Ruthless - [14]
‘Your hand Leonato; we will go together,’ Janet read the cue.
‘Benedick, didst thou note the daughter of Signior Leonato?’ said Taisie.
They’d almost got through to the finale, Taisie word perfect, when Elise came in. ‘Did you talk to Dad?’ she asked Janet.
‘Shut up,’ Taisie yelled, ‘I’m doing my lines.’
‘This is important,’ Elise sneered.
‘What – a stupid party?’ Taisie said.
‘Just ’cos you’re too young to go,’ said Elise.
‘So are you, isn’t she, Mum? Tell her.’
‘Elise,’ Janet said, ‘let us finish this.’
With ill grace Elise leaned, arms folded, against the counter, a derisory look on her face, and Janet knew she was trying to unsettle Taisie. She suspected that Taisie was made of sterner stuff and was proven right as her younger daughter finished her part faultlessly.
‘Brilliant!’ Janet said. ‘Perfect!’
‘Finally,’ Elise complained.
Perhaps it was healthy, this antagonism between the sisters, an indication that they felt secure enough to bicker and spat. The solidarity, the drawing together there’d been when Ade had left, now easing with the reinstatement of the status quo. The girls no longer relying on each other while the grown-ups messed up. And if/when they got divorced, if the house was sold? Janet felt a shiver, a sour taste in her mouth.
Taisie rolled up her script and skipped off.
‘I haven’t spoken to your dad yet,’ Janet told Elise, ‘I’ve only just got in. Weren’t you supposed to be getting some more details?’
‘I have. It’s Matthew Planter’s party, it’s at his house and we’re invited because his brother is in our year and he’s allowed to invite people.’
‘Where do they live?’ Janet said.
‘Middleton Road and we can get a taxi home to Olivia’s and we have to be back for one o’clock.’
‘Come on,’ Janet said and they went through to the lounge.
‘This party,’ Janet said.
Ade paused his programme, something about the Pharaohs.
‘Tell him,’ Janet said.
Elise rattled off the facts she’d given Janet.
‘And who’s supervising?’ said Ade.
‘His parents. God! It’s like you don’t trust me.’
‘It’s not you we don’t trust,’ Janet said, ‘but we’ve been there, we know what can happen. People drink too much and take stupid risks or they do daft things and end up regretting it.’
‘Please?’ Elise said, her voice aching with frustration.
We should trust her, Janet thought. It’s the only way she’ll learn. She nodded at Ade, who gave a shrug of resignation.
‘All right then but a taxi back by one, promise?’ Janet said.
‘Yes!’ Elise began texting on her phone. ‘Thank you so much.’ Suddenly sounding far too young for what they had just agreed to.
Sean was hunched over his laptop, the sports channel on the box, men in shorts running around on grass on both screens and the smell of fried onions thick in the flat. Rachel lit up and, as an afterthought, opened the window.
‘Chill Factor,’ he said, ‘Saturday, or maybe Sunday. Could do WaterWorld an’ all maybe. Stay over somewhere.’
‘What?’ She’d had too many fags today, the first drag failed to deliver the kick she craved. Instead it just made her mouth feel rancid.
‘You, me and Haydn,’ he said, ‘skiing or snowboarding? He’s here this weekend.’
Oh, joy. Rachel had nothing against the kid, he was harmless enough. A mini Sean, interested in anything that involved balls or sticks. Or food. ‘No can do,’ she said. ‘We picked one up, man in that fire in Manorclough.’
‘That yours?’ he said.
‘Yeah.’
‘I’d better book for two then, unless you want to wait until another time.’
The thought that Sean was worried she might be disappointed at missing out on the trip was both touching and plain daft. ‘You go ahead,’ she said. Relieved that she had a rock-solid reason not to be around for more than a few hours’ kip over the weekend. Sean and Haydn could do their male bonding, father-son stuff and welcome to it. She didn’t want to intrude, or maybe she just felt ill-equipped.
Had her dad ever taken Dom anywhere? Doubtful. Not like her dad would be much use at entertaining the kids. Could barely feed and clothe them. It was Rachel who dragged Dom off to the cinema on the rare occasions when special vouchers meant they could afford it, Rachel who would cheer him on when he played football. Her mum gone by then, Dad taken up residence in the pub to all intents and purposes and her sister Alison working all hours as the sole breadwinner.
Her dad had gone now, as in dead. Ashes blowing in the wind. His liver finally packed up. It had been two weeks before the smell alerted his fellow residents at the doss house to his demise. And now her mum was back.
Which might or might not be a good thing. Rachel was still waiting to see. Sharon had been penitent at their reunion, an occasion engineered by Sean, who was keen to see the family reunited. Then she had been pissed at the wedding, made a right tit of herself, acting like a slapper. Sean said it was just nerves. A wedding wasn’t a wedding without someone having one over the odds, at least there hadn’t been a scrap. No one bared their fists. Quite an achievement considering.
It was Her Maj being there, seeing her mother, that had made Rachel so uneasy. Alison had hated it too. Alison wouldn’t entertain Sharon, was not at all interested. Made things a bit awkward between Rachel and Alison; they always seemed to be taking different sides with family stuff. Alison wouldn’t play nice with Sharon and yet she used to make time for their dad, trying to help him out when she could. And it was Alison who visited Dom in prison the first time round, even though Dom had always been closest to Rachel. Rachel hadn’t been able to stomach seeing him there. Not back then when the twat had been done for armed robbery and certainly not now when he was in for twenty-eight years. Twenty-eight years for murder. But Alison did.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
Содержание: 1. Блаженный грешник 2. Одинокий островитянин 3. Анатомия анатомии 4. Спокойной ночи 5. Исповедь на электрическом стуле 6. Прибавка в весе 7. Пустая угроза 8. Лазутчик в лифте 9. Не трясите фамильное древо 10. Смерть на астероиде 11. До седьмого пота 12. Такой вот день… 13. Дьявольщина 14. Аллергия 15. Милейший в мире человек 16. Победитель 17. Девушка из моих грез 18. Да исторгнется сердце неверное! 19. Как аукнется… 20. Человек, приносящий несчастье 21. Рождественский подарок 22. Изобретение.
Оба романа, помещенные в книге, — об убийцах. Однако психологические портреты этих убийц так различны, как разнообразны и непохожи человеческие судьбы. Что приводит человека к преступлению? И вообще, преступник — это человек или чудовище? Весь ход повествования заставляет читателя не раз задавать себе эти вопросы и пытаться ответить на них.
Книга написана по сценарию известного российского драматурга А.В. Тимма.Шайка Ангелины Виннер продолжает борьбу. Им удается похитить Ольгу Кирсанову, жену убитого хозяина «Империи». Сын Ольги Ваня ради спасения матери отказывается от своих прав на фирму. Враждебный лагерь празднует победу, но… преждевременно! В руках у Лавра козырная карта — завещание, и, обнародовав его, он ломает планы своих врагов. Остановятся ли бандиты, или кто-то снова окажется их следующей жертвой?
Книга написана по сценарию известного российского драматурга А.В. Тимма.Франц Хартман и Ангелина Виннер, подстроившие автокатастрофу, в которой погиб хозяин «Империи» Владимир Кирсанов, намерены идти до конца. Теперь они замышляют убийство его жены Ольги и несовершеннолетнего сына Вани, наследника «трона». Волею случая Лавру суждено сыграть роль доброго ангела в судьбе женщины и ребенка.
Обстоятельный и дотошный инспектор амстердамской полиции Ван дер Вальк расследует странное убийство домохозяйки («Ать-два!»). Героям известного автора детективов предстоят жестокие испытания, прежде чем справедливость восторжествует.
Книга написана по сценарию известного российского драматурга А.В. Тимма. На страницах романа вы встретитесь со старыми знакомыми, полюбившимися вам по сериалу «NEXT», — благородным и великодушным Лавром, его сыном Федором, добродушным весельчаком Санчо и решительной Клавдией. Увлекательное повествование вводит в мир героев, полный настоящих рыцарских подвигов и романтических приключений.