Letters To My Daughter's Killer - [38]
‘No, only in the living room.’
I think of the floorboards they removed.
‘Please tell the court what items were sent for testing,’ says Mr Cromer.
‘From the scene?’ Mr Noon asks.
‘Yes, from the scene.’
‘Fingerprints and footwear impressions,’ he says, as if starting a long list.
Mr Cromer holds up a hand. ‘The jury will, I think, be familiar with fingerprints and how they can be matched, but please tell us about footwear impressions.’
‘Certainly. We now have the technology to be able to recover the impressions left by footwear, shoes and the like, from many surfaces, even carpet. Certainly from the type of laminate flooring found at the Tennysons’. These can then be matched to footwear.’
‘Wouldn’t the same brand of shoes leave the same marks?’ Mr Cromer asks.
‘Initially, but as soon as a piece of footwear is worn, it acquires marks, nicks or cuts in the sole. By comparing these, we can match impressions to an individual item.’
‘You recovered footwear impressions from the scene?’ says Mr Cromer.
‘Yes. As with fingerprints, there were many sets found. Together these could tell us who had been at the house. And the footwear impressions would show traffic since the floor was last cleaned.’
I picture Florence’s shoes, see her running round their living room.
‘Please go on,’ says Mr Cromer.
‘We were able to match and discount those belonging to the deceased and to her daughter, and to match other impressions to both Mr Tennyson and Mrs Sutton.’ The step I’d taken into the room before all those hands dragged me away. ‘And of course we matched and eliminated footwear from officers and CSIs at the scene. We were however left with a substantial number of impressions from a pair of size ten men’s running shoes which could not be accounted for. One of those impressions was close to the victim and was made in blood.’
‘A bloody footprint,’ says Mr Cromer.
‘Shoe print,’ the scientist corrects him. ‘Which could only have been made during or after the attack.’
‘Can you tell us any more about this shoe?’
‘Yes, it was an Adidas running shoe, from the 2009 summer season,’ says Mr Noon.
‘Size ten?’
‘That’s right,’ says Mr Noon.
‘I’m right that clothes and footwear worn by both Mr Tennyson and Mrs Sutton were taken by the police for examination?’ says Mr Cromer.
‘Yes, that’s common procedure.’
‘And what size were the trainers that Mr Tennyson surrendered to you for comparison?’ asks the barrister.
‘Size ten.’
‘But a different make?’ says Mr Cromer.
‘Yes, Nike, an older pair,’ says Mr Noon.
‘Were there any traces of blood on the Nike trainers?
‘No.’
‘And the clothes that Mr Tennyson had surrendered?’
I am a ghoul, eager to hear of blood on your garments and your shoes, to imagine you sprayed with Lizzie’s blood, daubed in it, caught red-handed.
But he says no, the witness.
‘Nothing?’ Mr Cromer sounds incredulous.
‘That’s correct.’
‘Was there any blood at the scene?’
‘A great deal,’ Mr Noon says. ‘On the floor and the walls and the furniture.’
‘Were you able to identify all the fingerprints?’
‘Not all of them, but that is not unusual.’
‘Were any fingerprints of particular interest?’ Mr Cromer pushes his wire glasses up his nose.
‘There were two which included blood,’ says Mr Noon.
‘Where were these prints?’
‘There was one on the wall at the bottom of the stairs, and one on the bathroom door.’
‘Did you identify these?’
‘Yes, they belonged to Mr Tennyson.’ There’s an electric buzz of concentration in the court. It’s surely damning evidence. Blood on your hands, a bloody footprint. I want to kiss Mr Cromer.
‘We heard from the pathologist that a poker had been recovered from the scene and was thought to be the weapon used. Did you examine it?’
‘Yes. It had been wiped clean,’ says Mr Noon.
‘You could tell?’
‘Oh yes, otherwise we would have been able to see material from the victim on the weapon, blood, hair and so on. And fingerprints, perhaps.’
‘You recovered nothing?’ Mr Cromer asks.
‘We did find traces of the victim’s blood trapped in places where the metal was pocked or rusted and flaked, but no fingerprints. We also found an oily residue and fibres that we matched to a brand of baby wipe.’
My stomach heaves at the thought of that: the moist perfumed tissue and the bloody poker; the juxtaposition seems obscene. Someone somewhere in the forensics lab must have painstakingly tested those traces.
‘Did you find such wipes at the house?’ says Mr Cromer.
‘Yes, there were some in the kitchen.’
‘Were they visible from the living area?’
‘No, they were on a shelf below the breakfast bar,’ says Mr Noon.
‘What else did you examine forensically?’
‘We examined the contents of the ash tray from the wood-burning stove. We found synthetic material, a polyurethane, traces of a man-made substance, EVA, and rubber in the ash.’
‘EVA is?’ Mr Cromer says.
‘Ethylene-vinyl acetate – known as foam rubber.’
‘And where would that combination of material be found?’
‘Most commonly in footwear and sports equipment.’
You burned your shoes! I feel pressure in my chest; Bea shoots me a look.
‘Is it true to say that what you found in the ash was consistent with someone burning a pair of running shoes in the stove?’ says Mr Cromer.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Если вы снимаете дачу в Турции, то, конечно, не ждете ничего, кроме моря, солнца и отдыха. И даже вообразить не можете, что столкнетесь с убийством. А турецкий сыщик, занятый рутинными делами в Измире, не предполагает, что очередное преступление коснется его собственной семьи и вынудит его общаться с иностранными туристами.Москвичка Лана, приехав с сестрой и ее сыном к Эгейскому морю, думает только о любви и ждет приезда своего возлюбленного, однако гибель знакомой нарушает безмятежное течение их отпуска.
Если весь мир – театр, то балетный театр – это целый мир, со своими интригами и проблемами, трагедиями и страстями, героями и злодеями, красавицами и чудовищами. Далекая от балета Лиза, живущая в Турции, попадает в этот мир совершенно случайно – и не предполагает, что там ей предстоит принять участие в расследовании загадочного убийства и встретиться с любовью… или это вовсе не любовь, а лишь видимость, как всё в иллюзорном мире театра?Этот роман не только о расследовании убийства – он о музыке и о балете, о турецком городе Измире и живущих в нем наших соотечественниках, о людях, преданных театру и готовых ради искусства на все… даже на преступление.
В номере:Денис Овсянник. Душа в душуИгорь Вереснев. Спасая ЭрикаОксана Романова. МощиТатьяна Романова. Санкторий.
Каждый думает, что где-то его жизнь могла бы сложиться удачнее. Такова человеческая натура! Все мы считаем, что достойны лучшего. А какова реальность? Всегда ли наши мечты соответствуют действительности? Не стоит винить свою Родину во всех бедах, свалившихся на вашу голову. В конечном счете, ваша судьба находится исключительно в ваших руках. В этом остросюжетном детективе перед читателем открывается противоречивая Америка, такая соблазнительная и жестокая. Практичные американцы не только говорят на другом языке, но они и думают по-другому! Как приспособиться к новой жизни, не наляпав ошибок? Да и нужно ли? Данный детектив входит в серию «Злополучные приключения», в которых остросюжетная линия тесно переплетена с записками путешественника и отменно приправлена искромётным юмором автора.
Загадка сопровождает карты Таро не одну сотню лет. А теперь представьте колоду, сделанную из настоящего золота, с рисунками, нанесенными на пластины серебром. Эти двадцать две карты смело можно назвать бесценными. Стоит ли удивляться, что того, кто владеет ими, преследует многовековое проклятие…
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.