Letters To My Daughter's Killer - [14]

Шрифт
Интервал

‘I need to ring her.’

‘She said she’ll come round tonight unless you text her,’ Kay says.

‘Where are the others?’

‘They’ve taken Florence to the library.’

‘The library?’

‘That all right?’ Kay says. ‘They asked her where she’d like to go and that’s what she said.’

It makes sense. Somewhere familiar, safe, welcoming. The staff know Florence through me, and Jack takes her to the story sessions and the events we have there. I’m about to reply, to tell Kay something about the library and my lifelong job there, when the pain in my chest ratchets up several notches and my head swims. I put out my hand but there’s nothing there to hold on to, and I feel myself swooning, falling back, my bones gone to water.

The GP, someone from my practice I’d never met, listens to my heart and takes my blood pressure. He knows the situation and advises me to try and eat, little and often, and increase my fluid intake. He thinks I’m dehydrated as well as suffering from shock and stress. ‘Your heart sounds fine, no arrhythmia; your blood pressure is high, but that’s to be expected. I’m not unduly worried.’ Doctor speak. Unduly. Who else says unduly these days?

He writes a prescription for a mild tranquillizer in case I need it.

‘What about side effects?’ I say. ‘Is it addictive?’

‘Not with a short course at this dosage,’ he says. ‘There are a range of potential side effects. The leaflet lists them all, but the most common ones are feelings of detachment…’

Isn’t that the point?

‘… drowsiness, and a dry mouth.’

Do I want to feel detached? If I muffle the emotions, won’t they just grow in intensity, waiting to ambush me when I stop taking the medicine? ‘I’m not sure I want it,’ I tell him.

‘Entirely up to you; the script is valid for six months, anyway. And if there’s anything else you need, do ring the surgery.’

Marian and Alan bring Florence back; she’s clutching a pile of picture books that threaten to overbalance her. They plan to do some shopping for us. Marian is brisk and practical and talks too much, a running commentary. She’s probably afraid that she’ll fall to pieces if she stops. Alan’s reserved, speaks only to agree with her comments or echo her thoughts. We’ve only met them a handful of times, at the wedding, once before that and then at Florence’s first birthday party. I watch Marian heating the soup and talking about allotments and gardens. And home-cooked vegetables. She manages to talk about soup for a good five minutes.

Living in East Anglia, they see much less of Jack and Lizzie and Florence than Tony or I do. What will happen now? Would Jack think of leaving, go and live there, take Florence? The thought sends panic swirling through me, and I grip the table. When they’re ready to leave for the shops, I ask Marian if she will fill the prescription for me.

I can’t cope with all the people calling at my house to comfort us. It seems heartless to turn them away, but Kay suggests she act as gatekeeper and will explain that we are grateful for their good wishes but too distressed to meet anyone.

Cards arrive, from neighbours and colleagues and friends. It takes me ten minutes and several tours of the house to find my reading glasses. I keep losing things. As if now that I have lost Lizzie, I can’t keep hold of anything else.

I open a batch of cards at the table.

‘Is it your birthday?’ Florence says, her head cocked to one side.

‘No. These cards are for us because of Mummy dying. People know we’re sad. They’re thinking about us.’ Her face closes down and she slips from the chair. I go after her into the lounge.

‘Where’s Daddy?’ she says.

‘Gone for a shower. It’s all right to be sad,’ I say. ‘Everyone’s sad.’

‘I’m not,’ she says. ‘This book.’ She pulls out a battered copy of Each Peach Pear Plum, still doing the rounds. I remember reading it to Lizzie.

‘Okay.’ I sit on the sofa and she clambers on to my lap.

We say the words together, and she tilts her head from side to side as she chants, pointing with her finger at the characters hidden in the pages. Mother Hubbard, Cinderella, Robin Hood.

And for a few minutes Florence and I escape, float down the river with Baby Bunting, tumble down the hill with Jack and Jill and climb through the branches of the great tree.

CHAPTER EIGHT

17 Brinks Avenue


Manchester


M19 6FX


DI Ferguson takes my hand in both of hers when we meet, her grasp firm. She looks me in the eyes and says, ‘I’m so sorry. We are doing everything possible to establish what happened to Lizzie and bring whoever is responsible to justice.’ She glances around. ‘Is Mr Tennyson here?’ she says to Kay.

‘I’ll get him. Tony, Mr Sutton, will be here any time.’

We go in the dining room. I call it that but no one ever eats in here. I use it for overspill, for hobbies and storage. The inspector takes her jacket off and drapes it over the back of an armchair. She’s small next to Kay, close to my height though slimmer than me. A black woman, her clothes stylish, her hair pulled up away from her face in a topknot. Specs, red and white and brown patterned frames, on a chain round her neck. A touch of pinky-red lipstick.


Еще от автора Cath Staincliffe
Witness

"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.


Trio

1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.


Dead Wrong

Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.


Go Not Gently

From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.


The Kindest Thing

Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.


Stone Cold Red Hot

When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.


Рекомендуем почитать
Золотая дева

Во время летнего фестиваля искусств на территории бывшей графской усадьбы происходит убийство. Чеховская чайка, призванная олицетворять свободный творческий полёт, может стать символом тёмного мира, где жизнь не имеет цены. Поймёт ли следователь Кречетов, к какому миру принадлежит каждый из персонажей? Сумеет ли он распутать цепочку странных взаимосвязей? А может быть, в этой цепочке замешан призрак графини, блуждающий по аллеям парка и охраняющий тайну старинного клада?


Библиотека географа

Кому понадобилось убивать престарелого профессора престижного университета?Полиция — в недоумении.Однако молодой журналист местной газеты Пол Томм и детектив Джо Джадид, ведущие собственное расследование, уверены: профессор знал о том, что рано или поздно кто-то попытается его убить. Но зачем?Возможно, чтобы похитить его коллекцию старинных книг и артефактов, имеющих отношение к алхимии?Вскоре Пол и Джо убеждаются: убитый действительно был адептом "науки королей". Более того, многое в его записках свидетельствует о том, что ему удалось раскрыть одну из самых древних и опасных тайн…


Смерть умеет улыбаться

Преждевременная смерть известного писателя Привалова, не оставившего наследникам завещания, порождает серию загадочных происшествий, которые героиня романа - Ника Шахова - вынуждена невольно расследовать. Вначале кто-то убивает ее кузена, а второго кузена похищает, затем в доме начинают появляться привидения, которые внушают родственникам мысли о бренности существования. Никто не понимает истинную подоплеку происходящего, и только Ника Шахова догадывается о мотивах преступления и храбро борется со злом.


Задержанное письмо

В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.


Русский пасьянс

В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.


Налево пойдешь - коня потеряешь

В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.