The Competition - [30]
“Can you check out his report-”
“It’s not typed yet.”
“You only need his notes to see what I’m looking for-”
“Rachel, I’m not supposed to-”
“Come on, Scott. This one’s easy.” I heard him sigh. “And I’ll still buy you lunch at Engine Company Number Twenty-eight.”
“No, that’s okay. What do you need?”
“Did either of the two boys in the library have a tattoo or any kind of marking on his right wrist?” We already knew one of them was close to six feet tall.
“That is easy.” He sounded relieved. “No, neither of them has any kind of marking on the right wrist. At least, nothing that’s in the notes. Anything else?” His voice had that wary note again. He couldn’t believe he’d gotten off that lightly.
“Just one thing. Do we have results on the gunshot residue?”
“Yeah. No GSR on either of them. Is that it?”
“Then the report confirms they’re not the shooters?”
“Well, the official report isn’t done yet-”
“But the answer’s yes.”
Scott sighed again. “Yes. They are not the shooters. But I can’t get the report for you. Not this time, Rachel. The case is too hot, I might really get fired-”
“Scott, what are you thinking? I would never ask you to jeopardize your job.”
“Would and have, Knight.”
True and true. “Well, I’m not doing it now. Just one more thing.” I waited a beat to build suspense. “How about lunch in a couple of weeks?”
I could practically hear him exhale. “You got it.”
I ended the call and told Bailey what Scott had said. We continued to inch along, and I leaned forward in my seat, straining against the seat belt. I sat on my hands to keep from biting my cuticles. I looked at my watch, then the car clock, then back at my watch. I must have done it fifteen times before we finally got off the freeway and headed into Logan’s neighborhood.
17
Bailey turned onto a quiet street lined with trees that had grown so large their roots had buckled the sidewalks. The houses were a mix of ranch, Tudor, and Cape Cod styles, but all were in the four-thousand-square-foot range and well maintained. Bailey pulled over and pointed across the street to a beige two-story house with off-white trim situated on a large lot at the end of the block. Red and white roses lined the walk leading up to the front door, and still-leafy jacaranda trees shaded the front yard-the very epitome of upper-middle-class suburbia. I wondered if it housed one of the nation’s most heinous mass murderers.
We headed across the street and when we reached the door Bailey used the brass knocker to give two sharp raps. I felt footsteps approaching from somewhere in the house. Seconds later, a tall, stoop-shouldered man answered the door. His eyes were red rimmed behind wire-framed glasses, his short brown hair was matted on one side, and his clothes-a long-sleeved T-shirt and jeans-looked slept-in.
Bailey produced her badge, and I did the same. “Mr. Jarvis? I’m Detective Keller and this is Deputy District Attorney Rachel Knight. Thank you for meeting us here.”
I saw alarm and misery in his face. He opened his mouth, but just stared at us silently for a moment before gesturing for us to come in. We followed him down a short hall and turned right, into a tastefully furnished living room. We settled on the sofa and he sat down in the wingback chair across from us, his hands on his knees. He cleared his throat with a harsh cough, took a deep breath, and made himself ask the question. “Have you found him? Have you found my son?” He looked from me to Bailey.
I could see how much that question had cost him. We shook our heads. “I’m sorry, Mr. Jarvis,” I said.
He blinked slowly, nodded.
“Does he usually drive his car to school?” Bailey asked.
“Yes. But it’s not there. We’ve been calling everywhere trying to find him. No one seems to know anything-”
A woman’s voice called out from the hallway. “Brad? Are they…” A small, slender woman in jeans, whose face and body sagged as though attached to lead weights, entered with quick, nervous steps.
“Yes, it’s the police, Bonnie-”
Her swollen eyes asked the question she was too afraid to voice.
“We have not found your son yet, Mrs. Jarvis,” Bailey said.
The mother sank onto the other end of the sofa and twisted a Kleenex in her hands. The anguish in that room was heartbreaking. They had no idea why we were really here. Their only fear was that he was a victim. What we would tell them in the next few moments would make them long for that relatively simple form of agony.
“Can I ask you if Logan has a tattoo anywhere on his body?” I asked.
Bonnie lifted her head. “Yes, he has a tattoo of an iron cross on his right wrist.”
I pulled out the photograph of the taller shooter’s forearm. “This is a little fuzzy, but could this be it?”
The mother leaned forward to look but didn’t take the photograph from my hand. She pressed her lips together and nodded. I showed the photograph to the father. His face turned white.
“Where…when was this taken?” he asked.
I glanced at Bailey. We wanted to hold off on telling them for as long as possible.
“Would you mind if we had a look around Logan’s room?” Bailey asked. “We might pick up on some clue as to where he might be.”
When the daughter of a billionaire Hollywood director is found murdered after what appears to be a kidnapping gone wrong, Los Angeles Special Trials prosecutor Rachel Knight and Detective Bailey Keller find themselves at the epicenter of a combustible and high-profile court case.Then a prime suspect is revealed to be one of Hollywood's most popular and powerful talent managers-and best friend to the victim's father.With the director vouching for the manager's innocence, the Hollywood media machine commences an all-out war designed to discredit both Rachel and her case.KILLER AMBITION is at once a thrilling ride through the darker side of Tinseltown and a stunning courtroom drama with the brilliant insider's perspective that Marcia Clark is uniquely qualified to give.
Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.
First in a new series from bestselling author and famed O. J. Simpson trial prosecutor Marcia Clark, a "terrific writer and storyteller" (James Patterson).Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star – and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case.
TROUBLE IN PARADISE is an all-new short story featuring Rachel Knight, star of thrillers GUILT BY ASSOCIATION and GUILT BY DEGREES.Rachel Knight and her friends Toni and Bailey are taking a break from their busy, crime-focussed lives with a trip to tropical island paradise Aruba. But trouble is never far away from these three, and on their first day their investigative skills are called on when a reality TV child star goes missing…
Someone has been watching D.A. Rachel Knight-someone who's Rachel's equal in brains, but with more malicious intentions. It began when a near-impossible case fell into Rachel's lap, the suspectless homicide of a homeless man. In the face of courthouse backbiting and a gauzy web of clues, Rachel is determined to deliver justice. She's got back-up: tough-as-nails Detective Bailey Keller. As Rachel and Bailey stir things up, they're shocked to uncover a connection with the vicious murder of an LAPD cop a year earlier.
Наталия Новохатская Предлагает серию развернутых описаний, сначала советской (немного), затем дальнейшей российской жизни за последние 20 с лишком лет, с заметным уклоном в криминально-приключенческую сторону. Главная героиня, она же основной рассказчик — детектив-самоучка, некая Катя Малышева. Серия предназначена для более или менее просвещенной аудитории со здоровой психикой и почти не содержит описаний кровавых убийств или прочих резких отклонений от здорового образа жизни. В читателе предполагается чувство юмора, хотя бы в малой степени, допускающей, что можно смеяться над собой.
Смерть – какая она? Страшная? Или наоборот – освободительная? Кто решает кому жить, а кому нет? Журналист Максим Котов недавно пережил самую страшную потерю. Неизвестный вирус унёс жизнь его ребёнка. «Так бывает…» – сказали врачи. Но Максим уверен, что смерть его дочери – не случайность, а часть большого заговора. И в этом заговоре его ребенку была отведена роль пешки, которой с легкостью пожертвовали ради достижения «большой цели». Котов решает найти виновного и отомстить. Но чем больше он углубляется в расследование, тем запутаннее становится история.
Май 1899 года. В дождливый день к сыщику Мармеладову приходит звуковой мастер фирмы «Берлинер и Ко» с граммофонной пластинкой. Во время концерта Шаляпина он случайно записал подозрительный звук, который может означать лишь одно: где-то поблизости совершено жестокое преступление. Заинтригованный сыщик отправляется на поиски таинственного убийцы.
Молодая женщина, известный в сети блогер, однажды исчезла из своей квартиры. Какие обстоятельства стали причиной ее внезапного исчезновения? Чем может помочь страница в «Живом журнале» пропавшей? На эти вопросы предстоит найти ответы следователю Дмитрию Владимирову. Рассказ «Затерявшаяся во мгле» четвертый в ряду цикла «Дыхание мегаполиса», повествующего о судьбах наших современников — жителей больших городов.
А с вами случалось такое? Когда чья-то незримая жизнь играет внутри вас будто забродившее вино, она преследует вас с самого детства и не даёт покоя ни днём, ни ночью. С ней невозможно договориться, у неё нет ни ног, ни тела, ни голоса. У неё нет ничего. И, тем не менее, она пытается по-своему общаться и даже что-то рассказывает. Что это: раздвоение сознания или тихое сумасшествие? А может, это чья-то неуспокоенная душа отчаянно взывает о помощи? Тогда кто она? Откуда взялась? И что ей нужно?
Первый официальный роман по мотивам культового сериала «Нарко» от Netflix. Удивительно подробное и правдивое изображение колумбийской наркоторговли изнутри. Хосе Агилар Гонсалес – sicario, наемный убийца медельинского картеля. Он готов обрушиться на любого врага Пабло Эскобара – и сделать с ним все, что прикажет Патрон. Он досконально изучил весь механизм работы кокаиновой империи, снизу доверху. Он глубоко проник в мысли и чувства Эскобара. Он знает, как подойти к нему даже с такой просьбой, которая другим показалась бы самоубийством, – и получить желаемое.