Trio - [54]
‘If I had freckles like you, I’d get my name down for a skin-graft.’ Rosie glanced at Sophie for her approval. ‘There’s millions of them.’
‘Yeah. Looks like you’re going rusty.’ Sophie said.
Nina hated them. She felt her chest tighten, her hands go damp with sweat. She set her mouth, turned to walk away. One of them shoved her in the back between the shoulder blades. She couldn’t stop herself then. She lunged and caught a fistful of shiny blonde hair, pulled it hard down, forcing Sophie’s head towards the tarmac.
Someone grabbed her from behind. Other hands joined in.
‘Get off!’ The ringing tones of a teacher split the girls apart. Nina brushed the hair from her face, pulled her sweater round where it had twisted. She took some comfort from Sophie’s flushed face and the way her hair was all messed up.
Mrs Day, the head, went bonkers. She would have to write to Nina’s parents. If Nina couldn't control her temper then there would be no place for her in the school. It was unladylike and unacceptable. Mrs Day didn’t bother trying to establish what had led up to the brawl and Nina didn't bother trying to tell her. Sophie was a clever pupil. Her father gave the school a lot of money. She didn’t pick on anyone else, only Nina, so they all thought Nina was the troublemaker.
When she went back to her class she saw people’s eyes flicking at her to see if she’d been crying. Well, she hadn't, so bully for them. She saw Veronica nudge Rosie.
‘Sit down, Nina,’ Mrs Sinclair said. ‘And get out your Egyptian topic.’
Brilliant. She’d nearly finished her cover. She’d copied a mummy from a library book and she’d used bits of real gold paper from Dad’s cigarette packets to do the stripes on the sarcophagus with. She’d filled in-between with a lovely blue ink from the Fred Aldous shop in town. She’d done a border of proper hieroglyphics down the sides, and across the top and bottom she was doing a row of pyramids with a Sphinx in each corner. All she needed to do now was to colour in the pyramids and it would be finished.
She knew Miss Sinclair would put it on display, she’d held it up to show everyone last time.
Nina sat down and opened her desk. The bottle of blue ink lay on its side, the top open and a thick pool of it all over her folder. Her work was ruined. She could smell the metallic fumes of the ink. She wanted to cry, her eyes burned like coals and her nose prickled but she wouldn’t. She had left the ink at the other side, next to her pencil case. She knew she had. She looked across at her enemies. Saw the sly smile that Sophie shot Rosie and the prim curl on Veronica’s lips, the way her shoulders jerked a bit with a mocking, silent laugh.
She plunged her hands into the pool of ink, spreading it over the whole of the cover, and then crumpled the paper up. Rotten stinking pigs.
‘Miss!’ She held up her hands and heard the communal gasp.
‘Oh, Nina!’ Miss Sinclair’s voice was thick with frustration. ‘After all that work. You’d done so well. See – a moment’s clumsiness and it’s all spoilt. How many times do I have to tell you girls to put the tops back on properly. Go wash your hands.’
‘Yes, Miss.’
‘And try not to get into any more trouble on the way. I think we’ve had enough drama for one day, don't you?’
Marjorie
She was in the middle of spring cleaning. A house like this was easier to keep up with than something larger but even so you’d be amazed at how much grime accumulated from one year to the next. They couldn’t afford to be repainting and changing carpets whenever things got grubby but with plenty of elbow grease the place looked fresh and clean again.
She was methodical in her approach. A floor at a time, starting upstairs. First tidy and clear away the items that had a place to go. Put aside anything for jumble or good-as-new. Strip the beds. Remove and wash the curtains. That was a job and a half in itself. Filthy and tiring. Up the stepladder undoing all the curtain hooks, supporting the weight of the fabric on one arm. Curtains in to wash, or to the dry-cleaners. Wipe down the pelmet and the curtain rails. Clean the windows. Shift all the furniture and vacuum underneath, more swathes of grey fluff and hair and lost things. Return furniture. Dust lamps and picture rails. Vacuum again. Wipe down the paintwork with a bucket of hot water and Stardrops. Polish the mirrors. When she was damp with exertion and groaning from the effort she would stop for coffee and a cigarette.
Doing the downstairs, she put on records to jolly her along: Tony Bennett or Burt Bacharach, Nat King Cole and Ella Fitzgerald. Downstairs was worse. The kitchen worst of all. Grease in every crevice. She had to dismantle and soak the Expel-Air, watch the water turn brown with the muck coming off it, till it was ivory-coloured again like it should be. All the crockery had to come out so she could clean the cupboards and put fresh lining paper in. The food in the larder and all the baking stuff had to be moved so she could clean the shelves. The drawers in the cabinets sorted out and tidied. The nets had to be soaked in Glo-White. The kitchen took at least a full day to do properly. Top to toe.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.
Валентин Владимиров живет тихой семейной жизнью в небольшом городке. Но однажды семья Владимировых попадает в аварию. Жена и сын погибают, Валентин остается жив. Вскоре виновника аварии – сына известного бизнесмена – находят задушенным, а Владимиров исчезает из города. Через 12 лет из жизни таинственным образом начинают уходить те, кто был связан с ДТП. Поговаривают, что в городе завелась нечистая сила – привидение со светящимся глазами безжалостно расправляется со своими жертвами. За расследование берется честный инспектор Петров, но удастся ли ему распутать это дело?..
Если вы снимаете дачу в Турции, то, конечно, не ждете ничего, кроме моря, солнца и отдыха. И даже вообразить не можете, что столкнетесь с убийством. А турецкий сыщик, занятый рутинными делами в Измире, не предполагает, что очередное преступление коснется его собственной семьи и вынудит его общаться с иностранными туристами.Москвичка Лана, приехав с сестрой и ее сыном к Эгейскому морю, думает только о любви и ждет приезда своего возлюбленного, однако гибель знакомой нарушает безмятежное течение их отпуска.
Если весь мир – театр, то балетный театр – это целый мир, со своими интригами и проблемами, трагедиями и страстями, героями и злодеями, красавицами и чудовищами. Далекая от балета Лиза, живущая в Турции, попадает в этот мир совершенно случайно – и не предполагает, что там ей предстоит принять участие в расследовании загадочного убийства и встретиться с любовью… или это вовсе не любовь, а лишь видимость, как всё в иллюзорном мире театра?Этот роман не только о расследовании убийства – он о музыке и о балете, о турецком городе Измире и живущих в нем наших соотечественниках, о людях, преданных театру и готовых ради искусства на все… даже на преступление.
В номере:Денис Овсянник. Душа в душуИгорь Вереснев. Спасая ЭрикаОксана Романова. МощиТатьяна Романова. Санкторий.
Каждый думает, что где-то его жизнь могла бы сложиться удачнее. Такова человеческая натура! Все мы считаем, что достойны лучшего. А какова реальность? Всегда ли наши мечты соответствуют действительности? Не стоит винить свою Родину во всех бедах, свалившихся на вашу голову. В конечном счете, ваша судьба находится исключительно в ваших руках. В этом остросюжетном детективе перед читателем открывается противоречивая Америка, такая соблазнительная и жестокая. Практичные американцы не только говорят на другом языке, но они и думают по-другому! Как приспособиться к новой жизни, не наляпав ошибок? Да и нужно ли? Данный детектив входит в серию «Злополучные приключения», в которых остросюжетная линия тесно переплетена с записками путешественника и отменно приправлена искромётным юмором автора.
Загадка сопровождает карты Таро не одну сотню лет. А теперь представьте колоду, сделанную из настоящего золота, с рисунками, нанесенными на пластины серебром. Эти двадцать две карты смело можно назвать бесценными. Стоит ли удивляться, что того, кто владеет ими, преследует многовековое проклятие…