’ve no idea. But the row of them – red ankle boots, canvas sandals, blue T-bar shoes, wellies with fish painted on – just unseats me. I allow myself to weep for a few minutes, then wash my face.
The same sparkly dark dust is all over the bathroom. There are your toiletries beside Lizzie’s. I feel like a voyeur.
Looking in the mirror, I wonder about you, what you saw when you did the same. Did you check your expression here before you rang me? Distraught spouse, grief-stricken lover. Did you wash your hands? You must have done. Here or in the kitchen sink. Looking at the room downstairs, the way blood is sprayed about the walls over the sofa, you must have been covered in it. I don’t recall blood on your clothes; did you change before you rang me?
What will I do with Lizzie’s things? I hadn’t thought of that. Bracing myself, in case there is more blood, more signs of your violence, I open the door to your bedroom. But it is bland, innocuous. Some of the surfaces glimmer with the powder. On her dressing table: earrings, make-up, perfume. I sniff the bottle. Jo Malone, the orange blossom. Downstairs I can hear the creak and snap as Tony tears at the laminate. My thoughts tangle. I go back into Florence’s room and carry on.
‘Ruth?’
Tony comes up, ‘I’m off to the tip. You going to wait here?’
‘No.’ I don’t want to be alone in the house. ‘I’ll take these back.’ I lift the last pair of shoes into the top of a bin bag.
‘Can’t believe they’d just leave it like that,’ Tony says.
‘I know.’
‘I’ll collect the new flooring on my way back here.’
‘D’you want a hand putting it down?’ I offer.
‘Okay. I’ll ring you when I’m back again.’
‘You take the keys, then,’ I say.
We lay half the floor, snapping the tongue-and-groove boards into place, then it’s time to collect Florence from school. I can’t be late. Her anxiety soars if she thinks I’m late, if she can’t see me near the front of the line of parents. Tony and I have spent most of our time talking about Florence.
My knees creak and my back is stiff when I straighten up.
‘I don’t trust Marian and Alan not to go for custody if Jack’s convicted,’ I say.
‘What?’ he scowls. ‘You are joking. Would they? They wouldn’t stand a chance, would they?’
‘They are a couple, and they’re better off.’
‘But she hardly knows them.’
‘Jack’s still her legal guardian,’ I say, ‘and if we apply for custody, he can fight it.’
Tony grits his teeth and expels air through them. ‘Bloody cheek.’
‘We need some advice.’
‘Social services?’
I feel a lurch at the thought of an outsider judging me, judging my capacity to be Florence’s carer. But I know it’s better to get some professional advice and hopefully support. Surely they’ll see that the best place for her is with me.
Ruth
CHAPTER TWENTY-THREE
Monday 4 January 2010
It’s good to be back at work, even though I feel light-headed and tense. Probably three-quarters of the library users know me, know about Lizzie. Some were at the funeral. Most of them now offer condolences. These range from ‘I’m so sorry’ and ‘It’s good to see you’ to ‘They want to bring back hanging, bloody disgrace’. Which doesn’t really help me much.
I’ve come back part-time on earlies as agreed in my meeting with the area manager. Saturdays are difficult because Florence is at home. I plan to use my leave for the school holidays. Hopefully by summer things will be easier and she will be looked after by Tony and Denise or with her friends Ben or Paige. Ben’s mother has offered several times.
‘Ruth? I’m Stella.’ My new supervisor, a senior library assistant come from North area. She smiles and shakes my hand. ‘Sorry for your loss. I don’t know how you can… It must be so very difficult.’ She gives me a sympathetic smile, then carries on, ‘My cousin’s brother-in-law, his grandma was one of Harold Shipman’s victims. Awful.’
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Загадка сопровождает карты Таро не одну сотню лет. А теперь представьте колоду, сделанную из настоящего золота, с рисунками, нанесенными на пластины серебром. Эти двадцать две карты смело можно назвать бесценными. Стоит ли удивляться, что того, кто владеет ими, преследует многовековое проклятие…
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
Будни спасателей нельзя назвать серыми. Каждый день автокатастрофы, случайные ранения, суициды... Но сотрудники МЧС относятся к этому с пониманием: от несчастного случая не застрахован никто, все мы под богом ходим. Однако история с мальчиком Вадимом заставляет их усомниться в том, что это несчастный случай. Уже не в первый раз приезжают они спасать нерадивого мальчугана. Вот и теперь ЧП – пацан выбрался из окна на карниз шестого этажа... За что судьба так жестоко испытывает мальчика, подвергая его жизнь смертельному риску? И судьба ли? На досуге спасатели начинают «играть в сыщиков», вспоминая мальчика и выдвигая различные версии случившегося.
На горнолыжной базе «Джаловчат» в вагоне канатной дороги застряли парень с девушкой. На помощь им примчалась бригада спасателей МЧС – Борис Мостовой, Олег Чистяков и Ольга Синицкая. Вызволить горемычную парочку – дело техники. Но приключения спасателей еще только начинаются… Внезапно в горах происходит обвал, блокирующий единственную дорогу с базы. И в это же время спасатели находят под обрывом автомобиль, а в нем – водителя со смертельным ножевым ранением. Убийца не мог прорваться через завал, а значит, он где-то на базе, среди отдыхающих.
Одержимому высокой идеей человеку невольно покоряются и чистые сердца, и погрязшие в грехах души — этой идеей Ги де Кара обязательно увлечётся читатель романа «Храм ненависти». Он интересен и любителю психологического романа, и поклоннику детектива.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.