Stay Dead - [18]
Annie nodded: she knew. Tea at the Ritz. Once, she had regularly joined them there.
‘Now she’ll never make it,’ said Ellie, her face dissolving into tears again. ‘Sorry,’ she muttered, going to the worktop and tearing off a hank of kitchen roll. She dabbed at her eyes and blew her nose, chucked the tissue into the bin. She came back to the table and sat down with a shuddering sigh, then stared at Annie with reddened eyes. Ellie’s mascara was all down her cheeks, she looked a mess.
‘Who the fuck would do a thing like that?’ asked Ellie. It was a howl of protest.
‘She was shot, Tone said when he called me,’ said Annie, swallowing past a painful lump in her throat.
‘That’s right. She was shot. God, poor Dolly.’ Ellie’s eyes were bright with tears. She gulped and stared at Annie’s face. ‘I thought Tone would’ve collected you from the airport. You came in a cab.’
Annie shook her head, trying to think past this huge obstacle in her brain. Dolly was dead. Truth was, she’d been so devastated by what Tony had told her on the phone that she hadn’t thought to mention transport to him, and he hadn’t offered. Which, now she thought about it, was odd. Usually, Tone was on the ball with such things. But then, he’d had a shock too.
‘You got a spare bed, Ellie?’ she asked. She felt weary, right through to the bone.
There was a flicker of hesitation before Ellie recovered herself and said, ‘Course. There’s always a place for you here.’
Of course there was. Annie was the boss’s wife, after all. Right now, she was wondering how much longer that was going to be the case. It made her feel sad, hurt, angry. She and Max had been through so much, and she didn’t want it to end this way, with him having a hole-in-the-corner affair and her having to cope all alone again.
She loved him. Worshipped the bones of him.
She drank the tea and let out a heartfelt sigh. ‘I need a kip. After that, maybe this is going to make some kind of sense.’
But I doubt it, she thought.
‘Come on, I’ll show you to your room,’ said Ellie, standing up. She paused there, clutching at the kitchen chair. Her tear-reddened hazel eyes met Annie’s. ‘They’ll find out who did it, though, won’t they? The Bill, I mean,’ said Ellie. ‘They’ve got to.’
Annie nodded. ‘They will,’ she said.
Or I will, she added to herself.
17
‘I do remember you,’ said Gina Barolli, her face screwed up, her hand still clutched to her scrawny chest.
Max moved a little closer – not too close – and he kept the gun trained on her.
Gina’s mouth trembled. The pain was bad, and growing. Then she said: ‘You’re the security man. In London. You called yourself Mark something then. You were guarding her.’
Max stared at her, wondering at her thought processes. So she remembered that time after Constantine’s death, when Annie had moved back to London to escape the poisonous influence of his eldest son Lucco. But it seemed she didn’t remember what had happened later, in New York, when Max’s true identity had been revealed and Alberto, Constantine’s youngest son, had taken over the reins as the godfather.
‘Where is Fidelia? And where is Antonio?’ Gina demanded.
‘Fidelia’s tied up right now,’ said Max. ‘And I told you. Antonio’s in the hospital. He had an accident. You’ve been phoning one of my clubs in London, the Blue Parrot, talking about your brother.’
Had she? Gina couldn’t remember doing that, and if she had she ought to be ashamed, because that was a stupid thing to do, and dangerous. Omerta demanded her silence. She knew that. She had lived by that code all her life.
‘I didn’t phone anyone,’ she said, her lips trembling as the pain clamped her chest tight again.
‘Yeah, you did.’ Max glanced back at the two men standing silent, watching, from the doorway. ‘Wait outside. Close the door,’ he said, then returned his attention to Gina as they obeyed. ‘You spoke to Gary Tooley and you said something very interesting. You said that my wife ain’t my wife at all. You said that she’s still married to your brother, Constantine.’
‘That’s right.’ Gina’s chin set suddenly in a stubborn line. ‘That’s the truth.’
‘That ain’t the truth,’ said Max. ‘Because Constantine is dead. He died in an explosion years ago, in Montauk.’
Gina raised a trembling hand to her brow, closed her eyes. Then she opened them and stared malevolently at Max. ‘How dare you come here. Constantine will see to you, my friend. You can be very sure of that.’
‘That would be a hell of a trick. The bastard’s dead in a box in a New York cemetery.’
Suddenly Gina was clutching harder at her chest. ‘Can you fetch Fidelia…?’ she said, her voice little more than a whisper.
Max moved in a little. ‘What is it?’
‘Get Fidelia. I feel…’
The only sound in the room for long moments was Gina’s laboured breathing. She was slumped further over in her chair now, holding her chest. All at once, huge globs of sweat were popping out on her face.
Christ, she’s not faking it.
Max ran to her chair and pulled her upright.
‘Gina? Miss Barolli? Come on, you old fuck, don’t bloody die on me now!’ He patted her thin cheeks, looked at the blue-tinged lips and thought,
Only the lawless will survive…It is 1975 and Ruby Darke is struggling to deal with the brutal murder of her lover, Michael Ward.As her children, Daisy and Kit, battle their own demons, her retail empire starts to crumble.Meanwhile, after the revenge killing of Tito Danieri, Kit is the lowest he's ever been. But soon doubt is thrown over whether Kit killed the right person, and now the Danieris are out for his blood and the blood of the entire Darke family.As the bodies pile up, the chase is on – can the Darkes resolve their own family conflicts and find Michael Ward's true killer before the vengeful Danieris kill them? Or will they take the law into their own hands…Lawless is the heart-racing sequel to Nameless, from bestselling author Jessie Keane.
SHE THOUGHT SHE'D SEEN THE BACK OF THE DELANEYS. HOW WRONG COULD SHE BE…Annie Carter should have demanded to see their bodies lying on a slab in the morgue, but she really believed the Delaney twins were gone from her life for good.Now sinister things are happening around her and Annie Carter is led to one terrifying conclusion: her bitter enemies, the Delaney twins, didn't die all those years ago. They're back and they want her, and her family, dead.This isn't the first time someone has made an attempt on her life,yet she's determined to make it the last.
Тупик. Стена. Старый кирпич, обрывки паутины. А присмотреться — вроде следы вокруг. Может, отхожее место здесь, в глухом углу? Так нет, все чисто. Кто же сюда наведывается и зачем? И что охраняет тут охрана? Да вот эту стену и охраняет. Она, как выяснилось, с секретом: время от времени отъезжает в сторону. За ней цех. А в цеху производят под видом лекарства дурь. Полковник Кожемякин все это выведал. Но надо проникнуть внутрь и схватить за руку отравителей, наживающихся на здоровье собственного народа. А это будет потруднее…
«Посмотреть в послезавтра» – остросюжетный роман-триллер Надежды Молчадской, главная изюминка которого – атмосфера таинственности и нарастающая интрига.Девушка по имени Венера впадает в кому при загадочных обстоятельствах. Спецслужбы переправляют ее из закрытого городка Нигдельск в Москву в спецклинику, где известный ученый пытается понять, что явилось причиной ее состояния. Его исследования приводят к неожиданным результатам: он обнаруживает, что их связывает тайна из его прошлого.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издаётся с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Анатолий Королев ПОЛИЦЕЙСКИЙ (повесть)Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (окончание) (повесть)Владимир Лебедев ГОСТИ ИЗ НИОТКУДА.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издается с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (повесть);Петр Любестовский КЛЕТКА ДЛЯ НУТРИИ (повесть)
Наталья Земскова — журналист, театральный критик. В 2010 г. в издательстве «Астрель» (Санкт-Петербург) вышел её роман «Детородный возраст», который выдержал несколько переизданий. Остросюжетный роман «Город на Стиксе» — вторая книга писательницы. Молодая героиня, мечтает выйти замуж и уехать из забитого новостройками областного центра. Но вот у неё на глазах оживают тайны и легенды большого губернского города в центре России, судьбы талантливых людей, живущих рядом с нею. Роман «Город на Стиксе» — о выборе художника — провинция или столица? О том, чем рано или поздно приходится расплачиваться современному человеку, не верящему ни в Бога, ни в черта, а только в свой дар — за каждый неверный шаг.
В сборник «Последний идол» вошли произведения Александра Звягинцева разных лет и разных жанров. Они объединены общей темой исторической памяти и личной ответственности человека в схватке со злом, которое порой предстает в самых неожиданных обличиях. Публикуются рассказы из циклов о делах следователей Багринцева и Северина, прокуроров Ольгина и Шип — уже известных читателям по сборнику Звягинцева «Кто-то из вас должен умереть!» (2012). Впервые увидит свет пьеса «Последний идол», а также цикл очерков писателя о событиях вокруг значительных фигур общественной и политической жизни России XIX–XX веков — от Петра Столыпина до Солженицына, от Александра Керенского до Льва Шейнина.