The Kindest Thing - [3]
Her hands stilled and she flexed her fingers, a little signal of frustration. ‘You can do one for me, love,’ I put in.
The policeman left, and then the ambulance men came downstairs and explained that they would be fetching a stretcher to remove Neil’s body. I tried Adam’s number again but it was still on voicemail. Typical. If he got back in time for the funeral it would be a bloody miracle.
Sophie passed me my tea and I took it upstairs to the bedroom. The smell caught me afresh; I’d probably have to chuck the mattress. We’d never thought about that. The way a body empties on death.
The sun was glancing off Neil’s hair, turning the grey at his temples into silver and bringing out the shine in the rest, still dark brown. His skin tanned in spite of death’s pallor. He’d loved the sun. Had inherited his father Michael’s skin colouring, not his mother’s. Michael had Spanish ancestry while Veronica was Irish, complexion pale as milk and prone to burn. They were both small, Veronica was petite really, and Neil had towered over them. They joked he was their cuckoo child.
His parents arrived as the ambulance men were manoeuvring the stretcher down our stairs. Veronica was weeping noisily even as she came up the path. Sophie ran out to meet them and Veronica pulled her close. Michael moved on into the house, looking older and smaller, curly grey hair, a thick moustache. ‘Deborah.’ I moved into his arms.
He caught sight of the stretcher, let me go and moved to support his wife. Veronica groaned as the men brought Neil down. As they stepped on to the hall floor and straightened, she gave a wail and moved forward. ‘My boy,’ she cried. A fifty-year-old man. Ridiculous, perhaps, but I recognized the passion in her cry, the depth of her grief. If this had been my boy, my Adam… I started to cry, too. She loved Neil. I loved him. And now he was gone. Veronica clasped Neil’s hand between her own and kissed it.
‘Where are you taking him?’ I asked the ambulance men. ‘Only my son…’
‘He’ll be at the mortuary. Once you’ve sorted out the funeral arrangements, you can arrange a viewing at the funeral home.’
Michael eased Veronica away and I bent forward and kissed Neil’s cheek. I couldn’t speak. I stepped back to let them pass and stood in the front doorway while they carried him down to the ambulance and slid him inside. I watched until they had driven out of view.
When we were at university open relationships were all the rage, and Neil and I were nothing if not fashionable. Neil had one-night stands with a stream of women when I was away or staying in to study. I had a few short-lived affairs. Most of the time we’d sleep together, either at his house or at the bed-sit I’d moved into in my second year.
One night I’d been visiting my mother and got back sooner than expected. The trip had rattled me. She and I had so little to say to each other that, for me at any rate, the visits were an excruciating mix of tension and boredom. We relied on banalities, talked about the weather, the increase in fuel prices, domestic mishaps and the ups and downs of acquaintances we cared little about. I went out of a sense of duty; I never could tell whether she got any pleasure from our encounters.
There was a disco on at the student’s union that evening, and although I’d missed most of it, it would be more fun than sitting in getting stewed on my own. While I changed, putting on a vintage silk dress and dramatic makeup, I drank a couple of brandy-and-lemonades and smoked a joint.
Things were in full swing when I arrived, the air humid and smoky, the lights rippling over the crowd. Neil was in a corner, a pretty redheaded girl sitting on his lap. My guts clenched in reaction. I shot him a blazing smile and turned away. I wanted to rip her off him. I wanted him to dump her on the floor and come over to me. I wanted to kill them both. Not acceptable reactions. For the next hour I flirted with a group of lads at the bar before going off with the prettiest. It felt meaningless.
When I rolled up at my place the following afternoon, shivering in my thin dress, Neil was sitting on the doorstep. My heart burned when I saw him. He kissed me and followed me in.
I had a shower while he made bacon-and-egg butties. He was quiet as we ate and the tension was plain in the set of his jaw and the cast of his eyes. I put music on, rolled a joint. We lay on the bed smoking. He put the roach in the ashtray. I straddled him, let my robe fall open, traced his clavicle with my fingers. He stayed my hand and my skin chilled. He was leaving me. That was why he’d come round, why he was so wound up.
‘Move in with me,’ he said.
‘What?’
‘Or I’ll move in here. I don’t want anyone else.’ He edged himself up onto his elbows, shook his hair back from his face. ‘I don’t want to share you.’ His eyes were hot.
‘Very bourgeois.’
‘Deborah,’ he warned me, his grip on my wrist tightening.
‘Okay.’
He closed his eyes, a gesture of relief. Then looked at me again. Lay back down. I began to unbuckle his belt.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Сьюзан Кэрролайн считает, что смерть дочери, происшедшая несколько лет назад в результате несчастного случая – ужасная, но единственная трагедия, которая случилась в ее жизни. Однако внезапно все меняется, когда появляется Джо. Теперь для Сьюзан очевидно, что это был отнюдь не несчастный случай, и ее цель – найти убийцу дочери. Но безумие поглотило все вокруг, и ее саму тоже. Порой она не знает, не являются ли происходящие события плодом ее больного воображения. А может, она на самом деле умерла, проглотив в порыве отчаяния таблетки? Грань стерта и никто не знает, к чему это приведет… даже сама Сьюзан Кэрролайн.
«Имя Гансйорга Мартина — драматурга, романиста, эссеиста и художника — хорошо известно в Германии и других европейских странах. На русский язык его произведения переводятся впервые. Излюбленные жанры его — детектив и триллер. Расцвет творчества Мартина падает на 60–70-е годы. Мартин — автор многих так называемых «белых» детективов. Он избегает натурализма и физиологизма в описаниях, сюжет в его произведениях, всегда острый и занимательный, развивается легко и непринужденно. Конечно, как и во всяком детективе, движущей пружиной является преступление — убийство, и чаще всего не одно.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.