THUGLIT Issue One - [32]
Violence cruises past the enormous Mexican working the door and stomps into Hot Lipps. The crowd is surprisingly sparse for a Saturday, mostly loners with eyes focused on the bored, too-skinny addict on the stage. The drunk campesino that accidentally bumps into Violence doesn’t know how lucky he is. Violence is so focused that he only stomps on the guy’s foot and gives him a sharp punch to the liver, letting him off easy.
As the poor bastard pukes and collapses behind him, Violence walks to the bar and orders a beer. He scans the stage and scattered audience through squinted eyes.
The deejay lowers the volume of “Dr. Feelgood” and as the boy-shaped stripper on stage collects the loose ones, he rolls out his patter. “All right, boys. Give it up for Credenza. Man, I’d like to get in her drawers. Am I right? Now we got something extra special for you, a terrible twosome, a deviant duet, a…two naked girls. Let’s hear it for Domminno and Jeniniana.”
When the girls reach the spotlight at the pole to shake their asses, Violence doesn’t recognize either of them. Violence drinks his beer and tries to enjoy the show. The girls can dance. He likes that they still got some baby fat on them, too. Makes them look real, not all fake and artificial and plastic. He can imagine that there’s plenty to hold onto.
He can feel his rod getting stiff, but that only angers him more. Just another thing that he has no control over. The familiar pressure of fuck-or-fight is building, that’s for damn sure.
He can’t help but turn his head every time the front door opens, but it’s never Scrote. It’s either a dude who keeps his eyes to the floor or a group of drunk dudes playing grabass with each other and acting like they’re seeing tit for the first time. He hates those guys. It’s like they don’t see how special a place like Hot Lipps is. Like they think it’s some kind of joke.
When Violence got raised from Chino, the first place he went was a strip club. He wasn’t ready to get laid, but he just needed to see a live, naked lady. It was scary and therapeutic and sacred. The girls didn’t want nothing but money, and for that they helped bring him back into the world. It was beautiful.
Now he finds himself staring hate at three thick-necked jocks in Ed Hardy shirts and backward baseball caps. They’re goofing on the dancers, making barking sounds. They’re just what he needs. Picking on some little guy wouldn’t be satisfying. But three gym punks, this should be interesting.
Before he even knows it himself, he’s standing over the three jocks’ table. “You boys consider yourself lucky?”
The three boys look up at him, scoping his prison ink. One of them glances to the bouncer, who is distractedly texting.
The biggest of the three speaks up. “What? What do you want?”
“Do you think you got good luck or bad luck?”
“The fuck? We’re here to watch the strippers. Not to talk to some faggot about whatever the fuck. Go away, asshole.”
“Fair enough. Answered the question for me.”
“What the fuck are you talking about?”
“You got bad luck, son. That’s what you got,” Violence says smiling. "Not even my fault. Just your luck.”
“Fu-”
Violence grabs the back of the kid’s head and slams his face against the table, blood flying in an arc as he lifts it back up. He slams his head down again. The boy to his right tries to push away from the table and stand, but Violence kicks out, connecting with the kid’s knee. The strippers on stage turn when they hear the liquidy pop. The short one pukes when she sees the damage.
The kid to the left gets one good shot at Violence, but he blows it. He throws a huge haymaker that only grazes Violence’s jaw. The expression on his face says it all, knowing what’s coming next. Pain and punishment.
Violence keeps the mystery short, grabbing the guy by the crotch and lifting him off the ground as he squeezes. The kid’s scream-grunt sounds like a hernia feels.
Out of the corner of his eye, Violence sees the bouncer making his way to the table, pushing patrons and chairs out of the way. He looks like an elephant charging through high grass.
“Maybe you got a little good luck, kid. Remember that. If all you had was bad luck, I’d be taking your balls with me.”
Lifting by the crotch with one hand and grabbing the front of his shirt with the other, he turns the kid’s body and throws the big kid at the bouncer. And while the toss doesn’t quite reach the bouncer, landing on the ground at his feet, the shock of having a person thrown at him is enough to allow Violence to escape through the fire exit.
“Shit.” Violence threw his beer can against the side of the truck. “I can’t win this. Can’t win no lottery.”
“Why? What’s wrong?” Scrote asked, watching the wasted beer drain onto the ground.
“Maybe you were right about bad luck,” Violence said, “I can’t win the lottery.”
“What’re you talking about? You just did.”
“It’s gambling. It’s a violation of my parole. Any kind of gambling. If I try to get my money, not only won’t they give it to me, they’ll throw me back inside.”
From the creator of the groundbreaking crime-fiction magazine THUGLIT comes…DIRTY WORDS.The first collection from award-winning short story writer, Todd Robinson.Featuring:SO LONG JOHNNIE SCUMBAG – selected for The Year's Best Writing 2003 by Writer's Digest.The Derringer Award nominated short, ROSES AT HIS FEET.THE LONG COUNT – selected as a Notable Story of the Year in Best American Mystery Stories 2005.PLUS eight more tales of in-your-face crime fiction.
Boo Malone lost everything when he was sent to St. Gabriel's Home for Boys. There, he picked up a few key survival skills; a wee bit of an anger management problem; and his best friend for life, Junior. Now adults, Boo and Junior have a combined weight of 470 pounds (mostly Boo's), about ten grand in tattoos (mostly Junior's), and a talent for wisecracking banter. Together, they provide security for The Cellar, a Boston nightclub where the bartender Audrey doles out hugs and scoldings for her favorite misfits, and the night porter, Luke, expects them to watch their language.
У богатых свои причуды. Мультимиллиардеру Николаю захотелось удивить свою молодую невесту необычным подарком – мемуарами о собственной жизни. И для их написания он нанимает литератора Льва Стасова. Стоило бы отказаться от этой авантюры, но нет. Льву интересно, почему такой богач не мог подарить своей возлюбленной какую-то дорогую побрякушку? Тем более что в сейфе у Николая спрятана уйма старинных драгоценностей. Среди них даже перстень, который, по легенде, принадлежал самой Марии Медичи. Но в одно прекрасное утро драгоценности исчезают.
Наталия Новохатская Предлагает серию развернутых описаний, сначала советской (немного), затем дальнейшей российской жизни за последние 20 с лишком лет, с заметным уклоном в криминально-приключенческую сторону. Главная героиня, она же основной рассказчик — детектив-самоучка, некая Катя Малышева. Серия предназначена для более или менее просвещенной аудитории со здоровой психикой и почти не содержит описаний кровавых убийств или прочих резких отклонений от здорового образа жизни. В читателе предполагается чувство юмора, хотя бы в малой степени, допускающей, что можно смеяться над собой.
Май 1899 года. В дождливый день к сыщику Мармеладову приходит звуковой мастер фирмы «Берлинер и Ко» с граммофонной пластинкой. Во время концерта Шаляпина он случайно записал подозрительный звук, который может означать лишь одно: где-то поблизости совершено жестокое преступление. Заинтригованный сыщик отправляется на поиски таинственного убийцы.
Молодая женщина, известный в сети блогер, однажды исчезла из своей квартиры. Какие обстоятельства стали причиной ее внезапного исчезновения? Чем может помочь страница в «Живом журнале» пропавшей? На эти вопросы предстоит найти ответы следователю Дмитрию Владимирову. Рассказ «Затерявшаяся во мгле» четвертый в ряду цикла «Дыхание мегаполиса», повествующего о судьбах наших современников — жителей больших городов.
А с вами случалось такое? Когда чья-то незримая жизнь играет внутри вас будто забродившее вино, она преследует вас с самого детства и не даёт покоя ни днём, ни ночью. С ней невозможно договориться, у неё нет ни ног, ни тела, ни голоса. У неё нет ничего. И, тем не менее, она пытается по-своему общаться и даже что-то рассказывает. Что это: раздвоение сознания или тихое сумасшествие? А может, это чья-то неуспокоенная душа отчаянно взывает о помощи? Тогда кто она? Откуда взялась? И что ей нужно?
Первый официальный роман по мотивам культового сериала «Нарко» от Netflix. Удивительно подробное и правдивое изображение колумбийской наркоторговли изнутри. Хосе Агилар Гонсалес – sicario, наемный убийца медельинского картеля. Он готов обрушиться на любого врага Пабло Эскобара – и сделать с ним все, что прикажет Патрон. Он досконально изучил весь механизм работы кокаиновой империи, снизу доверху. Он глубоко проник в мысли и чувства Эскобара. Он знает, как подойти к нему даже с такой просьбой, которая другим показалась бы самоубийством, – и получить желаемое.