Stone Cold Red Hot - [8]

Шрифт
Интервал

“There’s just a few more points.”

“Fine, it’s a break from work,” she tilted her head towards the front of the house, “there’s a pile of stuff waiting in there for me to finish. I’ve got a big fair in Mobberley at the weekend. I’ll show you before you go.”

“Yes. You were able to remember some of Jennifer’s friends – Lisa and Frances and Caroline.”

“Fluke, really, though I am good with names. I know Frances Delaney and her family from church – St Winifred’s. And it so happens that I used to give all four of the girls a lift up to the Bounty, it’s closed now but back then it had banqueting suites and they were waitresses. I was doing table decorations there for a while but I had to let it go. It didn’t really pay enough and it meant me missing some of the craft fairs. Anyway, the girls would come here and I’d give them a lift up on the Saturday morning, they’d share a taxi back or get a bus into town and another one out again.”

“Were you aware of any boyfriends at the time?”

“No, well nothing serious. Of course there was endless speculating and giggling but I was never privy to any secrets. I was just the next door neighbour with a car. Now I don’t know if Frances still hears from Jennifer, have you got her number?”

I shook my head.

“Right,” she stood up and crossed to the table by the sofa, picked up the phone. “She’s not far away,” she said as she pressed the buttons, “she’s in Burnage. Lovely girl, four kiddies. Mary?” she spoke into the phone, “its Norma Clerkenwell…I’m fine…you? Listen, I’ve someone with me who wants to get in touch with Jennifer Pickering, from next door to me, does your Frances ever hear from her now? No. She’s not said anything. Well, apparently they haven’t, not in all this time. I’d Roger here the other day and he says they’ve no address or anything. It is a shame, it is…yes, especially with Barbara so poorly. Look, can you give me Frances’ number and this lady might want to ask her a few questions – trying to trace Jennifer, you see. Great.” She wrote the number down on a pad by the phone. “Thank you Mary, bye for now…and you, bye bye.”

She tore off the paper and gave me it. “Mary says Frances has never mentioned Jennifer. That’s her number. She’s still Frances Delaney, married a boy with the same name.”

On the way out she opened the door to the front room to show me her wares. She’d put a large work table in the centre of the room and it was scattered with clumps of fabric, jam jars full of paint, trays with beads and coloured glass nuggets, small mirrors and assorted picture frames. Tools and brushes were stuck into a collection of vases in the centre. There was a smell of glue and varnish.

“Looks like chaos doesn’t it,” she joked, “you can see the finished results over there.”

The far wall was smothered with an array of fancy picture frames and mirrors, everything from tiny, stylish mosaic-edged mirrors to padded, frilled and be-ribboned portrait frames. There were plaques too, painted with house names and numbers and, at waist height, a long shelf held vases and jars decorated with vibrant glass mosaics.

“They’re great,” I pointed to the vases, “I love the mosaics.”

“They’re selling like hot cakes at the moment,” she admitted. She edged her way past the table and picked up a small urn-shaped vase. “Here,” she held it out, “do you like this one?”

“Oh, no,” I protested, “I can’t.”

“It’s good PR,” she insisted, “when your friends admire it you can tell them where you got it. Word gets round, it all helps the business.”

“Thank you, it’s lovely. You manage to make a living out of it?”

I thought of my friend Diane, a textile artist and printer whose income went up and down like a yoyo.

“Now, I do. I’ll just wrap this.” She pushed back her long, grey hair and rummaged in a carrier bag for some bubble wrap. “The first few years were very hard. I made a loss for the first three. But I’ve a couple of big contracts with gift shops – that gives me a fairly regular return and the craft fairs and commissions top it up.” She tore some sellotape from a dispenser and stuck it round the bubble wrap. “There.”

“Thank you, it’s lovely.”

“And I’ll give you one of these,” she took a business card from a box on the table. “I do orders to design, too.”

“Swap you,” I fished one of my cards from my pocket.

She helped me to manoeuvre my bike out of the door and down the steps to the path. She wished me luck with my search for Jennifer. “I do hope you find her,” she said, “I’d love to know how she’s turned out, I always thought she’d make something of herself, you know.”

I couldn’t make up my mind whether to keep the mosaic vase at the office or take it home where I’d see more of it. I dithered for a while. It looked great on the filing cabinet next to the cactus and the yucca, the tiny deep blue, turquoise and orange tiles complemented the colours in the room but not many of Mrs Clerkenwell’s potential customers would see it there. I would leave it at work until I’d finished the job for Roger Pickering, a sort of talisman for the case. Then, whatever the outcome, I’d take it home and show it off.


Еще от автора Cath Staincliffe
Witness

"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.


Trio

1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.


Dead Wrong

Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.


The Kindest Thing

Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.


Go Not Gently

From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.


Desperate Measures

The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.


Рекомендуем почитать
Деление на ночь

Однажды Борис Павлович Бeлкин, 42-лeтний прeподаватeль философского факультета, возвращается в Санкт-Пeтeрбург из очередной выматывающей поездки за границу. И сразу после приземления самолета получает странный тeлeфонный звонок. Звонок этот нe только окунет Белкина в чужое прошлое, но сделает его на время детективом, от которого вечно ускользает разгадка. Тонкая, философская и метафоричная проза о врeмeни, памяти, любви и о том, как все это замысловато пeрeплeтаeтся, нe оставляя никаких следов, кроме днeвниковых записей, которые никто нe можeт прочесть.


Запрос в друзья

Выйдя на улицу, чтобы немного прийти в себя после бурного выпускного вечера, шестнадцатилетняя Мария Вестон исчезает навсегда. Девушку считают погибшей, однако спустя двадцать пять лет одноклассники начинают получать от нее письма с угрозами. Неужели она жива и долгие годы скрывалась, но зачем? Больше остальных напугана успешная предпринимательница Луиза Уильямс, которая уверена, что страшная судьба Марии целиком и полностью лежит на ее совести. Роман Лоры Маршалл — это будоражащее кровь погружение в бездну страхов, сомнений, амбиций и не изжитых комплексов.


Избранные произведения. III том

Кен Фоллетт — один из самых знаменитых писателей Великобритании, мастер детективного, остросюжетного и исторического романа. Лауреат премии Эдгара По. Его романы переведены на все ведущие языки мира и изданы в 27 странах. Содержание: Скандал с Модильяни Бумажные деньги Трое Ключ к Ребекке Человек из Санкт-Петербурга На крыльях орла В логове львов Ночь над водой.


Критский бык

В самой середине 90-тых годов прошлого века жизнь приобрела странные очертания, произошел транзит эпох, а обитатели осваивали изменения с разной степенью успешности. Катя Малышева устраивалась в транзитной стадии тремя разными способами. Во-первых, продолжала служить в издательстве «Факел», хотя ни работы, ни денег там почти не наблюдалось. Во-вторых редактировала не совсем художественную беллетристику в частных конторах, там и то и другое бытовало необходимом для жизни количестве. А в третьих, Катя стала компаньоном старому другу Валентину в агентстве «Аргус».


Гобелен с пастушкой Катей

Наталия Новохатская Предлагает серию развернутых описаний, сначала советской (немного), затем дальнейшей российской жизни за последние 20 с лишком лет, с заметным уклоном в криминально-приключенческую сторону. Главная героиня, она же основной рассказчик — детектив-самоучка, некая Катя Малышева. Серия предназначена для более или менее просвещенной аудитории со здоровой психикой и почти не содержит описаний кровавых убийств или прочих резких отклонений от здорового образа жизни. В читателе предполагается чувство юмора, хотя бы в малой степени, допускающей, что можно смеяться над собой.


Всегда пожалуйста

Участник конкурса Пв-17 (концовка изменена)