Witness - [24]
She turned abruptly, pushing past the queue, fighting her way to the door. Outside, she doubled over, her heart thundering in her ears, her mouth gummy.
‘You all right, love?’ A white-haired woman with a shopping trolley put her hand on Fiona’s arm. Fiona couldn’t reply, her throat was locked, her chest exploding. She knew there was something she should do, something to remember, but her mind was tangled.
Suddenly her stomach heaved and she vomited on to the pavement. The woman took a step back. ‘You’d better go home.’
Fiona gulped, nodded, her mouth sour, her nose and throat stinging from the acid.
‘Can you manage?’
Fiona coughed. Her breath came fast, rapid. Stars bursting in her eyes, then she remembered: breatheslowly. Joe’s words, the policeman. Fiona tried to master her breath. Took a sip, shuddered, took another tiny sip. Little bird breaths.
The woman frowned.
‘I’ll be all right, thanks,’ Fiona managed. The woman wasn’t convinced but she gave a quick nod and set off with her trolley. Fiona sipped again. Waited until she felt able to move. Then walked home, her legs unsteady, her breath rank.
You might never have another, the cardiologist had said. Liar, thought Fiona, and now what?
Almost as great as the fear of a repeat attack was the dread of becoming housebound. She could live without town and shopping (there was the internet for that) and even without work, which had surprised her as she’d always loved her job, but not being able to walk the fields and the woods, or set out along by the river: to lose that would be intolerable. So the afternoon of the post office meltdown, even though she still felt sick and scalded, she forced herself to go out with Ziggy.
Apprehension wormed about in her stomach and her back was stiff, her thoughts edgy, as she set out. She watched Ziggy trot from scent to scent and they made their way to the nature reserve. There were blackberries, fat and shiny, alongside the path and she had a spare plastic bag in her pocket. She tasted one, the flavour deep and fruity, a perfect mix of sweet and tart. She picked lots, savouring the occasional bite of a thorn from the brambles, her fingers turning purple, gritty with specks leftover from the flowers. She attained a sort of equilibrium. When the bag was half full, she stopped. The juice drying on her hands was sticky.
Sticky like blood. A stab of horror. She flashed back to that day, the shower, peeling the tights from her knees. His eyes, the boy’s eyes. She slewed her mind away, catalogued what she could see, determined to root herself in the here and now. The horse-chestnut cases still green and heavy in the tree; the sycamore leaves dying at the edges, splashed with sooty fungus, tar spot, there every year, though it never harmed the trees; the hen blackbird, dusty brown, seeking food in the mulch beneath the hedge; the whine of a wasp, drunk on rotten fruit. The gradual dying of the year. But this would all renew, return. This was her church. She fought for control and clung to her harvest. With some apples she could make a pie, or a crumble. She wiped her fingers on a tissue, texted Owen, asked him to get some Bramleys and some cream; there was a small supermarket on his way home.
Walking back, Fiona ran into the old American couple with their terriers. She smiled and nodded, her teeth clenched as they nattered about the weather and the deterioration in the quality of the kennels they used. By the time they moved on, her jaw ached with the effort. But she had coped.
Owen arrived back without any apples or cream.
‘Oh, brilliant!’ She rounded on him. ‘I texted you.’
He stared at her, affronted. ‘I didn’t get any text.’
‘How come?’ she demanded. ‘How come you never get my texts? Or do you just ignore them?’ Her voice rising. ‘I can’t make apple and blackberry pie with no bloody apples.’
‘Big deal.’ He slung his bag down, kicked off his shoes.
‘Pick them up,’ she yelled. ‘Put them away.’ She heard the shrill of her tone, hated it.
Owen flushed, glared at her from under his fringe.
She put a hand out, grabbing the post at the bottom of the stairs. ‘Look, I’m sorry. It happened again,’ she said quietly. ‘In the post office, another panic attack.’
‘Not my fault,’ he muttered and went upstairs, leaving his bag and shoes where he’d dropped them.
Three weeks after the post office and she was feeling much better. The medication seemed to be doing its work. She had some minor side effects, nausea and a dry mouth, but overall she felt calmer and safer. She was doing her best to keep a structure to her day. In the morning she did chores, the ongoing housework, then all the things there had never been enough time to do. She was clearing the spare room, sorting through old sports equipment and extra duvets, games and toys that Owen had outgrown, spare shoes. She found a set of watercolours and dabbled at them but her efforts only irritated her. The daubs on the page bore no resemblance to the pictures in her head. They’d been a present for Owen but he’d never shown any interest. If Owen had an artistic bone in his body it was a small and well-hidden one.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A blaze at an abandoned chapel in impoverished Manorclough turns out to be more than just arson when the body of a man who has been shot twice is discovered in the ashes.For the Manchester Metropolitan police team it's the start of a gruelling and complex case that exposes the fractures and fault lines of a community living on the edge. DC Rachel Bailey, recently married, is trying to come to terms with her new status and deal with the fallout from her chaotic family. She throws herself into work but her compulsion to find answers and see justice done leads her into the deepest jeopardy.
Содержание: 1. Блаженный грешник 2. Одинокий островитянин 3. Анатомия анатомии 4. Спокойной ночи 5. Исповедь на электрическом стуле 6. Прибавка в весе 7. Пустая угроза 8. Лазутчик в лифте 9. Не трясите фамильное древо 10. Смерть на астероиде 11. До седьмого пота 12. Такой вот день… 13. Дьявольщина 14. Аллергия 15. Милейший в мире человек 16. Победитель 17. Девушка из моих грез 18. Да исторгнется сердце неверное! 19. Как аукнется… 20. Человек, приносящий несчастье 21. Рождественский подарок 22. Изобретение.
Оба романа, помещенные в книге, — об убийцах. Однако психологические портреты этих убийц так различны, как разнообразны и непохожи человеческие судьбы. Что приводит человека к преступлению? И вообще, преступник — это человек или чудовище? Весь ход повествования заставляет читателя не раз задавать себе эти вопросы и пытаться ответить на них.
Книга написана по сценарию известного российского драматурга А.В. Тимма.Шайка Ангелины Виннер продолжает борьбу. Им удается похитить Ольгу Кирсанову, жену убитого хозяина «Империи». Сын Ольги Ваня ради спасения матери отказывается от своих прав на фирму. Враждебный лагерь празднует победу, но… преждевременно! В руках у Лавра козырная карта — завещание, и, обнародовав его, он ломает планы своих врагов. Остановятся ли бандиты, или кто-то снова окажется их следующей жертвой?
Книга написана по сценарию известного российского драматурга А.В. Тимма.Франц Хартман и Ангелина Виннер, подстроившие автокатастрофу, в которой погиб хозяин «Империи» Владимир Кирсанов, намерены идти до конца. Теперь они замышляют убийство его жены Ольги и несовершеннолетнего сына Вани, наследника «трона». Волею случая Лавру суждено сыграть роль доброго ангела в судьбе женщины и ребенка.
Обстоятельный и дотошный инспектор амстердамской полиции Ван дер Вальк расследует странное убийство домохозяйки («Ать-два!»). Героям известного автора детективов предстоят жестокие испытания, прежде чем справедливость восторжествует.
Книга написана по сценарию известного российского драматурга А.В. Тимма. На страницах романа вы встретитесь со старыми знакомыми, полюбившимися вам по сериалу «NEXT», — благородным и великодушным Лавром, его сыном Федором, добродушным весельчаком Санчо и решительной Клавдией. Увлекательное повествование вводит в мир героев, полный настоящих рыцарских подвигов и романтических приключений.