The Competition - [34]
“Nope,” he said. “I was hoping we’d at least see some names we could track down. But so far, nada.”
The detective had opened the notebook to the last page in order to start with the most recent writings. I read as he moved backward through the journal. “I’m the lowest most useless worm on the planet. I’m a blight on humanity. Why am I even here?” Page after page of self-hatred. Then, suddenly, the sun would break through the clouds: “Everywhere I look I see the miracle that is life, and I want to tell everyone that they’re beautiful.” A few pages later, Logan’s sky would darken again and he’d reflect on his “worthlessness and the pain of drawing breath and having to exist on this miserable sphere.” But there was nothing about any real plans to even commit suicide, let alone a mass murder. Finally, I gave up and joined Bailey in the hallway.
“Ready to go?” she asked. “We’ve got another warrant to get to.”
Otis Barney’s house. I didn’t think we had enough yet, but I didn’t want to get into it with Bailey here, in front of everyone. I followed her down the hall and into the living room. The Jarvises sat side by side on the sofa, looking shell-shocked. The uni we’d left there had relaxed enough to move his hand away from the butt of his gun.
“I probably don’t need to tell you that if you hear from Logan, you should tell him to turn himself in,” Bailey said. “And call us immediately.”
Bonnie Jarvis nodded vacantly. Brad stared at the floor.
“Did either of you know a girl named Amanda?” I asked.
It took a few moments for my words to break through. Bonnie Jarvis shook her head. Brad said nothing.
“Brad?” I said. I repeated the question.
He didn’t look up, but he finally answered. “No. I-I don’t recall hearing Logan mention that name.”
We told them we’d be in touch and said good-bye. We’d have to talk to them again, probably many more times. But there was nothing to be gained by it now. They clearly knew nothing about his involvement in the shooting. The only information they might have for us would be coincidental, and only useful at trial: a stray remark, an unusual behavior-something fairly subtle that wouldn’t have meant much to them at the time. But their minds were too frozen to be able to access those memories.
Bailey and I headed for her car. Just as we reached the sidewalk, a young woman in heels came clattering toward us. “Detective Keller! Ms. Knight! What can you tell me about this latest development? Did Logan Jarvis have something to do with the shootings?” A cameraman behind her pointed his black lens at us as the woman pushed a microphone into our faces.
“No comment,” I said. Bailey and I kept walking. I barely restrained the impulse to swat the microphone out of the woman’s hand.
Another news van roared up the street and disgorged yet another reporter, who tried to head us off before we reached the car, but we jumped in before he could get to us. He was still running behind our car as we pulled away.
“And that’ll be our lives until we put this one to bed,” I said. I pulled down the visor so I could use the mirror to check out the street behind us. We hadn’t even reached the corner before another news van arrived.
Bailey looked grim. “I’m going to ask for a detail on Logan’s house. Once the chief pegs him as a person of interest, those parents won’t be able to burp without someone getting it on tape.”
“Someone better warn them. This might be a good time for them to get out of Dodge.”
“I’ll call the search team,” Bailey said. She turned right on Ventura, heading toward the Barney house. “So, you ready to work up a warrant for Otis’s place?”
“It’s still a pretty close call.” We had a connection between Otis and Logan now, thanks to Carson James’s statement, and we had more confirmation that the shorter suspect’s weird laugh sounded like his. But the fact that he was of the same general height and weight as the smaller shooter was a wash. There were probably a thousand boys in the school who fit that description. The neo-Nazi-looking posters on his bedroom wall were ugly, but there was no indication the shootings were racially motivated. Bottom line: getting a judge to approve a warrant was far from a slam dunk. “Did any of the unis get statements about him being into guns? Or making threats of any kind in the past couple of years?”
Bailey shook her head.
“Can we get someone to dig into Logan’s computer right now? If Otis is our guy, he should be in there somewhere.”
Bailey nodded but didn’t look happy about the prospect. “I wanted Dorian to get a shot at lifting prints before we did anything.”
“Why not ask her to take a look and see if there’s even anything liftable?” If not, then there was no reason we couldn’t get into the laptop right away.
“Yeah, good idea.” Bailey gave me a small grin. “And since it was your idea…”
Dorian hated to be rushed. But I couldn’t back down now. “Fine.” I pulled out my phone and made the call.
“Struck here,” she answered. From the sounds in the background, Dorian was out in the field. Probably still at the school.
When the daughter of a billionaire Hollywood director is found murdered after what appears to be a kidnapping gone wrong, Los Angeles Special Trials prosecutor Rachel Knight and Detective Bailey Keller find themselves at the epicenter of a combustible and high-profile court case.Then a prime suspect is revealed to be one of Hollywood's most popular and powerful talent managers-and best friend to the victim's father.With the director vouching for the manager's innocence, the Hollywood media machine commences an all-out war designed to discredit both Rachel and her case.KILLER AMBITION is at once a thrilling ride through the darker side of Tinseltown and a stunning courtroom drama with the brilliant insider's perspective that Marcia Clark is uniquely qualified to give.
Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.
First in a new series from bestselling author and famed O. J. Simpson trial prosecutor Marcia Clark, a "terrific writer and storyteller" (James Patterson).Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star – and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case.
TROUBLE IN PARADISE is an all-new short story featuring Rachel Knight, star of thrillers GUILT BY ASSOCIATION and GUILT BY DEGREES.Rachel Knight and her friends Toni and Bailey are taking a break from their busy, crime-focussed lives with a trip to tropical island paradise Aruba. But trouble is never far away from these three, and on their first day their investigative skills are called on when a reality TV child star goes missing…
Someone has been watching D.A. Rachel Knight-someone who's Rachel's equal in brains, but with more malicious intentions. It began when a near-impossible case fell into Rachel's lap, the suspectless homicide of a homeless man. In the face of courthouse backbiting and a gauzy web of clues, Rachel is determined to deliver justice. She's got back-up: tough-as-nails Detective Bailey Keller. As Rachel and Bailey stir things up, they're shocked to uncover a connection with the vicious murder of an LAPD cop a year earlier.
У богатых свои причуды. Мультимиллиардеру Николаю захотелось удивить свою молодую невесту необычным подарком – мемуарами о собственной жизни. И для их написания он нанимает литератора Льва Стасова. Стоило бы отказаться от этой авантюры, но нет. Льву интересно, почему такой богач не мог подарить своей возлюбленной какую-то дорогую побрякушку? Тем более что в сейфе у Николая спрятана уйма старинных драгоценностей. Среди них даже перстень, который, по легенде, принадлежал самой Марии Медичи. Но в одно прекрасное утро драгоценности исчезают.
Наталия Новохатская Предлагает серию развернутых описаний, сначала советской (немного), затем дальнейшей российской жизни за последние 20 с лишком лет, с заметным уклоном в криминально-приключенческую сторону. Главная героиня, она же основной рассказчик — детектив-самоучка, некая Катя Малышева. Серия предназначена для более или менее просвещенной аудитории со здоровой психикой и почти не содержит описаний кровавых убийств или прочих резких отклонений от здорового образа жизни. В читателе предполагается чувство юмора, хотя бы в малой степени, допускающей, что можно смеяться над собой.
Май 1899 года. В дождливый день к сыщику Мармеладову приходит звуковой мастер фирмы «Берлинер и Ко» с граммофонной пластинкой. Во время концерта Шаляпина он случайно записал подозрительный звук, который может означать лишь одно: где-то поблизости совершено жестокое преступление. Заинтригованный сыщик отправляется на поиски таинственного убийцы.
Молодая женщина, известный в сети блогер, однажды исчезла из своей квартиры. Какие обстоятельства стали причиной ее внезапного исчезновения? Чем может помочь страница в «Живом журнале» пропавшей? На эти вопросы предстоит найти ответы следователю Дмитрию Владимирову. Рассказ «Затерявшаяся во мгле» четвертый в ряду цикла «Дыхание мегаполиса», повествующего о судьбах наших современников — жителей больших городов.
А с вами случалось такое? Когда чья-то незримая жизнь играет внутри вас будто забродившее вино, она преследует вас с самого детства и не даёт покоя ни днём, ни ночью. С ней невозможно договориться, у неё нет ни ног, ни тела, ни голоса. У неё нет ничего. И, тем не менее, она пытается по-своему общаться и даже что-то рассказывает. Что это: раздвоение сознания или тихое сумасшествие? А может, это чья-то неуспокоенная душа отчаянно взывает о помощи? Тогда кто она? Откуда взялась? И что ей нужно?
Первый официальный роман по мотивам культового сериала «Нарко» от Netflix. Удивительно подробное и правдивое изображение колумбийской наркоторговли изнутри. Хосе Агилар Гонсалес – sicario, наемный убийца медельинского картеля. Он готов обрушиться на любого врага Пабло Эскобара – и сделать с ним все, что прикажет Патрон. Он досконально изучил весь механизм работы кокаиновой империи, снизу доверху. Он глубоко проник в мысли и чувства Эскобара. Он знает, как подойти к нему даже с такой просьбой, которая другим показалась бы самоубийством, – и получить желаемое.