The Competition - [83]
It was almost midnight by the time Bailey dropped me off at the Biltmore, and we were both wrung out. “I’m going to check in at the office in the morning unless something pops between now and then.”
Bailey nodded wearily. “I’ll let you know.”
I started to get out, then paused. “Have you been getting hassled by the press at all?”
“No. I pushed all my calls to our media liaison, and so far no one’s tried to get past him. Plus, the chief’s been doing pressers every day.”
“They haven’t gone after me either, other than bombarding me with messages asking for information. But those poor families…” Since the day of the shooting, there’d been nonstop pieces on the news showing the grieving friends and relatives of the victims.
The funerals had begun as early as Tuesday. There’d been eleven, which still left another twenty-two to go. So far, none of the families had allowed the press to cover them. Bailey and I usually make it a point to go to victims’ funerals, but we couldn’t this time. There were too many.
I got out and patted the roof. Bailey took off.
Being involved in an investigation can block the big picture, the human side of things. We follow clues and focus on the minutiae, nose to the ground. And we don’t look up until someone’s in custody. But the next morning, as I was getting out of the shower, the disastrous enormity of the case hit me like a sledgehammer. The body count. Shooters still at large. Their bizarre motivations. And their unpredictability, the impossibility of knowing where they’d strike next. Evan somewhere out there, maybe dead already. Or close to it. As the thoughts flooded my brain, I struggled to catch my breath.
I walked out to the balcony. The sun was shining and the sky was a rich brilliant blue. The air was surprisingly warm, but I didn’t trust it. I went back inside and pulled out a turtleneck sweater and slacks. I had an idea about an alternate plan of action, and I mulled it over as I dressed. Then I called Bailey. It was Sunday, and she usually spent at least part of the day with her family, but I knew that ritual would be on hold until this case was solved. “Did the chief approve shutting Platt down already?”
“Yes. Why?”
“Because I’ve been thinking. That school is our only lead right now. If Logan and Shane see that it’s empty, they’ll just look for another target-”
“It’s not going to be empty. I’ve set up cops to pose as teachers. A few as students too, which for a middle school wasn’t easy. Believe me.”
That was exactly what I’d been about to suggest. Bailey didn’t sound happy about it, and I didn’t blame her. It was about as dangerous a duty as it gets. Plus it was a big expense, and there was no guarantee Logan would choose Platt as the next target. But I’d rather be overprepared and wrong than unprepared and right. Besides, this gave us a fighting chance. The only one we’d had since this whole ordeal began. “And I’d like to talk to our shrinks, see what they think about last night.”
“It’s Sunday, Knight. They might have lives.”
“It can’t hurt to try.”
One hour later we were seated around the table in Jenny’s office with steaming mugs of coffee. It was really good. “What is this? I’ve never had anything like it before.”
“It’s my own special blend. And no, I won’t share the secret, but I will mix up a bag for you.”
“The shooting last night,” Michael said. “You’re sure it was them?”
Bailey nodded. “Has to be.”
I told them about the letter we’d gotten that afternoon and filled them in on details of the shooting. “So who do you think picked the Cinemark? Shane or Logan?”
Michael set down his cup. “We think it may have been Shane’s choice-”
“Not that Logan wasn’t happy to go along with it,” Jenny said.
“Because the Cinemark was their chance to beat out the Aurora shooter, right?” I said.
“Yes, there’s no question about that,” Michael said. “But they failed, so I was thinking that their next target might be another theater.”
I told them about our belief that Logan’s junior high school was a likely target, and why.
“That’s a fair guess too,” Jenny said. “Certainly theater owners will be taking extra precautions now, so a theater would be a more jeopardous choice. Plus, the school would be a crossover target. There was a somewhat famous shooting at a middle school in Arkansas. Johnson and Golden set off a fire alarm and then hid in the woods and picked off the students as they came out. They killed five and wounded ten. And they had planned to get away. The car they used was loaded with supplies.”
“I remember that. Back in the nineties, right?” I said.
“Right,” Jenny said. “Nineteen ninety-eight. They weren’t nearly as sophisticated as your killers. The police caught them before they could even get back to the car. So your middle school theory is a sound one from both perspectives: it’s a personal target for Logan, and it’s a place where they can ‘best’ another set of famous killers.”
Bailey’s cell rang. She looked at the number, then quickly stood up. “Excuse me, I have to take this.” She walked out to the anteroom, closing the office door behind her.
First in a new series from bestselling author and famed O. J. Simpson trial prosecutor Marcia Clark, a "terrific writer and storyteller" (James Patterson).Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star – and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case.
TROUBLE IN PARADISE is an all-new short story featuring Rachel Knight, star of thrillers GUILT BY ASSOCIATION and GUILT BY DEGREES.Rachel Knight and her friends Toni and Bailey are taking a break from their busy, crime-focussed lives with a trip to tropical island paradise Aruba. But trouble is never far away from these three, and on their first day their investigative skills are called on when a reality TV child star goes missing…
Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.
Someone has been watching D.A. Rachel Knight-someone who's Rachel's equal in brains, but with more malicious intentions. It began when a near-impossible case fell into Rachel's lap, the suspectless homicide of a homeless man. In the face of courthouse backbiting and a gauzy web of clues, Rachel is determined to deliver justice. She's got back-up: tough-as-nails Detective Bailey Keller. As Rachel and Bailey stir things up, they're shocked to uncover a connection with the vicious murder of an LAPD cop a year earlier.
When the daughter of a billionaire Hollywood director is found murdered after what appears to be a kidnapping gone wrong, Los Angeles Special Trials prosecutor Rachel Knight and Detective Bailey Keller find themselves at the epicenter of a combustible and high-profile court case.Then a prime suspect is revealed to be one of Hollywood's most popular and powerful talent managers-and best friend to the victim's father.With the director vouching for the manager's innocence, the Hollywood media machine commences an all-out war designed to discredit both Rachel and her case.KILLER AMBITION is at once a thrilling ride through the darker side of Tinseltown and a stunning courtroom drama with the brilliant insider's perspective that Marcia Clark is uniquely qualified to give.
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».
Очнувшись на полу в луже крови, Роузи Руссо из Бронкса никак не могла вспомнить — как она оказалась на полу номера мотеля в Нью-Джерси в обнимку с мертвецом?
Действие романа происходит в нулевых или конце девяностых годов. В книге рассказывается о расследовании убийства известного московского ювелира и его жены. В связи с вступлением наследника в права наследства активизируются люди, считающие себя обделенными. Совершено еще два убийства. В центре всех событий каким-то образом оказывается соседка покойных – молодой врач Наталья Голицына. Расследование всех убийств – дело чести майора Пронина, который считает Наталью не причастной к преступлению. Параллельно в романе прослеживается несколько линий – быт отделения реанимации, ювелирное дело, воспоминания о прошедших годах и, конечно, любовь.
Егор Кремнев — специальный агент российской разведки. Во время секретного боевого задания в Аргентине, которое обещало быть простым и безопасным, он потерял всех своих товарищей.Но в его руках оказался секретарь беглого олигарха Соркина — Михаил Шеринг. У Шеринга есть секретные бумаги, за которыми охотится не только российская разведка, но и могущественный преступный синдикат Запада. Теперь Кремневу предстоит сложная задача — доставить Шеринга в Россию. Он намерен сделать это в одиночку, не прибегая к помощи коллег.
Опорск вырос на берегу полноводной реки, по синему руслу которой во время оно ходили купеческие ладьи с восточным товаром к западным и северным торжищам и возвращались опять на Восток. Историки утверждали, что название городу дала древняя порубежная застава, небольшая крепость, именованная Опорой. В злую годину она первой встречала вражьи рати со стороны степи. Во дни же затишья принимала застава за дубовые стены торговых гостей с их товарами, дабы могли спокойно передохнуть они на своих долгих и опасных путях.
Из экспозиции крымского художественного музея выкрадены шесть полотен немецкого художника Кингсховера-Гютлайна. Но самый продвинутый сыщик не догадается, кто заказчик и с какой целью совершено похищение. Грабители прошли мимо золотого фонда музея — бесценной иконы «Рождество Христово» работы учеников Рублёва и других, не менее ценных картин и взяли полотна малоизвестного автора, попавшие в музей после войны. Читателя ждёт захватывающий сюжет с тщательно выписанными нюансами людских отношений и судеб героев трёх поколений.