Dead Wrong - [23]
‘My daughter,’ he explained, ‘she has just finished her Finals.’
‘What’s she doing?’
He indicated a chair, Regency I think, stripy anyway. ‘Optometry.’
Oh. I couldn’t think of any useful small talk to make about that; I wasn’t even certain what it was, though I knew it had to do with eyes. ‘Thank you for seeing me,’ I said. ‘I’ve been employed by Mr Wallace, as I explained.’
‘Yes.’
‘He’s convinced of his son’s innocence and, as you know, Luke is pleading not guilty.’
‘There were witnesses,’ he said sharply. The light reflected off his glasses as he straightened in his chair
“Witnesses can make mistakes.’
‘That will be for the jury to decide. This is not pleasant for me. If you will come to the point.’
‘I’m sorry, I realise it must be difficult having to go over it again. I wouldn’t be here if I didn’t think it was important. I’m trying to establish exactly what happened. I’ll be talking to everybody I can find, if you can tell me the sequence of events that night?’
He cleared his throat softly. Leant forward, arms resting on his thighs, hands clasped between his knees. ‘Ahktar and his friends went to the party at the nightclub.’
‘You knew he was going?’
‘Yes, he was a good boy, he’d been working hard, we were happy to see him have fun too.’ He swallowed.
‘You knew his friends?’
‘Yes, they came here sometimes, they seemed nice enough.’
Our drinks arrived. I’d been half-expecting cups and saucers with all the threat of slops in the saucer and the problem of how to write whilst needing two hands for the crockery, but she’d brought mugs. I took mine thankfully. As she closed the door Dr Khan resumed his story.
‘The hospital rang about half past three. They wouldn’t tell me anything over the phone, they just said Ahktar had been hurt. I imagined that there had been a car crash. I don’t know why, it was my first thought – the taxi home…’ He took a deep breath, pressed his fist to his mouth, released the air slowly through his knuckles.
‘At the hospital I was taken into an anteroom. I knew as soon as I saw the doctor’s face. He was so young, he looked as if he had some guilty secret. “I’m very sorry,” he said, “Ahktar was admitted here earlier this morning, we tried to revive him but we weren’t able to. I’m sorry.” I asked then if it had been a car crash. He told me Ahktar had been stabbed – a single blow. They had no other details but the police had been involved; they wanted to see me after I’d-’ Dr Khan jumped to his feet; he took a couple of steps away, his back to me, and stood facing the gallery of miniatures on the wall.
I concentrated on my notepad. He removed his glasses and wiped at them with a large white handkerchief. When he began to speak again he continued to face the paintings. ‘I must have been over it a hundred times,’ his voice was husky, ‘but still…I had to identify him, my son.’ His voice shrank to a whisper, he pressed the handkerchief to his mouth.
I swallowed hard.
‘The police asked me lots of questions but I have little recollection of them now. They did ask me about Luke Wallace, and I wondered whether he had been hurt too, but they never answered me.’ He turned towards me then, his eyes damp, wide with pain. ‘And then I had to come home and tell my wife,’ he said bitterly, ‘our only son.’ He paused. ‘He was going to study law, you know. Ironic, isn’t it?’
I kept quiet.
‘He wanted justice. Well, now I want justice.’
‘You wouldn’t want the wrong person convicted though?’
He looked at me quizzically.
‘Luke Wallace asked me to tell you that he didn’t hurt Ahktar. He’s devastated by his death.’
‘The court will decide.’
‘But you seem to have made up your mind already.’
‘People saw him do it. The police have statements. There was an argument. What am I supposed to think?’ He raised his voice, anger flashing in his eyes.
‘Luke had no reason-’ I began.
‘Ahktar’s death is senseless!’ he shouted. ‘There can be no reason, it is beyond reason.’ Silence stretched in the wake of his outburst. ‘We may never discover why Ahktar was killed,’ he said, ‘but I will learn how. The facts become terribly important, I’ve noticed this in my own practice, with accidental death, with suicides. The details, the time, the place, the sequence; it helps to know. Please, Miss Kilkenny, I have nothing else to say.’
I put down my mug and got to my feet. ‘You said something about an argument?’
He sighed. Pinched at the bridge of his nose. ‘Zeb, Rangzeb, Ahktar’s cousin was there that night. He saw them arguing. It came out at the committal hearing.’
‘What was it about?’
‘I’ve no idea. Speak to Zeb.’
Chapter Twelve
There are many reasons why people agree to talk to private investigators. A lot of them simply like the attention; they like to be listened to, to have a new audience for their account. It may be that there aren’t very many people they can tell, or those they have told don’t want to hear it again. Someone like me comes along who is passionately interested in what they have to say, and they feel validated, important, responsible again.
If the circumstances were upsetting, the visit from an investigator can be a chance to get it all out in the open once more. Other people don’t realise they have a choice, and some would consider it ill-mannered to refuse.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
She's a single parent. A private eye. And liking it. Until, that is, Mrs Hobbs turns up asking Sal Kilkenny to find her missing son. Sal's search takes her through the Manchester underworld, a world of deprivation and petty theft, of well-heeled organised crime and ultimately, murder. Would she have taken the job on if she had known what she was getting into? Probably, because Sal is fired with the desire to see justice done, to avenge the death of a young lad whose only crime was knowing too much.The first Sal Kilkenny Mystery, short-listed for the Crime Writers' Association best first novel award and serialised on BBC Radio 4, Woman's Hour.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Плохо, если мы вокруг себя не замечаем несправедливость, чьё-то горе, бездомных, беспризорных. Ещё хуже, если это дети, и если проходим мимо. И в повести почти так, но Генка Мальцев, тромбонист оркестра, не прошёл мимо. Неожиданно для всех музыкантов оркестра взял брошенных, бездомных мальчишек (Рыжий – 10 лет, Штопор – 7 лет) к себе домой, в семью. Отмыл, накормил… Этот поступок в оркестре и в семье Мальцева оценили по-разному. Жена, Алла, ушла, сразу и категорически (Я брезгую. Они же грязные, курят, матерятся…), в оркестре случился полный раздрай (музыканты-контрактники чуть не подрались даже)
Действие романа сибирского писателя Владимира Двоеглазова относится к середине семидесятых годов и происходит в небольшом сибирском городке. Сотрудники райотдела милиции расследуют дело о краже пушнины. На передний план писатель выдвигает психологическую драму, судьбу человека.Автора волнуют вопросы этики, права, соблюдения законности.
From the international bestselling author, Hans Olav Lahlum, comes Chameleon People, the fourth murder mystery in the K2 and Patricia series.1972. On a cold March morning the weekend peace is broken when a frantic young cyclist rings on Inspector Kolbjorn 'K2' Kristiansen's doorbell, desperate to speak to the detective.Compelled to help, K2 lets the boy inside, only to discover that he is being pursued by K2's colleagues in the Oslo police. A bloody knife is quickly found in the young man's pocket: a knife that matches the stab wounds of a politician murdered just a few streets away.The evidence seems clear-cut, and the arrest couldn't be easier.
A handsome young New York professor comes to Phoenix to research his new book. But when he's brutally murdered, police connect him to one of the world's most deadly drug cartels. This shouldn't be a case for historian-turned-deputy David Mapstone – except the victim has been dating David's sister-in-law Robin and now she's a target, too. David's wife Lindsey is in Washington with an elite anti-cyber terror unit and she makes one demand of him: protect Robin.This won't be an easy job with the city police suspicious of Robin and trying to pressure her.
Частный детектив Андрей Шальнев оказывается вовлеченным в сложную интригу: ему нужно выполнить заказ криминального авторитета Искандера - найти Зубра, лидера конкурирующей группировки. Выполняя его поручение, Андрей неожиданно встречает свою старую знакомую - капитана ФСБ Кристину Гирю, участвующую под прикрытием в спецоперации по ликвидации обеих банд.
From the creator of the groundbreaking crime-fiction magazine THUGLIT comes…DIRTY WORDS.The first collection from award-winning short story writer, Todd Robinson.Featuring:SO LONG JOHNNIE SCUMBAG – selected for The Year's Best Writing 2003 by Writer's Digest.The Derringer Award nominated short, ROSES AT HIS FEET.THE LONG COUNT – selected as a Notable Story of the Year in Best American Mystery Stories 2005.PLUS eight more tales of in-your-face crime fiction.