Go Not Gently - [3]
‘No we don’t,’ she said scornfully. ‘We do drawing or read a book.’ On a par with waiting for a bus by the sound of it.
‘Hold this.’ She thrust her lunch box, book bag and PE things at me.
Maddie was always the pits after school.
I turned to Tom, who was wrestling with his coat, and sorted him out.
‘We did puppets.’ He held up a navy sock with felt eyes and ears glued on to it. The ears were triangular. There were no other distinguishing features.
‘Is it a cat?’
‘No,’ he grinned, ‘it’s a sock monster.’ Of course.
‘Come on,’ Maddie yelled, ‘I’m getting soaking here.’
We were all soaked by the time we got back. I hung clothes on radiators to steam and provided warm drinks and crumpets. I left the kids with theirs in front of the telly while I went to chop vegetables: carrots, onions, turnips, beans. We’ve a big kitchen – the whole house is big, a Victorian semi, redbrick and stained glass. But originally there’d been a dining room and a scullery-size kitchen. The owner of the house had knocked the two together. In the centre there’s a huge oval table, soft light wood. Ray made it. His pride and joy. I seem to spend half my life at that table. Sun streams in the kitchen most of the day in the summer. In mid-February it doesn’t. I drew the blinds and turned on the lamps and lights.
A gentle snore from under the table told me Digger the dog was still alive. I returned to my chopping and sifted through people I could usefully talk to about Lily Palmer before I went to see Homelea for myself. I came up with two. I set some of the vegetables to simmer and tried the phone.
Rachel, the social worker who was a friend of a friend, was away on a training day. I dialled the other number.
Moira answered the phone with the same brusque voice that had alienated so many potential patients. Those who’d stuck it out beyond first impressions discovered a dedicated GP with a genuine concern for their wellbeing. She’d a healthy mistrust of drug companies and unnecessary medical intervention. She often referred people to alternative therapies, sent them off to the homeopathic clinic in Manchester or to try acupuncture. She was not popular with the medical establishment. Her surgery was always full to bursting. She never bothered with appointments, her method of actually listening to people and giving them space to talk put paid to any notion of time-management. We didn’t mind waiting. It was worth it.
‘Sal,’ she barked, ‘how are you? Well?’
‘I’d like a chat. I need to do a bit of research for a case I’m working on. When are you free?’
‘I’m on call tonight, that do you?’
‘Fine. It shouldn’t take that long.’
‘Half-eight?’
‘Yes.’
I knew that could mean any time from half-eight till half eleven. Moira always intended to be on time and made precise arrangements, never acknowledging that the demands of-her practice frequently played havoc with her social plans.
‘Need any books? What’s the general area?’
‘Geriatrics, Alzheimer’s, that sort of thing.’
‘OK.’
‘Oh, and drugs, stuff about side effects.’
‘Hah!’ she snorted. ‘Give me a few weeks. Later.’
‘Later’ was Moira’s version of goodbye.
I fried onion, cumin and ginger, chilli, coriander and turmeric. While the spices sizzled I set the table. I added the veg and a tin of tomatoes to the pan and stirred the lot. Left it to cook.
Ray got in just as I was draining the rice. Digger emerged from under the table and went apeshit for a few minutes. Ray joined in. Prancing about and grabbing folds of the dog’s loose coat and wriggling it about, letting the animal lap at his moustache with his broad pink tongue. Greeting ritual over, Digger slunk back under the table.
‘It’s ready,’ I said. ‘Tell the kids.’
Teatime was relatively peaceful, an inkling of what might emerge as the kids matured. But at five and four respectively Maddie and Tom were still barely civilised at the table. All too often food became an area for defiance. I’d long since given up trying to get Maddie to eat a balanced diet. As long as she treated what was on the plate as something to eat rather than modelling clay, ammunition or paint I was happy.
Ray takes the same tack with Tom. We’re both single parents and we have to agree on ground rules for the kids to avoid their playing us off against each other. Ray and I share the house and the childcare but never a bed. Some people seem to find it hard to believe; I don’t know whether it’s the shared childcare or the asexual relationship that gives them the most trouble. It’s the latter as far as Ray’s mother is concerned. She thinks we’re lying about it.
By eight o’clock the children were asleep, the pots washed and the kitchen clear. I sat in the old overstuffed armchair by the bay window, feet up on a chair, and browsed through the evening paper. ‘Council Freezes Repairs’, ‘Triple Wedding at Hacienda’, ‘School Will Sell Land’, ‘Man Held in Shooting’. My head nodded as I settled in. I jerked awake to the sound of the doorbell. Quarter to nine. Not bad.
Moira’s tall, spindly frame filled the doorway. She came in hugging her doctor’s case and a Tesco carrier bag, and followed me through into the kitchen.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
A blaze at an abandoned chapel in impoverished Manorclough turns out to be more than just arson when the body of a man who has been shot twice is discovered in the ashes.For the Manchester Metropolitan police team it's the start of a gruelling and complex case that exposes the fractures and fault lines of a community living on the edge. DC Rachel Bailey, recently married, is trying to come to terms with her new status and deal with the fallout from her chaotic family. She throws herself into work but her compulsion to find answers and see justice done leads her into the deepest jeopardy.
Обстоятельный и дотошный инспектор амстердамской полиции Ван дер Вальк расследует странное убийство домохозяйки («Ать-два!»). Героям известного автора детективов предстоят жестокие испытания, прежде чем справедливость восторжествует.
Книга написана по сценарию известного российского драматурга А.В. Тимма. На страницах романа вы встретитесь со старыми знакомыми, полюбившимися вам по сериалу «NEXT», — благородным и великодушным Лавром, его сыном Федором, добродушным весельчаком Санчо и решительной Клавдией. Увлекательное повествование вводит в мир героев, полный настоящих рыцарских подвигов и романтических приключений.
В повести «Искупление» автор показывает, как человек, стремящийся к чувственным наслаждениям, попадает под подозрение в убийстве и вынужден скрываться от полиции. Находясь на нелегальном положении, он постоянно подвергается опасности. Это заставляет его пересмотреть свои взгляды на смысл и основные цели своей жизни. В основу повести Ильичева В. А. положен опыт работы автора в уголовном розыске. Читатель знает автора по книгам «Элегантный убийца», «Гильотина для палача», «Тайна семи грехов», «Навстречу Вечности», «Жизнь и криминал», «Приключения подмигивающего призрака» и ряду других.
Над Кольским полуостровом нависла полярная ночь. Солнечные лучи уже давно не заглядывали в окна. По утрам было сумрачно, и постоянно болела голова, отчего Павел Николаевич Ларин зачастую впадал в меланхолию. Всё же лучше быть седым, чем лысым, — подметил Павел Николаевич и, насухо обтеревшись махровым полотенцем, освежил гладко выбритые щёки пахучим одеколоном. Что воскресенье, что понедельник — теперь всё было едино… Павел Николаевич непроизвольно начал размышлять о превратностях беззаботной старческой жизни.
Предать жену и детей ради любовницы, конечно, несложно. Проблема заключается в том, как жить дальше? Да и можно ли дальнейшее существование назвать полноценной, нормальной жизнью?…
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».