Letters To My Daughter's Killer - [27]
Perhaps Marian dares not allow that it might be you because of the cost to her. Parents will do anything for their children, after all. Destroy evidence, invent alibis, lie under oath. Only this year there’s been the Rhys Jones case. A schoolboy shot as he played out on his bike. The killer’s mother lied to the police and was charged with perverting the course of justice.
‘Jack has never been in trouble in his life,’ Marian says. ‘You’re so wrong. I simply don’t understand how you can choose to believe for one moment-’
‘Marian, it’s not something I’ve chosen. It’s a gut feeling. As soon as they arrested him, I knew. He tried to run away.’
‘That’s just ridiculous.’ Now she’s arsey, aggressive, telling me off. ‘You’re just going to abandon him?’
Any restraint snaps. ‘He killed my daughter! Too bloody right I’m abandoning him. I hope he rots in jail.’ I hang up.
‘Nana,’ Florence calls out from the living room. I close my eyes for a moment, then go through to her.
She’s lying on the floor, hands by her sides, eyes half open; she shuts them tight when I come in.
‘Where’s Florence?’ I say, pretending I can’t see her. She loves hide-and-seek. Though she usually picks slightly better hiding places.
‘I’m here,’ she says. ‘Look!’
‘What are you doing down there?’
‘I being dead.’
Fuck! My stomach plummets. I stamp down the urge to haul her up, to tell her to stop it. A flurry of uncertainty: should I ask her more, give her a chance to talk, or explain again what dead is, what’s happened to Lizzie? See if she really understands? But I’m not ready, too wound up.
‘Are you now? That’s sad. So you won’t want any fish fingers then?’
Her eyes fly open. ‘Yes!’ she says.
‘How many? Three?’
‘Two. No, three.’ She gets up and rubs her nose on her sleeve.
I will have to tell her about you, as well. She must be confused. The scene in the kitchen, her brave attempt to protect you, to keep you. My lie about you working. I need help. No doubt there is advice online from bereavement charities about explaining death to a four-year-old. But I doubt there’s much about explaining that the police think Daddy did it. That Daddy killed Mummy.
She adores you.
And I will destroy that.
Ruth
CHAPTER NINETEEN
17 Brinks Avenue
Manchester
M19 6FX
Rebecca is here. When I open the door, she starts talking, saying if it’s a bad time she can come back later, then she dissolves into tears.
I bring her in.
Rebecca is Lizzie’s soul sister. They met at primary school. Rebecca has three sisters; she’s the youngest. Their dad left when Rebecca was a baby. Her mum was unhappy and took it out on the children, Rebecca particularly. Looking after four children on your own is no picnic. I felt sorry for her, Samantha, but she rebuffed any moves I made to be friendly. She worked as a secretary at a private school in Sale. On several occasions when we were collecting the kids from the after-school club I heard her belittling Rebecca. I didn’t have the courage to intervene directly, but when Rebecca stayed over at ours or came to play, I made a point of praising her, because she was a lovely girl.
I loved to hear the pair of them, Lizzie and Rebecca, in fits of giggles. There was never a cross word.
It wasn’t so much what Samantha said – ‘Oh come on, Rebecca, are you blind or just stupid?’ or ‘You can damn well do without or buy a new one with your pocket money, I’m sick of you’ – as the very harsh tone she used that made me so uncomfortable. And it must have hurt Rebecca.
Every time Samantha came to our house, I offered her a cup of tea or coffee. She always said no. I don’t think she liked me. Perhaps she sensed that I disapproved of the way she spoke to her daughter. Perhaps she hated it herself. I could relate -when Lizzie was small and bawling her head off, I felt so cross with her, unfairly, but the emotion was there all the same. Felt almost cold in my frustration. So if I’d had four kids and a job and no partner maybe I’d be mean now and again.
Lizzie hardly ever slept over at Rebecca’s. She told me in later years that Samantha used to shout at Rebecca, on and on until she made her cry, which really upset Lizzie.
Rebecca will feel Lizzie’s loss so keenly.
‘I’m sorry,’ she keeps saying, and I tell her it’s all right and I’m glad she’s here. When she’s calmer, we sit in the living room, still awash with Florence’s toys.
‘The police…’ I clear my throat. ‘They’ve charged Jack with Lizzie’s murder.’
Rebecca nods. She has glossy brown hair, cut in a bob, and striking clothes: a black and white geometric tunic, tweedy tights, Converse trainers, chunky jewellery. On anyone else it would look bizarre. Rebecca carries it off. Her fingernails are bitten to the quick.
‘He hit her?’ Rebecca says.
Does she need to hear the details? Like I did? The grotesque litany of injuries. The back of Lizzie’s skull was crushed with multiple fractures, the right orbital socket around the eye was fractured, as well as the nose and the right ulna… A dozen blows at least.
I nod. ‘They think he used the poker.’ My voice catches.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
«Золотая пуля». Так называют в городе агентство, в котором работают журналисты-инвестигейторы (или, в переводе на русский — «расследователи»). Возглавляет это вымышленное агентство Андрей Обнорский — герой романов Андрея Константинова и снятого по этим романам телесериала «Бандитский Петербург». В «Золотой пуле»-3 вы встретитесь не только с Обнорским, но и с его соратниками-журналистами: Николаем Повзло, Зурабом Гвичия, Светланой Завгородней, Нонной Железняк, Георгием Зудинцевым и другими. Все они попадают порой в опасные, а порой и комичные ситуации.
Евгения Кручинина, сотрудница частного детективного агентства, оказалась свидетельницей убийства одного из своих клиентов, а спустя некоторое время случайно спасла другого. Как выяснилось, эти двое много лет назад играли в одном любительском спектакле. Самое странное, что почти все участники этого спектакля погибли... Что это? Цепь совпадений? А может быть, некий беспощадный убийца воспользовался случаем свести счеты со всеми своими врагами? Ранее роман издавался под названием "Смерть тебе не изменит".
«Красным по чёрному» — первая часть «Невской САГИ», начало которой теряется в веке двадцатом, в предвоенном СССР и блокадном Ленинграде. Основные события книги, однако, разворачиваются в сегодняшнем Петербурге — городе мистически прекрасном и жестоком одновременно. Роковой вихрь, закруживший героев романа, не раз заставит и читателя перенестись из настоящего в прошлое, чтобы вновь вернуться в день нынешний — «с кругов собственных на круги чужие». И с кругов тех уже не сойти никому: ни девочке-школьнице, ни вору в законе, ни милицейскому генералу, ни ворожее.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
Дюрренматт не раз повторял, что он наследник европейского Просвещения. Но это был странный просветитель. Он хотел объяснить мир, но объяснить не до конца. Дух человеческий требует загадок неразрешимых, требует секретов и тайн.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.