Hit and Run - [8]
He stared at the wall opposite. Another row of polypropylene bucket chairs, a notice board with signs on reminding people of the hospital’s no smoking policy, of the cost of missed appointments, exhorting people to ring up if they couldn’t attend. He gazed at the fluorescent lights, at the vinyl flooring and the skirting board and the chairs opposite.
‘I should have held her hand,’ Debbie cried. ‘I always hold her hand to cross. I always make sure she holds my hand.’
‘Shhh, Debs, don’t.’ He put his hand on her leg and pressed. ‘Don’t.’
She stood impatiently, wrapped her arms across her stomach, took a few steps this way and that, then sat back down. He saw her fingers start to fret on the zip again.
He closed his eyes and prayed.
Marta had woken in the night, unsure what had disturbed her. The room was dark, impossible to see anything. In the summer months the light shone through the thin curtains, making it hard to sleep late. She couldn’t hear Rosa. She switched on the small bedside lamp. The other bed was empty. Her watch read three-thirty. Rosa should be back by now. The club closed at two. Was she downstairs? Marta listened. It was quiet, so quiet. A lone car in the distance but nothing else.
At home, the nights had carried different sounds. Her father’s coughing had punctuated the house, night and day. And beyond that there was the noise from the steelworks, the droning of machinery, the screech and clang of metal, the shriek of hooters signalling the change of shifts and the rumble of heavy plant machinery. Round the clock, continuous production until the place was closed in the mid-nineties. Her father was thrown out of work like so many others. Her mother the only one with a wage. Her father would sit about the house or escape to the café and spend the day there with the other men, their arms pockmarked with silvery scars, the burns left by flying scraps of molten metal. When he coughed Marta imagined his lungs full of wire wool, threads twisting with each breath.
One night, after they’d silenced the machines, she had heard the howl of a wolf, her blood thrilling at the sound and a prickle of fear at the nape of her neck. She’d never seen a wolf, though her babka, her grandmother, swore they were still there if you looked carefully. Not so many, of course. A lot of the forest had gone now; they’d cut back the tall, dark green conifers, and the wolves and the bears had retreated to the wild places in the mountains.
Marta remembered a trip to the forest for her name day when she was small. She had woken to presents and flowers and cards and her father had borrowed the car from the schoolteacher. The three of them, plus Babka, had travelled for an hour and a half to one of the big lakes. A rare adventure for, apart from that day, Marta couldn’t remember any other such family outings. Sometimes she wondered if it had been a dream. Babka had brought food: soft pierogis filled with lamb and blintz dusted with sugar. When she bit into the blintz and the jam oozed out the wasps had come whining around. Her parents had lit cigarettes and blown smoke at the pests.
They had been able to swim in the lake, the ones closer to home weren’t safe. ‘Chemical soup,’ her father always said. ‘Strip you to the bone and melt your eyes.’ But here the water was clear and silky, achingly cold. As she struggled in, her feet slipping on the muddy stones, Marta felt the cold stun her feet and her calves. She stumbled and fell in, losing her breath at the shock of the icy wave on her back. The lake was filled by the melted ice from the mountains.
The chill water had set her father coughing and she’d had a sudden flight of fear. What if he collapsed? How would they get home? But he smiled at her, through the spasms, nodding his creased red face in reassurance.
Marta’s mother was careful not to get her hair wet, sticking her neck up like a swan and moving her arms gently without breaking the surface. She was the picture of elegance, scolding Marta if she came too close with her whooping and flailing about.
Afterwards, her fingers blue and her teeth chattering, Marta sat wrapped in a scratchy towel eating the last blintz while the adults argued about the government.
Later, she went for a walk with her father, along the lakeside. The air was rich with the sharp scent of pine, the trunks of the trees dotted with the honey-brown clusters of resin. She rolled a piece between her fingers, sticky and crunchy like melting sugar, and sniffed at it.
There was one point where the undergrowth was thicker and a couple of boulders offered a stopping place. Her father paused, leaning his hand on one of the rocks. He tested the air. ‘Smell that.’
Marta breathed in. A foul smell, like fly-blown meat. She felt her gorge rise.
‘Bear.’
Her eyes had widened and her nerves started. What if the bear heard her father coughing? She didn’t want to get eaten by a bear. Not on her name day of all things. Her father obviously agreed and they had made their way back to the women and told them there was a bear about.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
She's a single parent. A private eye. And liking it. Until, that is, Mrs Hobbs turns up asking Sal Kilkenny to find her missing son. Sal's search takes her through the Manchester underworld, a world of deprivation and petty theft, of well-heeled organised crime and ultimately, murder. Would she have taken the job on if she had known what she was getting into? Probably, because Sal is fired with the desire to see justice done, to avenge the death of a young lad whose only crime was knowing too much.The first Sal Kilkenny Mystery, short-listed for the Crime Writers' Association best first novel award and serialised on BBC Radio 4, Woman's Hour.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A daughter's deathA teenage girl is found brutally murdered in her squalid flat.A mother's loveHer mother is devastated. She gave her child up to the care system, only to lose her again, and is convinced that the low-life boyfriend is to blame.Two ordinary women, one extraordinary jobDC Rachel Bailey has dragged herself up from a deprived childhood and joined the Manchester Police. Rachel's boss thinks her new recruit has bags of raw talent but straight-laced DC Janet Scott, her reluctant partner, has her doubts.Together Scott and Bailey must hunt a killer, but a life fighting crime can be no life at all…
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
A handsome young New York professor comes to Phoenix to research his new book. But when he's brutally murdered, police connect him to one of the world's most deadly drug cartels. This shouldn't be a case for historian-turned-deputy David Mapstone – except the victim has been dating David's sister-in-law Robin and now she's a target, too. David's wife Lindsey is in Washington with an elite anti-cyber terror unit and she makes one demand of him: protect Robin.This won't be an easy job with the city police suspicious of Robin and trying to pressure her.
Частный детектив Андрей Шальнев оказывается вовлеченным в сложную интригу: ему нужно выполнить заказ криминального авторитета Искандера - найти Зубра, лидера конкурирующей группировки. Выполняя его поручение, Андрей неожиданно встречает свою старую знакомую - капитана ФСБ Кристину Гирю, участвующую под прикрытием в спецоперации по ликвидации обеих банд.
From the creator of the groundbreaking crime-fiction magazine THUGLIT comes…DIRTY WORDS.The first collection from award-winning short story writer, Todd Robinson.Featuring:SO LONG JOHNNIE SCUMBAG – selected for The Year's Best Writing 2003 by Writer's Digest.The Derringer Award nominated short, ROSES AT HIS FEET.THE LONG COUNT – selected as a Notable Story of the Year in Best American Mystery Stories 2005.PLUS eight more tales of in-your-face crime fiction.
В основу этой повести положены действительные события. 14 июля 1969 года из историко-художественного музея города Сольвычегодска была похищена пелена «Богоматерь Владимирская», изготовленная в мастерских Строгановых в первой половине XVII века. Долгое время о ней ничего не было известно, пока автор случайно не обнаружил ее в Коряжме в одной частной коллекции.Конечно, последовавшие за этим события несколько изменены, как заменены и имена действующих лиц.
Lori Maddox chooses to spend the year after university travelling and visits China where she finds casual work as a private English tutor. Back in Manchester, her parents Joanna and Tom, who separated when Lori was a toddler, follow her adventures on her blog. When Joanna and Tom hear nothing for weeks they become increasingly concerned, travelling out to Chengdu in search of their daughter. Landing in a totally unfamiliar country, Joanna and Tom are forced to turn detective, following in their daughter's footsteps.
Эта книга от начала до конца придумана автором. Конечно, в ней использованы некоторые подлинные материалы как из собственной практики автора, бывшего российского следователя и адвоката, так и из практики других российских юристов. Однако события, место действия и персонажи, безусловно, вымышлены. Совпадения имен и названий с именами и названиями реально существующих лиц и мест могут быть только случайными.В центре Москвы происходят убийства известных ювелиров. Но близкие уверяют, что из квартир ничего не пропало.