THUGLIT Issue One - [31]
“Exactly. Capital offense. On any other night, Izzy just would’ve took that beating. No harm. Free ambulance ride. Stitches and plaster. But soon as a cop sees a guy pummeling another guy with a stop sign, they know they can frame him on some bullshit charge. Bad luck got you four years for assault.”
“And an extra year for destruction of county property.” Violence laughed and gave his buddy a hard slap on the back. “You’re an idiot, Scrote. A straight-up retard. But God love you, you’re always ready to take a buddy’s side. No matter how stupid.”
Violence held up his can, Scrote tapped his against it, and they both downed the remainder of the beers. The clang of empty against empty signaled their need for more.
Violence drives past the FastTrip, but there are no cars parked out front. No sparkly blue pickup, that’s for sure. It’s Saturday night. It’s where Scrote should be. Hell, it’s where Violence should be, drinking and shooting the shit. They never even had to call to meet up. It was their routine, tradition. Now Violence is sure that Scrote is avoiding him. And if Scrote isn’t dead in a ditch, he’s going to wish he was.
Other than drinking with Violence, Scrote only has one other thing in his life. Strippers. But Violence can’t remember the name of the dancer that Scrote is banging. What is it with that idiot and strippers? It’s probably the tits. They all have tits. And that’s a big deal to a guy like Scrote.
Violence can’t even remember her stage name. Always something spelled all squirrelly. He might even know a stripper named Squirrelly. He knows a Kanddee. A Lexxxi with three x’s. And most of the spice rack: Sage, Cayenne, Saffron, Pepper, Cumin, and of course, Nutmeg. Hell, what does it matter? Not like he can look it up in the phone book. But he can head over to Hot Lipps. He knows her by sight, tramp stamp and all. Eventually, Scrote will show up. That’s where the tits are.
Violence smiles as he turns right on the next street, thinking about tits and punishment.
Scrote pulled three bags of Fritos off the chip rack. Violence knocked them out of his hands onto the floor. Neither man bothered to pick them up.
“What was that for?” Scrote asked.
“I ain’t gonna smell Frito breath the rest of the night. Smells like a rendering plant. Might as well fart in my mouth and get it done with.”
“I got to eat. I’m hungry.”
“Jesus Christ.” Violence scanned the store and pointed at a display of cookies. “Grab some Oreos or Chips Ahoy. Anything but Nutter Butters. They’re worse than Fritos.”
“I was more in the mood for savory,” Scrote said with a bit of pout, but he walked to the cookies.
Violence set his two six-packs of tall boys on the counter in front of the bored teenager. “And a pack of Marlboros.”
“You should buy a lottery ticket. I can prove my point,” Scrote yelled out behind him.
“What point?” Violence said, watching his buddy dump an armload of cookies on the counter.
“About good luck and bad luck. I’ll bet if you buy a lottery ticket, you won’t win nothing. Because you got bad luck. Born under a bad sign, like that. If you had good luck, you’d win, right?”
“Not exactly scientifical. One try? That wouldn’t prove diddly-shit, dumbass. Most people don’t win. You saying most people got bad luck.”
“From what I can see? Yeah. The world is mostly bad luck. There’d be more people living in mansions, driving nice cars, if people had good luck. Shit, how many you know that got jobs? Ain’t done time?”
Violence turned to the teenager. “The beer, the cookies, and one of them scratchers. The one with Elvis on it.”
Back at the truck, Violence and Scrote each shotgunned a beer, followed by a beer chaser. Scrote pulled out a sleeve of Oreos and they had a contest to see how many they could fit in their mouth, laughing through the black crumbs.
After he chewed and swallowed, Scrote said, “Aren’t you going to check your ticket?”
Violence shrugged and pulled it out of his pocket. “So if I win a free ticket, does that mean I have good luck?”
“Only if that ticket wins. Money is the scorecard for good luck. More money you got, more good luck,” Scrote said, “but I’m telling you, we’re both cursed, brother. You’ll see.”
Violence dug his fingernail into the lottery ticket and scratched. There were six numbers. He had to match two of them. The most he could win was $50,000 dollars. He scratched them in order.
The first three:
$2.
$100
$10,000
“What if I win two bucks? Barely feels like nothing. Hell, the ticket cost me a dollar. One dollar profit don’t really seem like good luck.”
The second three:
$50
$5
$10,000
“Well, fuck me. I think I won,” Violence said, blowing some of the silver dust off the ticket.
“How much?” Scrote asked, leaning in to take a look at the ticket.
“Ten thousand bucks.”
“Did you have to match two or three?”
“Two. It says right here,” Violence said, pointing at the instructions at the top of the ticket.
“You won,” Scrote said softly.
Violence read the instructions at the top of the ticket two more times. “I just won ten motherfucking grand, you silly son of a bitch. Who’s got bad luck?”
From the creator of the groundbreaking crime-fiction magazine THUGLIT comes…DIRTY WORDS.The first collection from award-winning short story writer, Todd Robinson.Featuring:SO LONG JOHNNIE SCUMBAG – selected for The Year's Best Writing 2003 by Writer's Digest.The Derringer Award nominated short, ROSES AT HIS FEET.THE LONG COUNT – selected as a Notable Story of the Year in Best American Mystery Stories 2005.PLUS eight more tales of in-your-face crime fiction.
Boo Malone lost everything when he was sent to St. Gabriel's Home for Boys. There, he picked up a few key survival skills; a wee bit of an anger management problem; and his best friend for life, Junior. Now adults, Boo and Junior have a combined weight of 470 pounds (mostly Boo's), about ten grand in tattoos (mostly Junior's), and a talent for wisecracking banter. Together, they provide security for The Cellar, a Boston nightclub where the bartender Audrey doles out hugs and scoldings for her favorite misfits, and the night porter, Luke, expects them to watch their language.
У богатых свои причуды. Мультимиллиардеру Николаю захотелось удивить свою молодую невесту необычным подарком – мемуарами о собственной жизни. И для их написания он нанимает литератора Льва Стасова. Стоило бы отказаться от этой авантюры, но нет. Льву интересно, почему такой богач не мог подарить своей возлюбленной какую-то дорогую побрякушку? Тем более что в сейфе у Николая спрятана уйма старинных драгоценностей. Среди них даже перстень, который, по легенде, принадлежал самой Марии Медичи. Но в одно прекрасное утро драгоценности исчезают.
Наталия Новохатская Предлагает серию развернутых описаний, сначала советской (немного), затем дальнейшей российской жизни за последние 20 с лишком лет, с заметным уклоном в криминально-приключенческую сторону. Главная героиня, она же основной рассказчик — детектив-самоучка, некая Катя Малышева. Серия предназначена для более или менее просвещенной аудитории со здоровой психикой и почти не содержит описаний кровавых убийств или прочих резких отклонений от здорового образа жизни. В читателе предполагается чувство юмора, хотя бы в малой степени, допускающей, что можно смеяться над собой.
Май 1899 года. В дождливый день к сыщику Мармеладову приходит звуковой мастер фирмы «Берлинер и Ко» с граммофонной пластинкой. Во время концерта Шаляпина он случайно записал подозрительный звук, который может означать лишь одно: где-то поблизости совершено жестокое преступление. Заинтригованный сыщик отправляется на поиски таинственного убийцы.
Молодая женщина, известный в сети блогер, однажды исчезла из своей квартиры. Какие обстоятельства стали причиной ее внезапного исчезновения? Чем может помочь страница в «Живом журнале» пропавшей? На эти вопросы предстоит найти ответы следователю Дмитрию Владимирову. Рассказ «Затерявшаяся во мгле» четвертый в ряду цикла «Дыхание мегаполиса», повествующего о судьбах наших современников — жителей больших городов.
А с вами случалось такое? Когда чья-то незримая жизнь играет внутри вас будто забродившее вино, она преследует вас с самого детства и не даёт покоя ни днём, ни ночью. С ней невозможно договориться, у неё нет ни ног, ни тела, ни голоса. У неё нет ничего. И, тем не менее, она пытается по-своему общаться и даже что-то рассказывает. Что это: раздвоение сознания или тихое сумасшествие? А может, это чья-то неуспокоенная душа отчаянно взывает о помощи? Тогда кто она? Откуда взялась? И что ей нужно?
Первый официальный роман по мотивам культового сериала «Нарко» от Netflix. Удивительно подробное и правдивое изображение колумбийской наркоторговли изнутри. Хосе Агилар Гонсалес – sicario, наемный убийца медельинского картеля. Он готов обрушиться на любого врага Пабло Эскобара – и сделать с ним все, что прикажет Патрон. Он досконально изучил весь механизм работы кокаиновой империи, снизу доверху. Он глубоко проник в мысли и чувства Эскобара. Он знает, как подойти к нему даже с такой просьбой, которая другим показалась бы самоубийством, – и получить желаемое.