Театр абсурда - [137]

Deathwatch. In: The Maids-Deathwatch. Trans. Bernard Frechtman. N.Y., Grove Press, 1954. P. 128.

13 Ibid. P. 103, 104.

14 The Maids. P. 61.

15 Ibid. P. 86.

16 Genet. Notre-Dame-des-Fleurs. In: (Euvres Completes. Vol. II. Paris, Gallimard, 1951. P. 119.

17 Genet. Letter to Pauvert. In: Genet. Les Bonnes — L’Atelier d'Alberto Giacometti. Decines [Isere], L’Arbalete, 1958. P. 145, 146.

18 Ibid. P. 147.

19 Saint Genet. P. 9.

20 Sartre. Introduction to The Maids-Deathwatch. P. 30.

21 Genet. Letter to Pauvert. P. 144.

22 Ibid.

23 Ibid. P. 142.

24 The News Chronicle. London, April 23, 1957.

25 The News Chronicle. London, April 24, 1957.

26 The New Statesman. London, May 4, 1957.

27 Ibid.

28 Ibid.

29 Picture Post. London, May 11, 1957.

30 Genet. The Blacks. Trans. Bernard Frechtman. N.Y., Grove Press,

1960. P. 11.

31 Ibid. P. 39.

32 Ibid. P. 127.

33 Ibid. P. 22.

34 Ibid. P. 10.

35 Ibid. P. 47.

36 Ibid. P. 44.

37 Saint Genet. P. 535.

38 Ibid. P. 388.

ГЛАВА ПЯТАЯ

1 Harold Pinter. Interview with Kenneth Tynan. BBC, Home Service,

28 October 1960.

2 Pinter. Interview with Hallam Tennyson. BBC, General Overseas Service, 7 August 1960.

3 Pinter. Interview with Tynan.

4 Pinter. The Room. In: The Birthday Party and Other Plays. London, Methuen, 1960. P. 102.

5 Ibid. P. 103.

6 Ibid. P. 118.

7 Pinter. The Dumb Waiter. In: The Birthday Party and Other Plays. P. 150.

8 Ibid.

9 Ibid. P. 23.

10 Ibid. P. 54, 55.

11 Pinter. Interview with Tynan.

12 Pinter. Interview with Tennyson.

13 Ibid.

14 Ibid.

15 Programme note for performance of The Room and The Dumb Waiter. Royal Court Theatre, London, March 1960.

16 Pinter. Interview with Tynan.

17 Pinter. A Slight Ache. In: Tomorrow, Oxford. No. 4, 1960. Also in: A Slight Ache and Other Plays. London, Methuen, 1961.

18 Pinter. The Caretaker. London, Methuen, 1960. P. 77.

19 Pinter. Interview with Tynan.

20 Sunday Times, London, 14 August, 1960.

21 The Caretaker. P. 63.

21 Ibid. P. 25.

22 Ibid. P. 60.

23 Pinter. The Dwarfs. In: A Slight Ache and Other Plays. London, Methuen, 1961. P. 116.

24 Ibid. P. 99.

25 Ibid. P. 111.

26 Pinter. Interview with Tynan.

27 Ibid.

ГЛАВА ШЕСТАЯ

1 Jean Tardieu. Theatre de Chambre. Paris, Gallimard, 1955. P. 10.

2 Ibid. P. 14.

3 Ibid. P. 23.

4 Tardieu. Theatre II. Poemes a Jouer. Paris, Gallimard, 1960. P. 163.

5 Ibid. P. 240–241.

6 Ibid.

7 Boris Vian. Les Batisseurs d'Empire. Paris, L'Arche, 1959. P. 8.

8 Dino Buzzati. Un Caso Clinico. Milan, Mondadori, 1953. P. 182.

9 Ezio d'Errico. La Foresta. In: II Dramma, Turin, no. 278, November.

1959. P. 9.

10 See Pallottino. The Etruscans. Penguin Books, 1953. P. 246.

11 Manuel de Pedrolo. Cruma. In: Premi Joan Santamaria 1957. Barcelona, Editorial Nereida, 1958. P. 14.

12 De Pedrolo. Homes i No. In: Quadems de Teatre A.D.B. Barselona, No.2, 1960. P. 24.

13 Fernando Arrabal. Theatre. Paris, Julliard, 1958. P. 13, 14.

14 Ibid. P. 152.

15 Max Frisch. Biedermann und die Brandstifter. Berlin and Frankfurt, Suhrkamp, 1958. P. 78.

16 Ibid. P. 20.

17 Wolfgang Hildesheimer. Erlanger Rede iiber das absurde Theater. Akzentle, Munich, No. 6, 1960.

18 Ibid.

19 Gunter Grass. Die Bosen Koche. Stage ms. P. 101.

20 N. F. Simpson. A Resounding Tinkle. In: New English Dramatists 2. Penguin Books, 1960. P. 81.

21 A Resounding Tinkle (short version). In: The Hole and Other Plays and Sketches. London, Faber and Faber, 1964. P. 88.

22 A Resounding Tinkle. In: New English Dramatists 2, P. 99.

23 Ibid. P. 100.

24 Ibid.

25 Ibid. P. 130.

26 Ibid. P. 140.

27 Simpson, quoted by Penelope Gilliatt. Schoolmaster from Battersea. Manchester Guardian, 14 April 1960.

28 Simpson, quoted in Daily Mail, 25 February 1960.

29 A Resounding Tinkle (short version). P. 87, 88.

30 Simpson. The Hole and Other Plays and Sketches. P. 11.

31 Simpson. Interview BBC. General Overseas Service, 6 March 1960.

32 Simpson. One Way Pendulum. London, Faber and Faber, 1960. P. 50.

ГЛАВА СЕДЬМАЯ

1 William Hazlitt. The Indian Jugglers. Table Talk. London and New York, Everyman’s Library. P. 78.

2 Friedrich Nietzsche. Die Geburt der Tragodie. In: Werke, vol. 1, ed. Schlechta. Munich, Hanser, 1955. P. 94.

3 Hermann Reich. Der Mimus. Vol. 1. Berlin, 1903. P. 459.

4 Ibid.

5 Ibid. P. 595, 596.

6 E. Tietze-Conrat. Dwarfs and Jesters in Art. London, Phaidon, 1957. P. 7.

7 Joseph Gregor. Weltgeschichte des Theaters. Vienna, Phaidon, 1933. P. 212.

8 Max Beerbohm. Around Theatres. London, Rupert Hart-Davis, 1953. P. 350.

9 Quoted by Colin Mclnnes. Spectator. London, 23 December 1960.

10 Ionesco. The Chairs. P. 115.

11 Time. N.Y., 12 December 1960.

12 Johann Nestroy. Judith und Holofemes, scene 3. Sammliche Werke, vol. IV, ed. Brukner and Rommel. Vienna, Schroll. P. 167.

13 Georg Buchner. Leonce und Lena. Act II, scene 2.

14 Freud. Der Witz und seine Beziehung zum Unbewussten (1905), paperback edition. Frankfurt, Fisher, 1958. P. 101.

15 Robert Benayoun. Anthologie du Nonsense. Paris, Pauvert, 1957. P. 36.

16 Richard Corbet. Epilogus incerti authoris. In: Comic and Curious Verse, ed. J. M. Cohen. Pehguin Books, 1952. P. 217.

17 Elizabeth Sewell. The Field of Nonsense. London, Chatto and Windus, 1952. P. 128.