The Competition - [78]
“What age exactly?” I asked.
“Ten. I taught fifth grade. It isn’t that uncommon to see kids be perfectionists at that age, but Logan took it to an extreme. If every single thing he did wasn’t absolutely flawless, he’d have a fit, and I mean that literally. He’d shred the work, clench his fists, and shake. Sometimes even scream and call himself names, like ‘stupid idiot’ and ‘loser.’”
“What did you do?” I asked.
Vera cracked the eggs into the bowl. “I’d try to calm him down as best I could, and eventually, it would pass. But I knew it was a sign that there was a problem, so I told his parents about it and recommended a child psychologist.” Vera began to beat the eggs.
“How did they take it?” Some parents didn’t appreciate it when teachers suggested their children needed professional help.
“Very well, actually. They started therapy right away. At least that’s what they told me.” Vera put the chicken pieces into the bowl and coated them.
Bailey and I exchanged a look. “Did Logan seem to get better?” I asked.
“He did. He definitely stopped having those fits.”
We fished around for a little while longer to make sure there was nothing else of consequence, then thanked Vera for her time and let ourselves out. The spatter of chicken hitting hot grease crackled behind us as we headed out the door.
When we got into the car, Bailey pulled out her cell. “Someone should check this shrink business out with the Jarvises. See if they put Logan on some kind of medication.”
If we got to trial, any possible chemical influences would offer big support to a mental defense. “Damn. I’d like to hear this for myself. What if we got Nick to go with us? Think that would help?” Nick had the kind of laid-back attitude that might soften the parents’ feelings toward us. Although he’d been at the Jarvis house during the search, he’d stayed in the background. It was possible the parents never even noticed him.
Bailey chewed the inside of her cheek. “Bonnie’ll be less hostile than Brad. I’ll have Nick call and see who’s home. If it’s just her, and Nick’s available, we can give it a try, see if she’ll talk. But if she gets the least bit hinky, we’re outta there. Harrellson can handle it.”
“Of course.” Logan’s parents didn’t have a right to refuse to talk to us. And, fortunately, they hadn’t lawyered up yet. But if they’d be more cooperative with another officer, there was no sense insisting on doing the interview ourselves. I could only hope that Nick’s charm would work its magic. Because I wanted to hear for myself what Bonnie had to say about all this. And why she hadn’t given us this information before.
49
The Jarvises had moved since we’d last seen them. From the moment we’d released Logan’s name as a person of interest, they’d been under siege. Reporters camped out in their front yard, gawkers and hecklers filled the street, and within twenty-four hours, they’d not only received death threats, but someone had painted graffiti on the walls of their garage and sidewalk calling them “killer breeders.” Luckily, a friend had a small rental property available in Santa Clarita, which was about half an hour northeast of Woodland Hills.
Nick toned down the cowboy theme for the occasion. He still wore the boots, but he’d dispensed with the hat, and his sheepskin-lined leather coat looked expensive. He introduced himself with a warm smile, apologized for the inconvenience with convincing sincerity, and told Bonnie he’d take “just a few moments” of her time.
Bonnie’s expression had hardened when she saw us on her doorstep, but Nick’s easy manner won her over. She stood aside and let us in without complaint. As we got seated in the living room, I saw that Bonnie looked a great deal worse for wear. It’d been less than a week since the shooting, but she’d aged ten years. Her face sagged like a melted candle. By unspoken agreement, Nick took the lead in the questioning. He broached the subject of Logan’s therapy gently. “We’ve learned that Logan’s problems were somewhat more…serious than what you mentioned. Tell you the truth, it sounded like the same kind of problems a nephew of mine had a while back. Sure was tough on my sister. I was just wondering what you could tell us about that.”
Bonnie’s lip trembled. She stared out the window in silence for several long moments. “I-I hate to talk about it. It’s embarrassing to Logan, and it’s really not relevant anymore. It was such a long time ago. The doctor said he was fine.”
Her reaction was understandable…if Logan was in trouble for ditching school. I wanted to grab her by the shoulders and scream, “Embarrassing to Logan? Have you lost your mind?” It was a good thing Nick was doing the questioning.
“But you did get him some help,” Nick said.
“Yes, we took him to a therapist.” She looked up at the ceiling. “What was his name?” After a few moments, Bonnie sighed. “It’ll come to me. But he was a wonderful man. He did Logan a world of good. The diagnosis was obsessive-compulsive disorder and anxiety. No hallucinations or voices.” She looked at us pointedly. “No indication of any violent thoughts or tendencies. At least, not toward others.”
First in a new series from bestselling author and famed O. J. Simpson trial prosecutor Marcia Clark, a "terrific writer and storyteller" (James Patterson).Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star – and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case.
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Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.
Someone has been watching D.A. Rachel Knight-someone who's Rachel's equal in brains, but with more malicious intentions. It began when a near-impossible case fell into Rachel's lap, the suspectless homicide of a homeless man. In the face of courthouse backbiting and a gauzy web of clues, Rachel is determined to deliver justice. She's got back-up: tough-as-nails Detective Bailey Keller. As Rachel and Bailey stir things up, they're shocked to uncover a connection with the vicious murder of an LAPD cop a year earlier.
When the daughter of a billionaire Hollywood director is found murdered after what appears to be a kidnapping gone wrong, Los Angeles Special Trials prosecutor Rachel Knight and Detective Bailey Keller find themselves at the epicenter of a combustible and high-profile court case.Then a prime suspect is revealed to be one of Hollywood's most popular and powerful talent managers-and best friend to the victim's father.With the director vouching for the manager's innocence, the Hollywood media machine commences an all-out war designed to discredit both Rachel and her case.KILLER AMBITION is at once a thrilling ride through the darker side of Tinseltown and a stunning courtroom drama with the brilliant insider's perspective that Marcia Clark is uniquely qualified to give.
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».
Очнувшись на полу в луже крови, Роузи Руссо из Бронкса никак не могла вспомнить — как она оказалась на полу номера мотеля в Нью-Джерси в обнимку с мертвецом?
Действие романа происходит в нулевых или конце девяностых годов. В книге рассказывается о расследовании убийства известного московского ювелира и его жены. В связи с вступлением наследника в права наследства активизируются люди, считающие себя обделенными. Совершено еще два убийства. В центре всех событий каким-то образом оказывается соседка покойных – молодой врач Наталья Голицына. Расследование всех убийств – дело чести майора Пронина, который считает Наталью не причастной к преступлению. Параллельно в романе прослеживается несколько линий – быт отделения реанимации, ювелирное дело, воспоминания о прошедших годах и, конечно, любовь.
Егор Кремнев — специальный агент российской разведки. Во время секретного боевого задания в Аргентине, которое обещало быть простым и безопасным, он потерял всех своих товарищей.Но в его руках оказался секретарь беглого олигарха Соркина — Михаил Шеринг. У Шеринга есть секретные бумаги, за которыми охотится не только российская разведка, но и могущественный преступный синдикат Запада. Теперь Кремневу предстоит сложная задача — доставить Шеринга в Россию. Он намерен сделать это в одиночку, не прибегая к помощи коллег.
Опорск вырос на берегу полноводной реки, по синему руслу которой во время оно ходили купеческие ладьи с восточным товаром к западным и северным торжищам и возвращались опять на Восток. Историки утверждали, что название городу дала древняя порубежная застава, небольшая крепость, именованная Опорой. В злую годину она первой встречала вражьи рати со стороны степи. Во дни же затишья принимала застава за дубовые стены торговых гостей с их товарами, дабы могли спокойно передохнуть они на своих долгих и опасных путях.
Из экспозиции крымского художественного музея выкрадены шесть полотен немецкого художника Кингсховера-Гютлайна. Но самый продвинутый сыщик не догадается, кто заказчик и с какой целью совершено похищение. Грабители прошли мимо золотого фонда музея — бесценной иконы «Рождество Христово» работы учеников Рублёва и других, не менее ценных картин и взяли полотна малоизвестного автора, попавшие в музей после войны. Читателя ждёт захватывающий сюжет с тщательно выписанными нюансами людских отношений и судеб героев трёх поколений.