Letters To My Daughter's Killer - [15]
She has a pent-up energy to her as though she’s idling and ready to take off at speed. It’s there in the intensity of her gaze, eyes bright, and the pace of her speech. In repose there is a hint of a smile about her mouth, as though life is everything she hoped it would be. She stands and greets Jack and Tony.
When everyone is settled, DI Ferguson says, ‘I’m the senior investigating officer, and that means I’m in charge of the inquiry into Lizzie’s murder. Kay will remain your liaison officer and she’ll pass on to you any significant information, but I want you to know that if you ever need to speak to me directly, if you’ve any concerns or questions that Kay can’t answer, please get in touch. I’ll leave my card before I go. What happened to Lizzie,’ she says, ‘is simply unforgivable.’
I try not to weep, because I need to hear what she has to say.
‘No one should lose a wife, a daughter, a mother, a friend in that way. From your position you may feel as though there is little news, as if things are not moving quickly enough but I want to reassure you that we are making steady progress. The results of the post-mortem, which Kay related to you, have given us the cause of death but also flagged up a number of forensic items of interest which we are now examining. The same goes for the evidence recovered from the scene at the house. But it’s not like on television. Some of the forensic tests we need to do will take several days to be completed, sometimes weeks. They can’t be rushed. They have to be done to an exacting standard, robust enough for prosecution.’
‘Lizzie’s phone,’ I say, thinking of that text she sent me. ‘Did she try and call for help?’
‘No. Her phone was recovered from the house. There was no activity from her after the text she sent to you,’ says DI Ferguson.
No chance to use her phone, perhaps she was oblivious to the danger. Perhaps she never knew what was coming. I think of Florence asleep as the carnage unfolded downstairs. Kay has asked her if she saw or heard anything the night Mummy was hurt but Florence simply shook her head.
‘Our door-to-door inquiries are continuing as well, and calls from the general public are being fed into the investigation and followed up. Officers are examining footage from CCTV cameras in the vicinity to see if the perpetrator can be identified.’
‘Broderick Litton?’ I say.
‘We’ve not found him yet,’ says DI Ferguson.
‘He’s out there,’ Tony says hotly, ‘and…’ He crumples.
‘I can assure you we are making every effort to find him, and as soon as we do, you will know about it.’ She turns to Jack. ‘We have traced and interviewed the man who broke into your neighbour’s property on the Tuesday night. He admits to also having entered your garden on Wednesday.’
I hold my breath.
‘But we have eliminated him from our inquiries.’
‘How come?’ Jack says.
‘He has a watertight alibi for the Saturday evening.’
‘Are you sure?’ Jack says.
‘Yes,’ says DI Ferguson.
Questions toll in my head again: who, why, how?
‘Is there anything we can do?’ Tony says.
DI Ferguson gives a nod. ‘There are two ways you might help, but I want to stress that there is no obligation on any of you to do so. Different families react very differently, and what is right for someone else may not be right for you.’
‘What are they?’ Jack says.
‘We would like your help with a fresh appeal to the general public. A quote from you about Lizzie, saying what sort of person she was, would be very helpful. We want to keep the public involved in assisting us, we want to make her as real as possible to people who have never met her. There is already a high degree of interest because of the circumstances of Lizzie’s murder, because she was an ordinary young woman, a mother, expecting to be safe in her own home.’
Like we all do.
‘Also, well-wishers have been leaving flowers outside the house. If this is something you would like to do, we can arrange that, and if you are willing, we’d like to film your visit and that would form part of a new press release. Again, that’s entirely up to you.’
‘You want to keep it in the news?’ Tony says.
‘That’s right. I certainly do,’ DI Ferguson says keenly.
‘Yes, we’ll help,’ I say, looking to Jack, who nods his agreement.
‘Yes,’ says Tony.
‘Thank you. Kay will go over the details. Now, is there anything you want to ask me? If I can answer you, I will.’
Marian and Alan arrange takeaways for our meal that evening. My table only seats four, but we crowd round it, joined by Tony and Denise. Jack tells his parents what we’ll be doing for the appeal, then people make gentle conversation, mainly on safe topics. We’re all too numb to exchange any more reactions about Lizzie’s death. The medication has kicked in, making me feel dopey.
Marian and Alan go back to their hotel, Kay goes home, Tony and Denise leave and Bea arrives. We hug for a long time. Death does this: suddenly human touch, physical expressions of comfort and warmth, is instinctive. Freely given and received.
We settle in the kitchen and Bea makes coffee. ‘God, Ruth, I don’t know what to say. It still doesn’t seem real.’
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
She's a single parent. A private eye. And liking it. Until, that is, Mrs Hobbs turns up asking Sal Kilkenny to find her missing son. Sal's search takes her through the Manchester underworld, a world of deprivation and petty theft, of well-heeled organised crime and ultimately, murder. Would she have taken the job on if she had known what she was getting into? Probably, because Sal is fired with the desire to see justice done, to avenge the death of a young lad whose only crime was knowing too much.The first Sal Kilkenny Mystery, short-listed for the Crime Writers' Association best first novel award and serialised on BBC Radio 4, Woman's Hour.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Тупик. Стена. Старый кирпич, обрывки паутины. А присмотреться — вроде следы вокруг. Может, отхожее место здесь, в глухом углу? Так нет, все чисто. Кто же сюда наведывается и зачем? И что охраняет тут охрана? Да вот эту стену и охраняет. Она, как выяснилось, с секретом: время от времени отъезжает в сторону. За ней цех. А в цеху производят под видом лекарства дурь. Полковник Кожемякин все это выведал. Но надо проникнуть внутрь и схватить за руку отравителей, наживающихся на здоровье собственного народа. А это будет потруднее…
«Посмотреть в послезавтра» – остросюжетный роман-триллер Надежды Молчадской, главная изюминка которого – атмосфера таинственности и нарастающая интрига.Девушка по имени Венера впадает в кому при загадочных обстоятельствах. Спецслужбы переправляют ее из закрытого городка Нигдельск в Москву в спецклинику, где известный ученый пытается понять, что явилось причиной ее состояния. Его исследования приводят к неожиданным результатам: он обнаруживает, что их связывает тайна из его прошлого.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издаётся с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Анатолий Королев ПОЛИЦЕЙСКИЙ (повесть)Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (окончание) (повесть)Владимир Лебедев ГОСТИ ИЗ НИОТКУДА.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издается с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (повесть);Петр Любестовский КЛЕТКА ДЛЯ НУТРИИ (повесть)
Наталья Земскова — журналист, театральный критик. В 2010 г. в издательстве «Астрель» (Санкт-Петербург) вышел её роман «Детородный возраст», который выдержал несколько переизданий. Остросюжетный роман «Город на Стиксе» — вторая книга писательницы. Молодая героиня, мечтает выйти замуж и уехать из забитого новостройками областного центра. Но вот у неё на глазах оживают тайны и легенды большого губернского города в центре России, судьбы талантливых людей, живущих рядом с нею. Роман «Город на Стиксе» — о выборе художника — провинция или столица? О том, чем рано или поздно приходится расплачиваться современному человеку, не верящему ни в Бога, ни в черта, а только в свой дар — за каждый неверный шаг.
В сборник «Последний идол» вошли произведения Александра Звягинцева разных лет и разных жанров. Они объединены общей темой исторической памяти и личной ответственности человека в схватке со злом, которое порой предстает в самых неожиданных обличиях. Публикуются рассказы из циклов о делах следователей Багринцева и Северина, прокуроров Ольгина и Шип — уже известных читателям по сборнику Звягинцева «Кто-то из вас должен умереть!» (2012). Впервые увидит свет пьеса «Последний идол», а также цикл очерков писателя о событиях вокруг значительных фигур общественной и политической жизни России XIX–XX веков — от Петра Столыпина до Солженицына, от Александра Керенского до Льва Шейнина.