• Hall D., Fifer S. J. Illuminating Video. New York: Aperture in association with the Bay Area Video Coalition, 1990.
• Hill Ch. Surveying the First Decade: Video Art and Alternative Media in the United States/Exhibition notes. San Francisco Museum of Modern Art. October, 23 — November, 23. 1997
• Iles Ch. Into the Light: The Projected Image in American Art 1964–1977. New York: Whitney Museum of American Art, 2001.
• Popper F. Art of the Electronic Age. London: Thames & Hudson, 1993.
• Resolutions: Contemporary Video Practices/Eds. M. Renov, E. Suderburg. Minneapolis: University of Minnesota Press, 1996.
• Sichel B. Monocanal. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2002.
• Third Biennale de Lyon, 1995 (CD-ROM).
• Van Assche Ch. Vidéo et après. Paris: Centre Georges Pompidou, 1992.
Глава 3
• Art Journal. Vol. 4. No. 54. Winter 1995.
• Bill Viola: A Twenty-Five-Year Survey. Exhibition catalogue. New York: Whitney Museum, 1997.
• CTRL SPACE: Rhetorics of Surveillance from Bentham to Big Brother/Eds. Th. Y. Levin, U. Frohne, P. Weibel. Karlsruhe: Center for Art and Media, 2001.
• Herzogenrath W. Nam Jun Paik: Video Work 1963–88. London: Hayward Gallery, 1988.
• Liminal Performance: Gary Hill in conversation with George Quasha and Charles Stein // Performing Arts Joumal (PAJ). Vol. 20. No. 58. January 1998.
• Oliveira N. de, Oxley N., Petry M. Installation Art. London: Smithsonian Institution Press, 1994.
• Rush M. Video Art. London: Thames & Hudson, 2003.
• О’Догерти Б. Внутри белого куба. Идеология галерейного пространства. М.: Ад Маргинем Пресс, 2015.
Глава 4
• Baruchello G., Martin H. Why Duchamp. New York: McPherson, 1985.
• Berger J. About Looking. New York: Vintage, 1980.
• Coleman A. D. The Digital Evolution: Visual Communication in the Electronic Age. Tucson: Nazraeli Press, 1998.
• Culture, Technology and Creativity in the Late Twentieth Century/Ed. Ph. Hayward. London: Art Council and Libbey Press, 1990.
• Electronic Culture / Ed. T. Druckrey. New York: Aperture, 1996.
• Fifield G. The Digital Atelier // Art New England. October/November 1997.
• Goodman C. Digital Visions: Computers and Art. New York: Harry N. Abrams, 1987.
• Internet Art / Ed. R. Greene. London: Thames & Hudson, 2004.
• Iterations: The New Image / Ed. T. Druckrey. Massachusetts: MIT Press, 1993.
• Leonardo: Journal of International Society for the Arts, Sciences and Technology. Vol. 31. № 5. October 1998.
• Negroponte N. Being Digital. New York: Alfred A. Knopf, 1995.
• Noll A. M. The Beginnings of Computer Art in the United States: A Memoir// Leonardo. Vol. 27. No. 1. September 1994. P. 39–44.
• Shaw J., Weibel P. Future Cinema: The Cinematic Imaginary After Film. Karlsruhe: Center for Art and Media, 2003.
• Sommerer Ch., Mignonneau L. Art @ Science. New York; Wien: Springer Verlag, 1998.
• Бёрджер Дж. Фотография и ее предназначения. М.: Ад Маргинем Пресс, 2017.
• Пол К. Цифровое искусство [2003]. М.: Ад Маргинем Пресс, 2017.
