Stone Cold Red Hot - [53]
“Try the back,” I yelled and ran after him round the side of the house to the back garden. I slipped on the way, my shoes full of water. My fake glasses fell off and I cracked them with my hand as I landed. I felt someone grab my arm and turned, ready to wrestle free, but it was Johnny.
“Y’alright?”
“Yes,” I struggled to my feet.
The garden was unkempt, overgrown grass and brambles, silvered in the strong moonlight, caught at our feet as we hurried after Carl. The hoarse screams and cat-calls of the crowd were muffled too but their message of hatred was all too clear. Smoke plumed up from the roof and drifted our way but otherwise there was no sign of the fire. Carl kicked at the door, three or four times. He ran back and Johnny had a go too. My teeth were clenched together tight as I willed the lock to give. They took turns kicking and shouldering it and finally the wood split across and the frame splintered. Another kick from Carl and the door skewed off it’s hinges and fell dangling at the side of the entrance.
There was darkness within. We stepped directly into the kitchen. I could smell the sharp fumes of petrol and oily smoke. I braced myself for the sound of screams or cries but heard nothing beyond the roaring off the fire upstairs and popping and banging sounds. Where were they? Oh, god, where were they?
Carl rushed ahead. “Carl, wait,” I yelled but he paid no attention. I grabbed Johnny’s shoulder. “Wait,” I repeated. The sink was just by me and above there were thin cotton curtains at the window. I ripped these down and turned the tap full on, soaking them and myself into the bargain. I shoved one at Johnny and tied the other round my nose and mouth. I pulled off the wig first, the false hair was slippery and I wanted the cloth to stay on.
There was an explosion then, loud and shocking, and a short scream. I didn’t know where Carl had gone. Johnny set off down the hall that led to the stairs. There were two rooms off it. I could just see the doors in the gloom. I opened each and called inside. No movement, no answer. I couldn’t see but I knew I shouldn’t turn the lights on. Were they in there but hiding from us? Thinking we were the ones out to get them? I tried to listen, to sense if anyone was crouching silent below a table or behind the couch. Where are you? My mind screamed and my heart raced in my chest. I found the bottom of the stairs, now I could see flames coming and going on the landing but mainly smoke, rolling in clouds before me. It became dense quickly. I crawled up the stairs keeping as low as I could. My eyes stung and watered, I felt the smoke locking my throat up. I was drowning. Another explosion sent a ball of flames the length of the landing, briefly illuminating the area. I saw Johnny’s trainers disappear into a doorway. The noise was horrendous, and the toxic stench of burning plastic reached me. I tried to follow but I could no longer breathe. My lungs were sticking together, my balance going. I pushed off the wall and tumbled down the stairs. My heart was thundering. I crawled to the back door and gulped in air then returned, holding my breath and I pulled myself up the stairs. Where were they?
I took the first door again, just inside I stumbled over legs. Jeans. Johnny. So hard to see. No air to speak. Heard him choking, vomiting. Pulled at his legs. He shuffled my way. Another sound, a child’s cough. In his arms, the toddler. Out the door, we wriggled, slow, painful. Flames nibbled along the carpet, caught at the bottom of my leg, the nylon melting and sticking fast. Johnny yelped. Hurt too. Had to get out, get out fast. Felt for the first stair, yanked us closer, no air. Buzz of darkness at the back of my skull, swimming closer. Pushing Johnny, tumbling down, bump, bump, bump. The child cries. Can’t find the door. Where’s the door gone?
“Bennie?”
“Take them out.”
Voices, hands lifting me up.
Outside, gulping for air and there is none. Then a mask on my face and my panic subsides. An ambulance. The people calm and steady. Johnny on a stretcher. The child, on the paramedics knee, pulling at her oxygen mask, her face streaked black, her clothes thick with soot.
A fireman approaches us, huge in his gear.
“There are others inside?”
I nod. Remove the mask to speak, my voice is pathetic, and I can’t say more than a couple of words without coughing. “There’s a baby and a little boy, their mother, and a policeman.”
He thanks me and runs off.
The ambulance was parked beside the police cars, in the middle of the road. I sat just inside, the back doors were open. The crowd had melted away. Neighbours remained, worried faces, sharing cigarettes and quiet conversations, coats pulled tight. I could see Darren, his face upset and wobbly standing beside his mother.
The moon was glorious, high, bright as neon.
Someone touched my arm. Mr Poole.
“You OK?” His eyes glistened.
I nodded. Clamped my mouth tight to hold the tears.
One of the engines was running foam into the upstairs window. A second ambulance arrived. The crew began to get out stretchers and blankets.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
Обстоятельный и дотошный инспектор амстердамской полиции Ван дер Вальк расследует странное убийство домохозяйки («Ать-два!»). Героям известного автора детективов предстоят жестокие испытания, прежде чем справедливость восторжествует.
Книга написана по сценарию известного российского драматурга А.В. Тимма. На страницах романа вы встретитесь со старыми знакомыми, полюбившимися вам по сериалу «NEXT», — благородным и великодушным Лавром, его сыном Федором, добродушным весельчаком Санчо и решительной Клавдией. Увлекательное повествование вводит в мир героев, полный настоящих рыцарских подвигов и романтических приключений.
В повести «Искупление» автор показывает, как человек, стремящийся к чувственным наслаждениям, попадает под подозрение в убийстве и вынужден скрываться от полиции. Находясь на нелегальном положении, он постоянно подвергается опасности. Это заставляет его пересмотреть свои взгляды на смысл и основные цели своей жизни. В основу повести Ильичева В. А. положен опыт работы автора в уголовном розыске. Читатель знает автора по книгам «Элегантный убийца», «Гильотина для палача», «Тайна семи грехов», «Навстречу Вечности», «Жизнь и криминал», «Приключения подмигивающего призрака» и ряду других.
Над Кольским полуостровом нависла полярная ночь. Солнечные лучи уже давно не заглядывали в окна. По утрам было сумрачно, и постоянно болела голова, отчего Павел Николаевич Ларин зачастую впадал в меланхолию. Всё же лучше быть седым, чем лысым, — подметил Павел Николаевич и, насухо обтеревшись махровым полотенцем, освежил гладко выбритые щёки пахучим одеколоном. Что воскресенье, что понедельник — теперь всё было едино… Павел Николаевич непроизвольно начал размышлять о превратностях беззаботной старческой жизни.
Предать жену и детей ради любовницы, конечно, несложно. Проблема заключается в том, как жить дальше? Да и можно ли дальнейшее существование назвать полноценной, нормальной жизнью?…
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».