Witness - [19]
The day of the funeral was dull but dry, the sky a grey, wool blanket trapping the air which smelt of steel. Outside the church a crowd of reporters with cameras filmed everyone arriving. They kept a distance, behind the railings across the road, and they were quiet, though there was the click and flash and ding and sizzle as they took their pictures. The church was full, people standing at the back, and folding chairs brought out to create extra rows behind the pews. As people arrived there were greetings, men shaking hands and hugging each other, acquaintances waving, people who hadn’t met at the nine nights smiling in surprise and recognition. Cheryl’s heart kicked when she saw Vinia and her mother: had Carlton come? Of course not, he’d be a fool to do that for all his front.
Cheryl, Nana and Milo were three rows back, behind the immediate family who would follow the coffin into church. Above the altar hung a huge banner, a picture of Danny. It wasn’t a formal one, not a school photo or a pose from a family wedding, but something more relaxed. As if someone had just caught the moment: Danny, his head tilted a little, his eyes alive with merriment, his smile wide and open. The life in him! Danny Martin Macateer, read the words beneath in black edged with gold, 1993-2009. It brought a lump to Cheryl’s throat, it hurt to swallow.
‘Who took the picture?’ she asked Nana, who’d been party to many of the arrangements.
‘Nadine.’
Cheryl wondered what it was like to lose a twin. Had they shared that special bond you read about? When Danny was shot, had Nadine felt it? Or sensed something really bad was going down? She’d been in church at the time, had she turned dizzy or felt a spike of pain pierce her heart?
Music started up, some piano sounding sweet and low, and the procession came down the central aisle. Reverend James and then Danny’s coffin, a huge bouquet on top, yellow roses, white lilies, green ferns and golden dahlias. The family followed and slid into their places. Cheryl could see Nadine’s back, the arch of her neck, the shape of her head, so like her brother’s.
There were prayers from the Reverend and readings from the Bible then testimonials. People queued up to speak about the boy, to make jokes, and share memories, read poems and quotes. Mr Gaunt, Danny’s music teacher, spoke and Mr Throstle the school head whose voice wavered towards the end of his praises. Danny’s uncle and his cousin took a turn, then another cousin. Danny’s band played a song he’d written, the little guy on the drums, his eyes red from weeping. Bobby Carr, the community leader, spoke about the peril that stalked the streets and the need for hope and vision, the need to take the guns from the hands of the boys who were lost and brutalized and deadly and give them work, hope, life. He promised Danny Macateer should not die in vain. Cheryl clamped her teeth tight together and felt the acid rise behind her breastbone, the sweat prickle around the edge of her hair.
Finally Nadine walked to the front. She looked a thousand years old, her eyes bottomless. She raised her face to speak then faltered, shook her head and covered her mouth. Murmurs of support echoed from the congregation. She tried again, her voice just audible. ‘This is how I remember Danny, my brother. His spirit is with me still. He will always be with me.’
A large screen to the left of the altar lit up and a cascade of images and music unfolded, fragments from Danny’s YouTube pieces, home movies, band practice. Danny fooling around, showing off, Danny concentrating, one arm rubbing the back of his neck, Danny singing, his eyes closed, mouth close to the mic, Danny trying to moonwalk, Danny with a wig on performing a speech from his drama course, opening a Christmas present. Laughing, head flung back, arms wide. The life shining from him. The picture froze and Reverend James thanked them all and invited them to the burial at Southern Cemetery.
Finally, as the procession followed the coffin out of the church, faces blurred with grief, ‘Abraham, Martin, John’ soared, filling the space, Marvin Gaye’s song about how the good die young. Cheryl sobbed and clung to her nana and Milo crawled between them pulling at their sleeves, disturbed by all these tears.
At the cemetery, a couple of miles south of the church, Milo was restless and Cheryl let him wander about while they lowered the coffin into the grave and Reverend James spoke again. The mourners sang at the graveside – one of the cousins had printed off hymn sheets. The day was still, muffled, but the voices sounded raw and broken. Cheryl couldn’t sing. Her chest felt too tight.
They waited until the grave was filled. Cheryl knew there were old stories from the islands of the dead trying to walk again, or of robbers taking the body, and people were still superstitious even in a different country and modern times.
Back at the church hall, Milo staggered about between legs, under the buffet tables, fractious and full of temper. Cheryl took him out and pushed him in his stroller round the car park until he fell asleep. After that, for the next two hours, even the sound of the band playing didn’t wake him.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
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From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
A blaze at an abandoned chapel in impoverished Manorclough turns out to be more than just arson when the body of a man who has been shot twice is discovered in the ashes.For the Manchester Metropolitan police team it's the start of a gruelling and complex case that exposes the fractures and fault lines of a community living on the edge. DC Rachel Bailey, recently married, is trying to come to terms with her new status and deal with the fallout from her chaotic family. She throws herself into work but her compulsion to find answers and see justice done leads her into the deepest jeopardy.
«Вы где, ребята? Ответьте». Это последнее сообщение, которое семнадцатилетний Карвер Бриггс отправил своим лучшим друзьям Марсу, Эли и Блейку. Он не мог даже предположить, что из-за невинного смс его друзья погибнут. Теперь Карвер винит себя в автокатастрофе. И не он один – семьи его погибших друзей твердо намерены призвать Карвера к ответу. В попытке справиться с горем Карвер устраивает «дни прощаний» с Марсом, Эли и Блейком, по кусочкам собирая воспоминания о своих друзьях и самого себя – заново…
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